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 Forum index » Archive » Archive: Ephemeral » ARG: EDOC Laundry
[UPDATE][PUZZLE]Time enough always proves little enough
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Shad0
I Have No Life


Joined: 20 Jun 2004
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Location: Southern California, USA

[UPDATE][PUZZLE]Time enough always proves little enough

Our last puzzle from Lyn for EDOC Season One:

Lyn wrote:
There will be one secret left for you after this, at least until the new clothes on edoclaundry.com go on sale, but you'll find it elsewhere, as you did FAME.

I figured we should end as we began, with music. Poor Richard -- even with the lawsuit and the shooting and the deaths and the fighting and everything else that came along to distract us -- was always about the music, and that's all I really have to give you, with this last secret: a scrap of something Jeff was writing for Abigail, reconstructed from his notes. His stab at venturing into her world, I guess. It's not what it would have been if he had done more than sketch the outlines; it's not what it would have been if she had gotten her hands on the piano part he always left simple so she would have room to do her thing. Instead you get what I can do to build on what he started, and to add a little something of my own to the mix.

Look here, and listen here.

No hints for this one, I think. You've more than proven how good you are at this, and we're in no hurry this time to make room for next week's game.

I've enjoyed playing with you and sharing these secrets with you, and been challenged, surprised, and amazed. Hopefully we'll get to do it again in the not too distant future.

Good luck.

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These were the puzzles that would take a day, these were puzzles that would take a week, and these puzzles they'd probably never figure out until we broke down and gave them the answers. ... The Cloudmakers solved all of these puzzles on the first day.

PostPosted: Wed Sep 06, 2006 2:10 pm
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aliendial
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Joined: 29 Sep 2002
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FAME = another YRB advertisement?

Sadly I know my music education is not up to this, but perhaps the shad0 knows - the mp3 is much longer than the sheet music, and the mp3 seems only to track the sheet music partway and then goes off someplace else. And/or perhaps adds an additional piano part that is not on the sheet music? (Or is that Lyn riffing on top of the written material?) And certainly the last few bars of the oboe (and probably much more) are not on the sheet music...
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aliendial

PostPosted: Wed Sep 06, 2006 5:59 pm
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vidstudent
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My guess is that we need to take that extra junk and get it transcribed - a task I do not look forward to, but one I'm willing to undertake. Once we transcribe it, we can, perhaps, go from there.

Yeah, this might take a week.

*checks himself*

...it's the right length, but the oboe goes on an unwritten solo riff for the last seven bars.
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Nicholas Eckert
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PostPosted: Wed Sep 06, 2006 7:30 pm
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aliendial
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Are you sure about the length? (Turns out I can count 6/8 tempo, only because it's like 3/4 but different.) So yeah the length is good.

There's certainly a ton of extra piano stuff not on the sheet music, not just the oboe. And I'm only ignoring the bass and cellos because I find their music harder to track, but I think there are additions there too. Or maybe not. I listened again and that actually seems to track pretty closely, at least in the places where I didn't totally lose track of what was going on. Embarassed
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aliendial

PostPosted: Thu Sep 07, 2006 11:37 am
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vidstudent
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After further review (in an effort to transcribe the oboe solo, pictured below), it does appear the piano gets to vamp a bit near the end prior to the oboe solo. It's probably significant, and I'm ignoring it anyway because transcribing that can be hazardous to my health.

As for the solo, it actually only goes four measures, and one of those is the dotted half note at the end. If someone could check my work on this, I'd appreciate it. Also, if people want, I broke down the rest of the music into page-sized fragments - there are eight in all, and I can add measure numbers because I'm nice like that.

[Edited to delete oversized attachments - see Hellion's post, and thank him profusely.]
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Nicholas Eckert
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PostPosted: Thu Sep 07, 2006 8:15 pm
Last edited by vidstudent on Thu Sep 07, 2006 8:45 pm; edited 1 time in total
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Hellion88
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Alright, the images were a tad too large, so I went ahead and resized them.





PostPosted: Thu Sep 07, 2006 8:35 pm
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aliendial
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Third measure from the end after the C - is that a B or A?
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aliendial

PostPosted: Thu Sep 07, 2006 8:57 pm
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vidstudent
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That's a B b . Our key here is A b , which means it's actually not horrible to play on an alto saxophone - not that it's written for one. Our note sounds like Re and not Do - therefore, B b .
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Nicholas Eckert
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PostPosted: Sun Sep 10, 2006 1:09 am
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Shad0
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Re: key

vidstudent wrote:
Our key here is A b

Not that it probably matters much, but I believe technically this is F minor. Same key signature, anyway.
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These were the puzzles that would take a day, these were puzzles that would take a week, and these puzzles they'd probably never figure out until we broke down and gave them the answers. ... The Cloudmakers solved all of these puzzles on the first day.

PostPosted: Sun Sep 10, 2006 4:44 am
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aliendial
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Time to advance our music education - how can you tell if it's A flat or F minor? (I'm asking cuz I don't know.) The notes are exactly the same. I read about it in wikipedia but the explanation explained nothing. One of those 'you have to know the answer to understand the answer' things.
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aliendial

PostPosted: Sun Sep 10, 2006 8:00 am
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Shad0
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Re: key

aliendial wrote:
Time to advance our music education - how can you tell if it's A flat or F minor? (I'm asking cuz I don't know.) The notes are exactly the same. I read about it in wikipedia but the explanation explained nothing. One of those 'you have to know the answer to understand the answer' things.

And you think I'm going to be better at it? *sigh*

It's actually considerably easier if you happen to play an instrument, even a little, because then you can look at examples instead of tonal theory. Let's pretend that you do. Pick out the following notes on your piano/guitar/violin/whatever:

C-C-G-G-A-A-G, F-F-E-E-D-D-C

If this were written out on a normal piece of staff paper, it would have no sharps and no flats. Thus, the piece would be in either C-major or A-minor. Can we tell which it was just by listening to it? Yup, C-major. (It's "Twinkle, Twinkle, Little Star," for those of you playing the home game.) Let's try another one:

C-C-G-G-Ab-Ab-G, F-F-Eb-Eb-D-D-C

Similar melody, but not quite in the same key. This one has three flats in the key signature (Bb, Eb, and Ab), which means that it's in either Eb-major or C-minor. Hopefully it sounded like a minor version of "Twinkle, Twinkle, Little Star," so you could tell the difference -- and, more importantly, that it was in C-minor. So what would "Twinkle, Twinkle, Little Star" sound like in Eb-major?

Eb-Eb-Bb-Bb-C-C-Bb, Ab-Ab-G-G-F-F-Eb

That has the same three flats as the version written in C-minor, but hopefully you can tell that it's still in a major key. And just to finish it off, the version in A-minor (the key with no sharps or flats):

A-A-E-E-F-F-E, D-D-C-C-B-B-A

You may have observed that this particular melody always starts and ends on the same note, which just happens to be the note of the key in which it is (called the "tonic"). Yeah, I cheated. It's not always that easy. But if you listen to enough tonal music, you should be able to pick out the tonic, and from there determine whether the music is in a major key or a minor key.

Here endeth the lesson.
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These were the puzzles that would take a day, these were puzzles that would take a week, and these puzzles they'd probably never figure out until we broke down and gave them the answers. ... The Cloudmakers solved all of these puzzles on the first day.

PostPosted: Sun Sep 10, 2006 2:15 pm
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Caspian
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aliendial wrote:
Time to advance our music education - how can you tell if it's A flat or F minor? (I'm asking cuz I don't know.) The notes are exactly the same. I read about it in wikipedia but the explanation explained nothing. One of those 'you have to know the answer to understand the answer' things.


Shad0 gave a great explanation, but made the assumption you know what "major" and "minor" sound like. Just in case there's someone here who doesn't know that distinction, when you listen to a piece and it sounds like it fits with the normal Do-Re-Mi scale, it's major. People often decribe it as sounding "happy" when compared with music in a minor key. So, "Twinkle Twinkle" is definitely major, as is "Joy To The World" and "The Wedding March" and most songs you think of.

A song in a minor key is often described as dark, sad, or even scary. Songs like "The Imperial March" from Star Wars.

So a good way to tell is to read the key signature (number of sharps and flats) and then simply listen to it to see if it's major or minor. Another way to check is to look at the final chord - that's usually a dead give away. Finally, as Shad0 said, the melody often starts and almost always ends on the tonic - the "Do" in the "Do Re Mi" scale - which will again give you the key.
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PostPosted: Sun Sep 10, 2006 4:28 pm
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aliendial
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You guys are the greatest for explaining all that. Must try with piano. (Although I must protest I do know the difference between music in major and minor keys, I just never knew about this overlap thing.)

But otherwise, any ideas on the puzzle, or are we trying to stretch out the puzzly goodness since there won't be any more for a while? I tried an anagram of the oboe solo (ignoring that some of the notes were flats), no dice. (Well, plenty of possibilities but nothing likely looking.)
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aliendial

PostPosted: Mon Sep 11, 2006 2:09 pm
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vidstudent
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...I've been looking at it, and no good leads so far. Possibilites to note:
[list=][*]We're in 6/8 time. Binary (with the 01 in stuck in front) is a possibility, though binary by which beats are hit by notes doesn't seem to work.
[*]We have fifteen groups of bars. NOTHINGTOHIDE may be a key somehow.
[*]I dunno, maybe it needs to be played backwards to understand the subliminal messages? Joking, joking....[/list]

We aren't getting clues just sitting here, so let's brainstorm, shall we?

...or not....

Spoiler (Rollover to View):
Remember Lover's Quarrel? It's where Jeff proposes to write this for Abigail. He chooses CHAMBER MUSIC for the piece's style.

Yes, I guessed again. If she wants to shoot me for it, she's more than welcome to drive or fly to Toledo to commit the deed. Wink

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Nicholas Eckert
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PostPosted: Thu Sep 21, 2006 8:22 pm
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vidstudent
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And, while I'm at it, let me reverse-engineer the solve:

Spoiler (Rollover to View):
We'll start with the easy letters, A-H. A-G is represented by quarter notes A-G up the scale, and H is a quarter note high A. Simple enough, right? Yeah, except we have a lot more eighth notes than quarter notes.

So, we start with I and go up the scale again with eighth notes - but we still can't get all the letters, so we're going to have to do this twice. Hence, we put an identifier with the next two sets of letters - I-P go up the scale with the next higher note immediately following, and Q-X go down the scale with the next lowest note following. (Thankfully, Y and Z aren't needed.) So, each pair of beats is a letter.


If I can make either my equipment sing or find a mike to record into, I'll have an example up later.
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Nicholas Eckert
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PostPosted: Fri Sep 22, 2006 2:24 am
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