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 Forum index » Archive » Archive: Cloverfield (1-18-08) » Cloverfield: General / Updates
[META] Cloverfield as an cultural/artistic response to 9/11
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iconsumer
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Re: Rose is Right

reagan88 wrote:
You are WRONG!




PostPosted: Thu Nov 22, 2007 1:36 pm
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reagan88
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Ok ok

Hey Iconsummer. Very funny. I guess i did get up on my high horse there for a second. But... I'm still right. Very Happy

PostPosted: Thu Nov 22, 2007 1:51 pm
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Arkaham
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Did you see D-War? The only deeper meaning there is "Kids, do not watch CGI gigant monster B movies made in hollywood, they suck" Laughing

But seriously speaking. Its all about context. In literary studies we often talk about how it is impossible to completely separate a work of art from its times. Even if the author never had any kind of intention, he lives on his time and people who read or see his work also lives on some moment in history, so always the real world infuence art. (I could make some comments about art influencing real life, but I rather not go there when it comes to 9/11)

So, yes, if you look for it you will find the issues of terrorism, 9/11, goverment conspiracies and all that in the movie. But i don't think JJ or anyone else is putting them there consciously. Just like I think all the godzilla/US A bomb links were put there by the influence of makers and viewer living on those days and places.
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PostPosted: Thu Nov 22, 2007 2:08 pm
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Vince
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cloverfield and 9/11

anyone who is outright dismissing this connection is delusional. it took about a year or so before we began to see artistic responses to 9/11, and i think we're beyond that and now we're seeing artistic responses to the new climate of fear, the encroachment upon our liberties from our government, and the perception of the united states as a new kind of colonial power. not to mention the hyper-bureaucritization that is the hallmark of government/American democracy. the host is a perfect example of this--but anyone who saw 30 days of night, or 28 days later, can map these issues onto those films pretty easily as well.

if the writers are smart about it, they'll do their best to dilute this commentary so that the object is not obvious--so that the film might have some relevance a decade or so down the road.

and to whoever said it would be an environmental moral, i think you're right. environmental issues are very popular with the public even though pro-environment practices are not.

PostPosted: Thu Nov 22, 2007 2:32 pm
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fleabit
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Why can't it just be a monster movie? Are you really saying that you know for a fact that ALL prior monster movies had some cultural motivator to try and have a "deeper meaning?" I call shenanigans! Sorry, but many people don't try to have a deeper meaning in their works, whatever they are. They are just made for the love of that genre, nothing more.

PostPosted: Thu Nov 22, 2007 2:57 pm
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reagan88
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Fleabit

You are correct...to a degree Fleabit. One of my favorite movies is a very bad movie entitled "Equinox." It was made as a project for experimenting and showcasing effects. there is no great meaning to the plot. I love it!

But... if we were all to start listing monster movies you would see that they are, more often than not, stories involving some universal fear associated with the time period. Not always to be sure. But often (too often).

I love the genre and am currently shooting a horror movie here in Texas and I can tell you that it does incorporate a particular universal fear. Why? Because when you are trying to scare a lot of people it is important to attack the audience with the greatest impact at your disposal. There may be a small portion of the audience who can relate to an abusive mother. There are probably more who can relate to the fears associated with being abused by a father.

PostPosted: Thu Nov 22, 2007 3:44 pm
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iconsumer
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fleabit wrote:
Why can't it just be a monster movie? Are you really saying that you know for a fact that ALL prior monster movies had some cultural motivator to try and have a "deeper meaning?" I call shenanigans! Sorry, but many people don't try to have a deeper meaning in their works, whatever they are. They are just made for the love of that genre, nothing more.


+1 Twisted Evil

PostPosted: Thu Nov 22, 2007 4:03 pm
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e2c
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thats like stating the obvious. SURELY the producers of this film knew exactly what they were doing when they gave Abrams the OK to make a monster movie in which NYC gets completly destroyed. it plays with the fear of the people but at the same time adds mystery to the whole story. a great way to make a lot of money.

why do u think all these army/politics films came out over the last couple of years? saying that, its now come to a point where they don't even get any response anymore... the kingdom and rendition both sucked @ the box office

cloverfield will be a bit different, cleverer ...thats why it could b such a huge hit.
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PostPosted: Thu Nov 22, 2007 4:49 pm
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Patrick Star
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rose wrote:
I don't mean a direct, conscious response, more something that results from an unconscious place. But you guys really think that this movie has no undertones of 9/11? Because, I look at the poster and it looks like it could be a reverse of 9/11 images, fictionalized, of course, and with the Statue of Liberty damage. But maybe I am looking for this 9/11 connection, so that is what I see when I look at the poster. I got this idea while looking at the official poster thread.

It's just a theory I have. Kindof the inverse of Spiderman (the first one) being so popular in part because it made skyscrapers seem safe, even fun, again. I know I read a review of Spiderman that posited the Spidey-makes-skyscrapers-safe theory, it isn't an original thought on my part by any means. I'm sure that Cloverfield will have similar reviews and similar comparisons.

C'mon, look at the poster again. Wink


I think there is something there with the replacement of the human enemy with a monster, but what do I know? I make up theories(as a way of processing the world) and, almost always, a lot of people disagree with them.

For anyone who doesn't know, I live in New York, I'm not trying to sensationalize this movie, this is just a theory.



Rose, that is isopod deep! I think you are on to something here. Most movie monsters have grown from fear and unknown. Why not use 9/11. Godzilla was born out of World War II and the overall fear of a nuclear exchange. Funny how Godzilla started out as the enemy (America, Nukes etc.) and as the years passed and we became deeper allied with Japan, GZ became the shield.

Ooops gotta go, the voices are telling me to burn things. Twisted Evil

PostPosted: Thu Nov 22, 2007 5:06 pm
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iconsumer
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I think it would be interesting if the movie focused on the military aspect of the monster attack (which it appears to do), and the real monster ends up being just that... the military.

For instance, what if the human casualties aren't a result of the monster attacking the city, but rather friendly fire (i.e. chemical weapons, bombing gone astray, etc.)

I could definitely see this being a possibility.

... but reading into the monster attack as a metaphor for the environment, or war, or what-nots. Come now. This isn't english lit kids. It's just entertainment.

PostPosted: Thu Nov 22, 2007 5:09 pm
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I'M HUGE!
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SHNIPE wrote:
I'M HUGE! wrote:
SHNIPE wrote:
they did a monster movie in LA and it was boring Very Happy

which movie was that? Confused


Dragon Wars

Oh yeah, lol. I thought that was NY for some reason.
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PostPosted: Thu Nov 22, 2007 5:12 pm
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Aurigan
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Cloverfield: When A Monster Movie Just Can't Be a Monster Movie.

PostPosted: Thu Nov 22, 2007 5:25 pm
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I'M HUGE!
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Aurigan wrote:
Cloverfield: When A Monster Movie Just Can't Be a Monster Movie.

Lol, yup, taht's true. I just want a plain monster movie, with a very minor message, IF ANY.
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An anagram for JJ Abrams is Cloverfield. Shocked


PostPosted: Thu Nov 22, 2007 5:27 pm
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TBILL
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I agree with Rose on this one. Certainly the TONE of the movie draws largely on 9/11 based anxities (ie SOMETHING hit NY we dont what, Landmarks destroyed, Pics of people wondering confused through streets etc.)

PostPosted: Thu Nov 22, 2007 6:43 pm
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fleabit
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Just because NY City was attacked in a terrorist plot has nothing to do with the fact it's the most popular site for universal destruction when it comes to flicks. It was that way long before 9/11, and the only reason for a lull was some semblence of respect for the incident. It's well known, vastly populated, is next to the coast (which is a great way to introduce larger monsters.. just doesn't seem as likely or exciting when they pop out of the Rocky Mountains to terrorize Denver), and has lots and lots of nice tall buildings. A monster-movie, city-destroying paradise.

If I see a giant monster tearing down a building in a monster flick, while I respect your opinion that it's some deep set emotion from a terror attack that puts everyone on the edge of their seats, I must disagree completely. I don't think of this at all. It's just a flipping monster movie.

And I really feel it's a low blow to say that a movie producer is using that sort of fear to their advantage to make $$$. I do not believe this would be a consideration, or a motive to use that city in particular. There is no way to tie in a MONSTER movie.. from a fictional character in situations that would never occur, with a terror attack. It's just not there, you're reaching.

It's just a monster flick. From the interviews from JJ, I see no hidden agenda, nor desire to prove a point. It's just his love of the genre that wants him to make this movie, nothing more.

PostPosted: Fri Nov 23, 2007 1:22 am
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