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Forum index » Archive » Archive: General » Old News & Rumors

[TRAILHEAD] Just received peculiar e-mail...

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Zyconis
Greenhorn

Joined: 01 Jan 2009
Posts: 7

Anonymous wrote:

I'll be following this one for sure!

I plan on joining the chat tomorrow, if that's alright ^_^

That was me posting, I didn't realize I wasn't logged in.

Sorry about that.

Posted: Fri Jan 02, 2009 12:10 am

HoobieDaju
Veteran

Joined: 23 Sep 2008
Posts: 105

Received same e-mail..

Plan on entering the chat room as we discussed. I told Becca that I received what I believe was confirmation and that she should join us...

Perhaps we can finally get some answers!

Scott

Posted: Fri Jan 02, 2009 12:53 am

Zyconis
Greenhorn

Joined: 01 Jan 2009
Posts: 7

Re: Received same e-mail..

HoobieDaju wrote:

Perhaps we can finally get some answers!

One can only hope.

Posted: Fri Jan 02, 2009 12:59 am

Wulf74
Unfettered

Joined: 04 Dec 2008
Posts: 680
Location: SLC, Utah

Re: Received same e-mail..

HoobieDaju wrote:

Plan on entering the chat room as we discussed.

Apparently, I missed the discussion on how we're "entering the chat room"? Single file? Very Happy

Posted: Fri Jan 02, 2009 12:07 pm

Zyconis
Greenhorn

Joined: 01 Jan 2009
Posts: 7

I got reply from Becca this morning saying she's happy to try and answer any questions I have.

No emails from Zita for me yet though.

*EDIT*

Over the course of today I asked Becca a few questions trying to figure out how Zita got her email information, and I didn't come up with anything useful. xD

Oh well.

Posted: Fri Jan 02, 2009 12:33 pm

Zyconis
Greenhorn

Joined: 01 Jan 2009
Posts: 7

IRC with Zita

<Zita>: I will begin by trying to answer questions you may have.
<Illy>: Favorite color.
<Zita>: Appropriate questions.
<Scott3232>: wow didn't see that coming
<Illy>: Damn, I tried.
<Zyconis>: Mind if I ask the first question?
<Zita>: Why did you not see that coming?
<Scott3232>: Favorite color as the first question?
<Zita>: Feel free.
<Zita>: Be wise.
<Zyconis>: How did you manage to access Becca's email account?
<Zita>: I needed to connect you all. I imagined the communication and the means by which it was sent. Then it happened.
<Wulf_>: Evening
<Zita>: Hello Wulf.
<Zyconis>: No less cryptic than usual I can see.
<Illy>: Serious question: Why us?
<Zita>: I myself do not know. I do not see things relative to a continuous imaginary string of time, rather a web of time. Events connected.
<Illy>: That's pretty deep.
<Scott3232>: Was Becca herself a part of that imagery?
<Wulf_>: How do you see us participating in this,?
<Scott3232>: or is she just a conduit to us?
<dposse>: did i miss anything?
<Zita>: I saw this meeting and it happened. That is an advantage of my position.
<Landmaster>: Precognative?
<Wulf_>: So what do you see next?
<Zita>: I saw this meeting as it is now, and time arranged itself to make this happen. Time is moving me as I am using it to see.
<Scott3232>: Do you not really exist?
<Zita>: Next. You are forgetting I do not see in a straght line.
<Zita>: I am breaking too many rules already.
<Landmaster>: Curious. I am reminded of some works of Lovecraft's regarding the angles of time versus the curves of time.
<Scott3232>: rules set by who?
<Wulf_>: Understood - so what can you tell us?
<Illy>: I second Scott's question
<Zita>: I have seen awful things, I can not bear to sit and let these visions come to me without action.
<Zita>: The rules of the universe.
<Scott3232>: who's universe?
<Zita>: Our universe.
<Scott3232>: whose, rather
<Zita>: That would be telling.
<Scott3232>: are you human?
<Illy>: What do you want us to do about it?
<dposse>: everybody's universe, or just your own?
<Illy>: Please phrase that in a more polite way, too >.>
<Zita>: I am many things. I have been Zoran Popoviae, Maria Perez, Susan Taylor, Luc Jacobi, Sarah Lemmon, Rene Robert, Li Su Wong and thousands more.
<dposse>: you're a spirit?
<Zita>: One of my many names.
<Scott3232>: does Zita have a specific meaning?
<Zita>: In a heirarchy, I could be seen as an authority figure.
<Scott3232>: what is your full name?
<Wulf_>: over whom>
<Wulf_>: ?
<Zita>: I am certain if you search my name you might find answers.
<dposse>: http://en.wikipedia.org/wiki/Saint_Zita
<dposse>: Saint Zita
<Illy>: Which name?
<dposse>: an Italian saint, the patron saint of maids and domestic servants. She is also appealed to in order to help find lost keys.
<Zita>: That is not for me to say. I break too many rules.
<Scott3232>: Saint Zita (c. 1218 - 27 April 1272) was an Italian saint, the patron saint of maids and domestic servants. She is also appealed to in order to help find lost keys.
<Zyconis>: Those names are who you've been, but who are you?
<Zita>: I am one and thousands at the same time.
<Landmaster>: A collective.
<dposse>: Borg?
<dposse>: ha. sorry
<Illy>: Anonymous?
<Zita>: We are one whole.
<Zita>: Zita.
<Zyconis>: I am legion, for we are many?
<Zyconis>: o.O
<dposse>: haha
<Landmaster>: If you cannot tell us what we are supposed to prevent -- how will we know? Can you give us a hint?
<Scott3232>: Does Becca have a specific/important role in your journey, or is she one of us?
<Zita>: I do not know myself. I may only share my visions.
<Wulf_>: Agreed - we're not asking the right questions, so what questions should we ask?
<dposse>: Are you using Becca to communicate with us?
<Scott3232>: what was your latest vision?
<Zita>: Please trust me and only me. I am breaking so many rules.
<dposse>: Whose rules?
<Becca>: She is not using me
<Illy>: Ooh, here's a good question.
<Wulf_>: You ask for trust, but offer nothing in return
<Illy>: What is the consequence for breaking these rules?
<Zita>: The ones set in place by a power we can not understand.
<Zita>: I do not know.
<dposse>: can not, will not, or shall not?
<Scott3232>: what was your most recent vision?
<Zita>: I will tell you my visions now. Non-linear.
<dposse>: go ahead
<Zita>: An ivy-covered building, a metal sculpture, a princess, a young blond man.
<dposse>: a castle
<dposse>: with a statue in front
<dposse>: in italy?
<Zita>: Tears. A young boy and a mother.
<Illy>: Is this princess cute?
<dposse>: duh thats easy
<Wulf_>: let Zita finish
<dposse>: jesus
<Zyconis>: please
<dposse>: and, uh.
<dposse>: sorry. finish, zita
<Zita>: Black and white floors, hallways, two halls, blood, a doll, a skull.
<Zita>: I only know I told you these in the vision of the meeting.
<dposse>: and that was all you told us?
<Zita>: I do not know why you are the ones, or what you need to do at this point in time.
<dposse>: all your visions?
<Scott3232>: Besides Saint Zita, I also found Zita of Bourbon-Parma... http://en.wikipedia.org/wiki/Zita_of_Bourbon-Parma
<Wulf_>: In what context were the visions? what feelings with them?
<Zyconis>: You told us to only trust you, who else will try to contact us
<Zita>: Happiness, focus, sadness, anger, ambition.
<dposse>: hmm
<dposse>: is that in order?
<Zyconis>: Becca left...
<Zita>: If anyone in a similar standing to me should find out.
<dposse>: those emotions?
<Scott3232>: What happened to Becca?
<Zita>: I do not know what will happen.
<Scott3232>: I'll e-mail her
<dposse>: Zita: are those emotions linear?
<Wulf_>: Zyconis is correct - who else should we expect to interfere? And why shouldn't we trust them
<Zita>: No.
<dposse>: okay, thank you
<Zyconis>: Can you give us a date?
<Scott3232>: Are you seeing these visions as photographs or are the participants in motion?
<Zita>: If one similar to me should find the rules have been broken the consequence will be terrible and we may be unable to change the visions I have see.
<Zita>: seen.
<dposse>: Why would we be unable to change them?
<Zita>: I see images. Still.
<Wulf_>: What is/are the result of the images? what is the final act?
<Illy>: These visions, then are things that may be, but not necessarily things that will be?
<Zita>: If our information is ceased we will be helpless. For now I am your source.
<Scott3232>: Are the visions in color or black & white?
<Zita>: Precisely Illy.
<Zita>: They are colour.
<Zyconis>: Are we still asking the wrong questions?
<dposse>: You are from the UK?
<Scott3232>: dposse.. I was thinking the same thing
<dposse>: you said "colour"
<Zita>: I have told you what I have seen. I can only break so many rules.
<dposse>: that's british
<Scott3232>: How do we contact you?
<Zita>: Do you trust me?
<dposse>: Zita: We have no choice
<Scott3232>: I don't know yet... You haven't done anything to earn my trust or distrust
<Zita>: I am using Becca's connection.
<Zyconis>: Normally I would answer no, but I don't think we have much of a choice.
<Illy>: That depends. Would you smite me if I said maybe?
<Scott3232>: Do you expect Becca to remain a part of this journey?
<Zita>: Well, I hope you give the benefit of the doubt for now.
<Landmaster>: No need to bite the hand that feeds you, as they say, especially if they're trying to get you to stop something that sounds like it's bad.
<Wulf_>: I think Zita means, that she/he is more or less channelling Becca
<Zita>: There was a reason time connected Becca to this meeting. I am sure you will discover it.
<dposse>: hm. that was less british and more french

<Scott3232>: In the visions, does it appear that it is from a time in the past, present, or future?
<Zita>: No. No chanelling. I use the intenet connection.
<dposse>: see?
<dposse>: that
<Wulf_>: how
<dposse>: that poor use of grammar
<dposse>: it sounds french
<Zyconis>: please stop with the off point comments.
<dposse>: its not off point
<dposse>: not at all
<Scott3232>: I don't think the comments are off-point
<Zita>: The visions, I do not know yet. We will see.
<Wulf_>: What else can you offer us?
<Scott3232>: I think dposse is trying to establish a time of reference based on the "accent"... French Revolution, etc...
<dposse>: not when we have Zita of Bourbon-Parma
<Illy>: Zita, are you from earth?
<Scott3232>: Right?
<Zyconis>: Point taken.
<dposse>: thank you, Scott3232
<Illy>: You sound somewhat... above a normal human, so I'm a bit curious
<Zita>: I am of the Earth.

<Scott3232>: Are you female?
<AUZ505>: Zita, what are the rules you are referring to?
<dposse>: see? "of the Earth"
<Wulf_>: how long have you existed?
<Zita>: I am many beings.
<dposse>: that's not british
<Zyconis>: Is it alright if we address you as female?
<Zita>: I have existed many thousands of centuries, even before I was given my name.
<Zita>: You may address me as such.
<dposse>: how many thousands?
<Scott3232>: No response from Becca...
<Zita>: Since life was born.
<Zyconis>: Want me to try?
<Scott3232>: Do you have form?
<dposse>: Zita: on whose calender?
<Scott3232>: I e-mailed Becca a few minutes ago
<Zyconis>: I'll see if I can get something.
<Scott3232>: what I mean is, do you take the form of a human or are you a spirit?
<Zita>: I do not have a form. I am blind, but I see. I am deaf but can hear.
<Zita>: I have no hands, but I feel.
<Scott3232>: do you have emotion?
<Scott3232>: you must if the visions concern you
<Zita>: I have many things. Many you can not imagine.
<dposse>: Zita: these visions, what things can you feel? warmth? coldness, ect?
<Wulf_>: she is fearful .. of others discovering her
<Zita>: I feel them all.
<Zita>: You would do well to listen to Wulf. He has intuition.
<AUZ505>: Zita, could you tell us something about the rule(s) you are breaking.
<Zita>: I am not supposed to interfere.
<dposse>: and?
<Scott3232>: discovering her for what purpose though...
<Illy>: Do you know why these visions come to you? Is that normal for... I'm not sure "people" is the right word... but, is that normal for beings like you?
<AUZ505>: Interfere with humans?
<Scott3232>: and piggie-backing on Illy's question: are there more like you?
<Zita>: I am sure beings like me have visions, but not the ones I have had.
<Zita>: There are hundreds like me.
<dposse>: are you not supposed to interefere with Time?
<Zita>: I am not.
<Zita>: Wait.
<Wulf_>: but the only way you can interfere is to tell us of these visions
<Scott3232>: Do you get visions regularly, and if so, why do you feel you need to interfere with these particular visions?
<Wulf_>: apart from that - you're a bystander
<Zita>: Wulf, you are blessed.
<dposse>: Wulf_: why are you not asking questions, but rather giving statements?
<Zyconis>: Will "they" find out about this?
<Wulf_>: I've asked several questions, some get answered, some don't
<Zita>: What I have seen has amazing power. Awful but amazing.
<Landmaster>: Sometimes to comprehend better, you must state what you are thinking. So you can read it back to yourself. imo.
<Wulf_>: I think the problem is, obviously, we haven't asked the right questions
<dposse>: that is true
<Zita>: I think you have asked many good questions and you have many good answers.
<Wulf_>: Zita is limited in the way she can participate, but we haven't discovered why..?
<Zyconis>: We need to think outside of conventional means, we're obviously not dealing with a conventional situation.
<Zita>: I am bound by rules.

<Scott3232>: Zita, so you are using us as a means to intervene to keep the visions you had from happening?
<Zita>: That would be correct.
<dposse>: Zita: How can we use our resources to do what you can not?
<Zyconis>: We are the means. She can't directly do anything, but we can.
<dposse>: We are on the internet
<Zita>: You must make sense of what I have seen.
<Wulf_>: You might be bound by certain rules, but there are obviously others you can .. avoid
<Landmaster>: This something is beyond human scope, then. Something supernatural, perhaps.
<dposse>: thats the extent of our power
<Zyconis>: Rules can be bent.
<Zyconis>: But not broken
<Zyconis>: Correct?
<Scott3232>: dposse, check your PM
<Zita>: I am bending many rules.
<Zita>: You are my actors rewriting the script.
<Scott3232>: zita, if you are a spirit of some kind, how do you know the difference between linear and non-linear?
<Illy>: All the world's a stage, and all of us merely actors.
<Zita>: I know of your world.
<Wulf_>: So you ask for trust, you offer visions - asking that we decipher them - what are we missing?
<Illy>: I wanna operate the trapdoor.
<Zita>: I do not exist, therefore I do not live a linear existence.
<Scott3232>: Zita, have you ever been corporeal?
<dposse>: Illy: exactly. i love that quote, btw
<Zita>: I have, but I am many.
<Illy>: Dposse: Shakespear and all derivatives of are awesome.
<dposse>: Zita: you think, therefore you exist
<dposse>: Illy: agreed

<Zita>: I am getting souls within me who wish to aid you:
<Illy>: Zita: You said earlier there are hundreds like you, yes? And yet, none of you exist?
<Wulf_>: how can they aid us?
<Zita>: True.
<Illy>: How do you know there are others?
<Zita>: These are the souls:
<Zyconis>: How will we know who to trust?
<Zita>: Ingres, Jean-Auguste-Dominique
<Zita>: Diamond, David
<Zita>: Beauneveu, Andre
<Zita>: Gallen-Kallela, Akseli
<Zita>: Sinding, Christian
<Zita>: Alfven, Hugo
<Zita>: Raimondi, Marcantonio
<Zita>: Naldini, Giovanni Battista
<Zita>: Egge, Klaus
<Zita>: Melartin, Erkki
<Zita>: Natoire, Charles-Joseph
<Zita>: Imbrie, Andrew
<Zita>: Uccello, Paolo
<Zita>: Only when you find who they belong with can they help you. Real souls who once roamed the land, they aim to guide you.
<Zita>: Decide what is right and what is wrong. Each mistake you make will only get you closer. Root around until you can make sense of them.
<Wulf_>: Were these souls, a part of the visions you have?
<Illy>: Oooh, I'm good at making mistakes.
<Zita>: Trust only me. They appeared here in this meeting.
<dposse>: Zita: is that all you have to say to us for now?
<Scott3232>: each mistake will get us closer in a good way?
<Zyconis>: Can we trust those you have named?
<dposse>: i think i recgonize some of those names
<Zita>: I have done too much. You will make sense of this.
<Illy>: Zita: How can we contact you after this meeting? Through Becca?
<Zita>: I must leave you.
<Zita>: Yes. I will watch.
<Zita>: Salutations.

Posted: Fri Jan 02, 2009 8:41 pm

dposse
Entrenched

Joined: 12 Nov 2006
Posts: 954
Location: CT

http://en.wikipedia.org/wiki/Jean_Auguste_Dominique_Ingres

Quote:

Jean Auguste Dominique Ingres (pronounced [ɛ̃ːɡʁ]) (29 August 1780 � 14 January 1867) was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.

http://en.wikipedia.org/wiki/David_Diamond

Quote:

David Leo Diamond (July 9, 1915 � June 13, 2005) was an American composer of classical music.

Diamond's most popular piece is Rounds (1944) for string orchestra. Among his other works are eleven symphonies (the last in 1993), concertos including three for violin, eleven string quartets, music for wind ensemble, other chamber music, piano pieces and vocal music.

He also composed the musical theme heard on the CBS Radio Network broadcast "Hear It Now" (1950-51) and its TV successor, "See It Now" (1951-5 Cool

; (see [1]).

http://wwar.com/masters/b/beauneveu-andre.html

Quote:

Artist: Andre Beauneveu (1335 - 1403)
Nationality: Netherlandish
Movement: Gothic
Media: Painting,Sculpture

Andre Beauneveu was born in Valenciennes. Little is known about his early life and he is first documented in 1360. Four years later, he commissioned to create a collection of royal tombs in Paris for King Charles V. In 1366, Beauneveau left Paris and began working for the Count of Flanders in Courtrai beginning in 1374. Then in 1386, he began working for Jean, Duc de Berry and served him for the rest of his life. Beauneveau was primarily a sculptor, but also produced illuminated manuscripts and stained glass windows. His work was integral to the development of naturalism in the 15th century.

http://en.wikipedia.org/wiki/Akseli_Gallen-Kallela

Quote:

Akseli Gallen-Kallela (April 26, 1865 � March 7, 1931) was a Finnish painter who is best known for his illustrations of the Kalevala, the Finnish national epic (illustration, below). His work was considered very important for the Finnish national identity.

He was born Ax�l Waldemar Gall�n in Pori (in Swedish Bj�rneborg), Finland.

http://en.wikipedia.org/wiki/Christian_Sinding

Quote:

Christian August Sinding (January 11, 1856�December 3, 1941) was a Norwegian composer and the brother of the painter Otto Ludvig Sinding and the sculptor Stephan Sinding.

Sinding is best remembered today for one of his piano works, Fr�hlingsrauschen (Rustles of Spring, 1896). Among his other works � which are rarely performed, as Grieg overshadowed Sinding � are three symphonies,[1] three violin concertos, a piano concerto,[2] chamber music, songs and choral works to Norwegian texts, and an opera, Der Heilige Berg (The Holy Mountain, 1914).

http://en.wikipedia.org/wiki/Hugo_Alfv%C3%A9n

Quote:

Hugo Emil Alfv�n (help�info) (May 1, 1872 � May 8, 1960) was a Swedish composer, conductor, violinist, and painter.

Alfv�n became known as one of Sweden's principal composers, together with Wilhelm Stenhammar. Alfv�n's music is in a late-Romantic idiom. His orchestration is skillful and colorful, reminiscent of that of Richard Strauss. Like Strauss, Alfv�n wrote a considerable amount of program music. Some of Alfv�n's music evokes the landscape of Sweden.

Among his works are a large number of pieces for male voice choir, five symphonies and three orchestral "Swedish Rhapsodies." The first of these rhapsodies, Midsommarvaka is his best known piece.

http://en.wikipedia.org/wiki/Marcantonio_Raimondi

Quote:

Marcantonio Raimondi, also simply Marcantonio, (c. 1480 � c. 1534) was an Italian engraver, known for being the first important printmaker whose body of work consists mainly of prints copying paintings. He is therefore a key figure in the rise of the reproductive print. He also systematized a technique of engraving that became dominant in Italy and elsewhere.

http://en.wikipedia.org/wiki/Giovanni_Battista_Naldini

Quote:

Giovanni Battista Naldini (1537 - 1591) was an Italian painter of a late-Mannerism in Florence.

http://en.wikipedia.org/wiki/Klaus_Egge

Quote:

Klaus Egge (July 19, 1906 in Gransherad in Telemark � March 7, 1979) was a Norwegian composer and music critic. His music, often called a stream of will, is characterized by polyphony and a strong rhythmical energy.

His major works include five symphonies, three piano concertos, one violin concerto, one cello concerto and numerous chamber works.

http://en.wikipedia.org/wiki/Erkki_Melartin

Quote:

Erkki Melartin (February 2, 1875�February 14, 1937) was a Finnish composer and pupil of Martin Wegelius from 1892-99 in Helsinki, and Robert Fuchs from 1899-1901 in Vienna. Interestingly enough, he shares identical birth and death years with more famous composer Maurice Ravel.

http://en.wikipedia.org/wiki/Charles-Joseph_Natoire

Quote:

Charles-Joseph Natoire (3 March 1700 � 23 August 1777) was a French painter in the Rococo manner, a pupil of Fran�ois Lemoyne and director of the French Academy in Rome, 1751-1775. Considered during his lifetime the equal of Fran�ois Boucher, he played a prominent role in the artistic life of France.

He is remembered above all for the series of the History of Psyche for Germain Boffrand's oval salon de la Princesse in the H�tel de Soubise, Paris, and for the tapestry cartoons for the series of the History of Don Quixote, woven at the Beauvais tapestry manufacture, most of which are at the Ch�teau de Compi�gne.

http://en.wikipedia.org/wiki/Andrew_Imbrie

Quote:

Andrew Welsh Imbrie (April 6, 1921 � December 5, 2007)[1] was an American composer of contemporary classical music.

http://en.wikipedia.org/wiki/Paolo_Uccello

Quote:

Paolo Uccello (born Paolo di Dono, 1397 � December 10, 1475) was an Italian painter who was notable for his pioneering work on visual perspective in art. Giorgio Vasari in his book Lives of the Artists wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. He used perspective in order to create a feeling of depth in his paintings and not, as his contemporaries, to narrate different or succeeding stories.

His best known works are the three paintings representing the battle of San Romano (for a long time these were wrongly entitled the "Battle of Sant' Egidio of 1416").

Paolo worked in the Late Gothic tradition, and emphasized colour and pageantry rather than the Classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers.

Posted: Fri Jan 02, 2009 10:00 pm

Zslasher
Boot

Joined: 03 Nov 2008
Posts: 58
Location: Somewhere in South America

i got the very first email too lol im just recovering froma hangover so ill be joining shortly

_________________
Playing:DownStream,AoD II
Lurking and/or playing:The Game is a Cover Up
waiting:Angels And Demons
i'm not crazy,I'm totally and completely sane.Now if you'll excuse me,I have to go blow up that dead body.

Posted: Sat Jan 03, 2009 12:12 am

Wulf74
Unfettered

Joined: 04 Dec 2008
Posts: 680
Location: SLC, Utah

I just sent a rather lengthy email to Zita, asking for clarification on some items. Hindsight is always a @#$.

Hopefully I'll get some good answers that might narrow our search for us - rather than an "ivy covered building"... Laughing

Posted: Sat Jan 03, 2009 12:31 am

IXBalam
Boot

Joined: 29 Nov 2008
Posts: 31

what links them

Logged in today, want to offer my support.

That was a very interesting, yet a bit hectic, conversation with this, um, entity.

On the souls, Zita says:"Root around until you can make sense of them"
What links do we find among these souls that want to help us? Maybe that can provide clues.
From an initial observation, they are artists, mainly european, and mainly composers and visual plastic artists.

On the visions, Zita says:

Quote:

I will tell you my visions now. Non-linear
An ivy-covered building, a metal sculpture, a princess, a young blond man
Tears. A young boy and a mother.
Black and white floors, hallways, two halls, blood, a doll, a skull.
Happiness, focus, sadness, anger, ambition.

Just in case it comes in handy to someone who just skims through the chat transcript. did I miss anything substanial?

Posted: Sat Jan 03, 2009 7:33 am

Wulf74
Unfettered

Joined: 04 Dec 2008
Posts: 680
Location: SLC, Utah

Re: what links them

IXBalam wrote:

Just in case it comes in handy to someone who just skims through the chat transcript. did I miss anything substanial?

As far as the conversation with Zita - that's pretty much the gist of it. A few posts above - dposse provided some great links to the different "souls" involved - which of course identified them as you mentioned. Artists all, in some fashion or another.

As I mentioned in an earlier post, I sent an email to Zita asking for clarification around the visions - things like "ivy-covered building" - what condition was it in, and several other questions.

Aside from that - the only other information came from our initial conversation with Becca. She had no idea why she was involved - but did discover there is a building in the UK also named Becca Hall. After the conversation with Zita, Becca logged back in and we discovered that she had a twin - but that twin was killed in a mugging back in 2007 at the age of 19. Becca is currently attending University studying geography (can't remember specifics), but hopes to eventually move to Italy and study vulcanology (the study of volcano's - not vulcans Laughing

)

I think that about covers it, if I've missed anything someone else will pick up the slack.

Posted: Sat Jan 03, 2009 3:39 pm

dposse
Entrenched

Joined: 12 Nov 2006
Posts: 954
Location: CT

American composer
American composer
Italian painter
Italian painter
Italian engraver
Swedish composer
Norwegian composer
Norwegian composer
Finnish composer
Finnish painter
Netherlandish Gothic painter
French painter
French Neoclassical painter

So, we have three italians, two Americans, two French, two Finnish, two Norwegian, one Swedish, one Netherlandish. Six composers of classical music. Six painters. One engraver.

I'm not sure what to make of this...

Posted: Sat Jan 03, 2009 4:28 pm

Leyton Stone
I Have No Life

Joined: 08 Dec 2007
Posts: 2302
Location: London (NOT Ontario!)

Okay no offence but I got nothing from that whole long chat thing, can we do as the admins/mods ask us normally and just give a brief abbreviation of the chat and the most important/relevant parts?

Thank you guys.

_________________
PM'd: Chryo-Pharm. || ITFS. || Weirdnessicity/Lif3. ||

Playing: Help me find something!

Watching: Nothing yet...

Posted: Sat Jan 03, 2009 4:45 pm

ineffabelle
Unfettered

Joined: 01 May 2008
Posts: 700
Location: Southern California

Leyton Stone wrote:

I'm really sorry I missed meeting (especially since I picked the time XD ) but it would be helpful for me also if we could get a good summary cause I'm totally lost too at this point...

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You can call me Belle. | IneffaBelle.com

Posted: Sat Jan 03, 2009 5:53 pm

Wulf74
Unfettered

Joined: 04 Dec 2008
Posts: 680
Location: SLC, Utah

Reply from Zita

I got a response from Zita regarding the email I sent to her after the conversation. Luckily she kept with using the same code as the first email - because it was a lot longer this time.

Rather than posting my long ass email, I'll try to just give a bit of info where relevant to Zita's response.

Quote:

I appreciate your position. I hope my reply will aid you. The building (ivy-covered building is in good condition and was in an urban area. I saw it from an elevated angle, there are two small sets of doors in either end and they are black. There are many sides to a building (I asked what side the building was seen from) Confused

.

The sculpture is extremely large and abstract, indescribable.

Princess with red hair, blue skirt and blue cardigan. Blank expression ( on her face). Modern (style of dress).

(Blonde) Young man with an earring, blue jeans, black shirt and brown shoes.

All the images were separate (in reference to the vision involving the "hallways, 2 halls, blood, doll and a skull). The hallways were at ninety degree angles. Black and white floors yes (here i asked if the floors "give the impression of being enclosed (as in a hallway?) or within a structure but separate from it?"). Two People (I asked for more detail regarding the "2 halls").

I am certain if you keep your wits about you, these things will come to you.

As for the souls I gave you, you know that they fall into two separate groups. Only when you have moved them into their separate groups can you work. Rearrange them to help you. Decide where they should go in relation to each other. Every soul is as important as the others. Read the instructions carefully (instructions!??).

==EDIT==
Or I can post the original email I sent if someone wants to see it.
If I missed something or someone needs a better answer, lemme know.

Posted: Sat Jan 03, 2009 7:14 pm

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