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 Forum index » Chaotic Fiction » Marble Hornets
Audio Distortion in Entry 7?
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BakuKuro
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Joined: 10 Jun 2011
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Audio Distortion in Entry 7?

I'm pretty new to unfiction, and even newer to MH. However, as I was watching the videos, I noticed something that didn't seem to be noted on entry seven. It could be completely irrelevant, but I'm pointing it out anyway.

After the camera is taken off of the Operator in the alley and Alex turns on the car, you hear the engine turn over followed by the same deep audio distortion from entry 5. This is despite the fact that the audio while the camera showed the operator was crystal clear.

this leads me to believe that the audio distortion depends on the distance that Slenderman is from the camera/audio device.

I'm sorry if someone pointed this out before, but there was nothing about it on the Wiki page of the entry.

PostPosted: Thu Jun 23, 2011 9:04 pm
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slendywasphone
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BakuKuro wrote:
I'm pretty new to unfiction, and even newer to MH. However, as I was watching the videos, I noticed something that didn't seem to be noted on entry seven. It could be completely irrelevant, but I'm pointing it out anyway.

After the camera is taken off of the Operator in the alley and Alex turns on the car, you hear the engine turn over followed by the same deep audio distortion from entry 5. This is despite the fact that the audio while the camera showed the operator was crystal clear.

this leads me to believe that the audio distortion depends on the distance that Slenderman is from the camera/audio device.

I'm sorry if someone pointed this out before, but there was nothing about it on the Wiki page of the entry.


So are you saying that the Operator moved closer to Alex as soon as he looked away from the Operator as he went to drive off in panic?
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PostPosted: Thu Jun 23, 2011 9:25 pm
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BakuKuro
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It seems so, yes. Given the supposed order of the entries, it seems likely that this was so the Operator could follow Alex in the car/stake out his home. It could be that the events of 1/6 took place the same day as this entry.

PostPosted: Thu Jun 23, 2011 9:43 pm
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MorbidPuppies
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I not sure thats distortion, I've always thought of it to be from the AC, since it starts right when the car starts, and given the placement of the camera on his lap as he puts it down to drive away in a hurry. Not to say its not a good theory of how he found Alex's place of residence, but I just don't think its audio distortion.

PostPosted: Thu Jun 23, 2011 11:46 pm
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BakuKuro
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Well it just sounds out of place, almost too deep to be something like the a/c, more like the bass note distortion in earlier entries. The relevance is debatable, of course, just something I noticed that nobody else had pointed out. If the distortion depends on proximity, as I theorize, then it can help with future sightings/videos.

PostPosted: Fri Jun 24, 2011 4:36 am
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Randoman96
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So, Slendy is a ghost from Super Mario World?

This would be enough to support certain theories, including that the way The Operator can move is limited when being filmed on camera (much like how the ghosts in Super Mario stop moving if you look at them), however, I think it's just a 'noise-overload' from the car starting. You get the same basic effect in 39 when Jay closes the back hatch and in 41 when Hoody closes the driver's door.
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PostPosted: Fri Jun 24, 2011 4:38 am
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StarlitVixen
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To be honest, I always thought that noise was odd too. o.o;;
But I'm not sure what it is. Seems way too loud to be any noise made by regular car use, but at the same time, it's not like any sounds I've heard Slendy make before.

PostPosted: Fri Jun 24, 2011 5:36 am
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YamaKami
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Randoman96 wrote:
[...]however, I think it's just a 'noise-overload' from the car starting. You get the same basic effect in 39 when Jay closes the back hatch and in 41 when Hoody closes the driver's door.


Hm, I had assumed that both of those actually were abnormal audio distortions. Well, #41 more so than #39 (it was so minor I guess it could have been just a glitch). But going back and watching #7 again, that definitely sounds like Operator-induced distortion to me. It sounds different from the sound of the car engine, like it's on a different layer of audio (if that makes sense?). If it were noise overload, I imagine it would have started as soon as the engine did.

As for implications though? I like the idea that the camera binds Slendy in some way or limits his movement. So when Alex put the camera down, he could have come closer. If that's the case, then I wonder who else might have seen him (assuming you can see him without a camera)? He was on Brian's side of the car after all, not to mention Mystery Girl in the back seat.

PostPosted: Fri Jun 24, 2011 6:37 am
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sjhartsfield
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YamaKami wrote:
(assuming you can see him without a camera)?


This has always been an interesting point for me. As seen in Entry 12, the Operator can be seen without a camera (everyone takes note of him standing off to the side while they're filming), but the interesting thing is that we don't know just how he appears. You'd think that someone would have said, "Uh, that guy over there is ten feet tall and doesn't have a face; maybe we shouldn't talk to him?"

Anyway yeah, like you said, if the Operator moved closer to the car, he would have been right up in Brian and Mystery Girl's grill, so that's definitely some creepiness added to an already creepy entry.

PostPosted: Fri Jun 24, 2011 7:34 am
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YamaKami
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sjhartsfield wrote:
As seen in Entry 12, the Operator can be seen without a camera (everyone takes note of him standing off to the side while they're filming), but the interesting thing is that we don't know just how he appears. You'd think that someone would have said, "Uh, that guy over there is ten feet tall and doesn't have a face; maybe we shouldn't talk to him?"


Totally this. My theory is that the Operator messes with your perception of him, sometimes making him appear like a tall but otherwise normal guy (as in #2 and #12) and other times camouflaging him completely (as in #17 - since even a normal guy standing outside the window would have grabbed the boys' attention). Cameras reveal him to be a scary monster.

So in #7, if the Operator did get closer to the car, I think Brian and Mystery Girl would have seen something, but not necessarily recognized it as supernatural.

PostPosted: Fri Jun 24, 2011 8:24 am
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Biohazard80
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YamaKami wrote:
sjhartsfield wrote:
As seen in Entry 12, the Operator can be seen without a camera (everyone takes note of him standing off to the side while they're filming), but the interesting thing is that we don't know just how he appears. You'd think that someone would have said, "Uh, that guy over there is ten feet tall and doesn't have a face; maybe we shouldn't talk to him?"


Totally this. My theory is that the Operator messes with your perception of him, sometimes making him appear like a tall but otherwise normal guy (as in #2 and #12) and other times camouflaging him completely (as in #17 - since even a normal guy standing outside the window would have grabbed the boys' attention). Cameras reveal him to be a scary monster.

So in #7, if the Operator did get closer to the car, I think Brian and Mystery Girl would have seen something, but not necessarily recognized it as supernatural.


Extra-dimensional beings can appear different depending on how you look at them. Just like a drawing of a cube looks radically different depending on the angle you decide to draw on a piece of paper. Maybe he's only faceless on camera but off camera he's a horribly hideous man (They were being nice during Entry 12 by not saying "Wow, that man is UGLY")

PostPosted: Fri Jun 24, 2011 12:27 pm
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12th
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You know, that's a good point about entry #7 and entry #17.
In both instances, the camera gets "clear" shots of the Operator without tearing or other distortion. Yes, #17 does freeze at the very end, but not until way after you can discern the Operator on the outside of the window.

Gives a little more creedence to the theory that the Operator controls that distortion. Hmm.

PostPosted: Fri Jun 24, 2011 3:47 pm
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Theory SH
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I've always been a fan of the theories stating that a camera can make the Operator visible, but how he's seen depends on whether you're looking through the viewfinder/camera, though there's admittedly very little evidence supporting them.

Before this gets too off-topic, that does sound like some sort of distortion...
Spoiler (Rollover to View):
but I'm not sure it was meant to happen. Just like the shadow reaching into Alex's head at the end of Entry 22 was an accident that ended up working, the "distortion" may have just occurred because the camera was close to the engine/AC unit of the vehicle.


PostPosted: Fri Jun 24, 2011 4:00 pm
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BakuKuro
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Another theory on why Brian/MG wouldn't notice the Operator seems to come from other entries. While audio is cut out in most of them, I remember one entry (can't remember the number right now, my apologies) where Slenderman opens Alex's door and moves into the room. As I recall, you couldn't hear footsteps. Given his size, this is very strange and seems to compliment his existence on another dimension.
For t hose familiar with ghost hunting, it's easy to relate Slenderman's appearance to more 'real' experiences with ghosts. The feeling of chill experienced by different people, the malfunctioning of equipment, the relationship between seemingly mundane objects (bottles of water, water in general) and the subject. It does make me wonder what Slenderman would look like on a thermal camera, if he'd even be caught on one.
Back to my theory on the Operator's silent movement -- we haven't seen the Operator with Slenderman's trademark tentacles or 'spider legs', only in a normal height and his more recognizable 7'+ height. It could be that this fits into the camera limiting theory. Perhaps the camera cannot capture things that it can't capture on this plane, I.E tentacles, spider legs, potentially grotesque face.
This could explain Slenderman's silent footfalls and odd gait. While walking on spider legs that you can't pick up in video, why would you be able to pick up sound? It's possible that Brian and Mystery Girl didn't notice the rapid approach of a startling figure because there was no sound to alert them. Maybe they were focused on something else. At the speed Slenderman is seen to move (which appears to be just under the speed of sound, as he moves incredibly quickly with no audible sonic boom) it's possible he would have been just a glimmer out of the corner of Brian's eye.
Another thing I noticed is that you can't see Mystery Girl in the back, or at least I didn't. This makes me believe she's actually on Alex's side, out of frame. And if she's anything like me, she'd be leaning against the window, maybe looking out of it while the others do their screen test, just to be quiet. She may have shifted and settled when Alex called it quits, but I don't think she would have directed her attention towards Brian at that time.
So it could be very likely that Brian was the only one capable of seeing the Operator (other than Alex, obviously). How much he saw remains to be seen, however.
Comparing this theory with other entries, most notably entry seventeen, we can also theorize that the camera is the only link between the Operator and the real world. Or it could be a matter of awareness - you're not aware of him until you are made aware of him, as in twelve when everyone was. Maybe someone pointed out the Operator and that was enough to make the others aware of him.
It could be that the Operator makes people have an aversion to seeing him. That one spot in the corner of your eye where you really don't want to look, for example, or that thing in the dark that makes you walk a bit faster but not dare look back. Maybe they were originally made aware of this by the cameraman (Seth?) noticing the Operator through the camera. Likewise, in entry 17 the stationary nature of the camera (without any swaying as if being held) makes me think that it was set up on a tripod, which explains why nobody noticed the man in a suit that stood in the window.

Wow, that rambled off a bit more than I expected.
tl;dr: Slenderman can only be observed by what seems natural on this plane; Slenderman can only be seen when you're made aware of his presence; A camera/recording device is the only reliable method of picking up Slenderman, hence Alex filming himself all the time.

PostPosted: Fri Jun 24, 2011 4:39 pm
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freyathedark
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BakuKuro wrote:
Long rambly coherent ideas.


^This. I agree with it all. Baku's my smarter half.

PostPosted: Fri Jun 24, 2011 5:02 pm
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