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 Forum index » Archive » Archive: The Haunted Apiary (Let Op!) » The Haunted Apiary (Let Op!): Questions/Meta
possibly a dumb question with an obvious answer...
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Dorkmaster
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Joined: 27 Jul 2004
Posts: 1328
Location: The People's Republic of Dork

Ok, the wings are gone, and now I'm in the trenches. Cool

The problem with how you attacked (in a nice way) my argument was incorrect. The way you present it, is yes, circular, but that was not my presentation of my view.

To clarify, I will present it again, more briefly.

Art is created when anyone who intends to create art, does so. Therefore, if your intention is to create art, you have done so. If you don't like the outcome, you destroy it, and then it ceases to be art, because it simply ceases to be. (For example with your intended horse becoming a grey streak... If you intended to present that grey streak then as art, then it would be. But if it was a mistake, and that's all you, as the artist interpreted that stroke of grey to be, then it would simply be a mistake, and cease to be art.)

Art is not simply the result of an artist. Then any excrement created in the bathroom, or any thoughts or delusions created by said artist would be considered art under the same theory. That would be circular, and wouldn't get us anywhere. I agree wholeheartedly with that.

However, anything INTENDED as art, is such. That is a major difference. If you spit on some idiot, and intend it as art, then it is. (Is it protected art under the bill of rights, is a whole other subject) I may consider it a lower form of art, or not as worthy as some other pieces of art, but I would still consider it art nonetheless.

The definition of an artist is someone who creates art. While you may see that a circular, I see it as inherent to the title. Someone who works at a bank is a banker. Someone who bakes is a baker. That's just why the name exists. So I have no problem saying that an artist is someone who creates art.

The major thing that keeps this from going artist makes art makes artist makes art makes artist...

is this:

Intention. Again, good or bad, art is made when art is said to be made by its creator. I completely understand others may disagree with that statement, but I hold firmly to that, wholeheartedly.

Am I making sense here or does that still seem circular to you? (Again, I'm not saying anyone who claims something is art, makes it art... only the creator of that art can claim it as such.)

Ok, Phaedra... lay it on me... I'm bracing for impact. (if necessary.) Very Happy
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PostPosted: Wed Jan 19, 2005 4:09 pm
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CoffeeJedi
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::hands DM a small umbrella, Wile E. Coyote style::

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PostPosted: Wed Jan 19, 2005 4:12 pm
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Clayfoot
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Joined: 19 Aug 2004
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Phaedra wrote:
Dorkmaster wrote:
I tend to believe that anything intended as art IS art.


Okay.

Why?
...because we don't have any other generalized way to define art...? All we have is this notion that someone tried to convey a compelling (to the artist, at least) emotion, idea, image, or story to themselves or to others. These days, we make a distinction between expression purely for the purposes of information communication (i.e., the nightly news) and expression for the purposes of transferring feeling, emotion, and ideas. I am confident that these two forms were not always so separate.
Phaedra wrote:
Dorkmaster wrote:
That's how Rembrandt and Picasso are artists along with those people that smear dog poop on a canvas and call it art.
This still fails to address the distinction between my two questions. Above you said that you consider anything intended as art to be art. But is it art because it was a conscious attempt to express something?

In which case, if I spit in the face of a man who utters a sexist remark, is my spit-blob art?

Or is the form also important?
It could be art... It depends on why you did it. What were you trying to convey when you did it? Did the act transcend the moment? Lofty questions, I know; but, it's hard to escape these things when one talks of art and of beauty.
Phaedra wrote:
What if, I intend to paint a picture of a horse, but as I reach out with my paintbrush, I pull a muscle in my shoulder. Is the resulting light smear of grey paint art?
No. You didn't do it intentionally. Even if the resulting work has unintentional features, you had to intend for that kind of flaw to be present.
Phaedra wrote:
Is the form alone important? Movies, novels, and plays all tell stories. So is my anecdotal account of my trip to the chiropractor on Monday, which is a story, art?

Or is the form required to be one traditionally accepted as art? Do I have to make the story of my chiropractor appointment into a novel for it to be art?
Your story could be artistic, if you intend to convey something beyond the factual account itself. Garrison Keillor gets plenty of mileage out of this kind of storytelling every week on A Prairie Home Companion. The form makes a work easier to recognize as art, but a traditional art form is certainly not required, in my mind.
Phaedra wrote:
Dorkmaster wrote:
So "Good" or not, we can agree that someone creating an artistic work is an artist.


Not so fast. No, we can't agree on that -- or rather, we have no choice but to agree because the definition is circular, and therefore meaningless.

You seem to be saying:

How do we determine whether something is art? Art is whatever is created by an artist.

How do we determine whether someone is an artist? An artist is one who creates art.

So, we're right back where we started.
You got him there. Try not to let it sting too much, DM.

How about, "An artist intentionally creates works that convey some emotion, idea, thought, image, or event in a way that transcends the subject of the work."

Your trip to the chiropractor: not art.
Your story about the trip to the chiropractor: getting there.
Your dramatic interpretation of the experience: art, however good or bad.
Phaedra wrote:
Dorkmaster wrote:
But yeah... the wings enabling me to escape are quickly shriveling from the heat of this potential argument
Oh, honeybunch, you think this is hot? We haven't even gotten started. We're just getting into position. Razz

EDIT: Removed my sappy, self-serving comments at the end.
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PostPosted: Wed Jan 19, 2005 4:49 pm
Last edited by Clayfoot on Wed Jan 19, 2005 5:52 pm; edited 1 time in total
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Clayfoot
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Joined: 19 Aug 2004
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Dorkmaster wrote:
Art is created when anyone who intends to create art, does so. Therefore, if your intention is to create art, you have done so.

Art is not simply the result of an artist.

However, anything INTENDED as art, is such. That is a major difference. If you spit on some idiot, and intend it as art, then it is.

The definition of an artist is someone who creates art. While you may see that a circular, I see it as inherent to the title. Someone who works at a bank is a banker. Someone who bakes is a baker. That's just why the name exists. So I have no problem saying that an artist is someone who creates art.
If you want us to take this line of reasoning seriously, you must use noncircular definitions. We know what a banker and a baker do; we can define their activities without using the work "bank" or "bake". What, pray tell, does the artist do to earn the title, without using the word "art?"
Dorkmaster wrote:
The major thing that keeps this from going artist makes art makes artist makes art makes artist...

is this:

Intention. Again, good or bad, art is made when art is said to be made by its creator. I completely understand others may disagree with that statement, but I hold firmly to that, wholeheartedly.
...except, that you haven't said anything yet.
"An artist is someone who intentionally creates art."
That is the same thing as saying,
"A horse is an animal that intentionally acts horse-like."
While strictly true, neither statement tells us anything about artists or horses.
Dorkmaster wrote:
Am I making sense here or does that still seem circular to you? (Again, I'm not saying anyone who claims something is art, makes it art... only the creator of that art can claim it as such.)
Oh, it's circular alright. If you use the same two words to define those words in terms of each other, that's a circular definition
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PostPosted: Wed Jan 19, 2005 5:10 pm
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water10
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For starters, I don't even want to get close to this art discussion!

But I bought all 3 Halo novels before my trip to Brazil. My initial thought was that the novel couldn't be that bad and it would help me sleep on the plane.

I decided to took only Fall of Reach, since I thought I wouldn't even finish that novel, just because I would be doing so much more interesting stuff!

Well, I ended up finishing it halfway through my vacation and I wished I had taken another one with me! Yes, its quality is questionable. But after playing the game and following ILB, I was looking for more info on the Halovers. And I got my money's worth! Sure, not even close to ILB quality, but I was not expecting that! Pretty easy reading for the few moments I wanted a break from having fun with friends/family!
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PostPosted: Wed Jan 19, 2005 5:37 pm
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Phaedra
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Dorkmaster wrote:
Ok, the wings are gone, and now I'm in the trenches.


Oops. <whistles innocently>

Dorkmaster wrote:
The problem with how you attacked (in a nice way) my argument was incorrect. The way you present it, is yes, circular, but that was not my presentation of my view.


'Kay. Show me the error of my ways.

Dorkmaster wrote:
Art is created when anyone who intends to create art, does so. Therefore, if your intention is to create art, you have done so.


Wait, I've done so just by having the intention? I don't have to do anything?

Cool. <stares at ceiling, making art>

Dorkmaster wrote:
If you don't like the outcome, you destroy it, and then it ceases to be art, because it simply ceases to be. (For example with your intended horse becoming a grey streak... If you intended to present that grey streak then as art, then it would be. But if it was a mistake, and that's all you, as the artist interpreted that stroke of grey to be, then it would simply be a mistake, and cease to be art.)


What if I die immediately thereafter, not having had a chance to either alter the painting into what I intended it to be, or destroy it? You walk into my studio and find the painting. Is it art?

Dorkmaster wrote:
However, anything INTENDED as art, is such. That is a major difference. If you spit on some idiot, and intend it as art, then it is. (Is it protected art under the bill of rights, is a whole other subject)


Indeed it is. The Bill of Rights doesn't protect "art." It protects expression. Although the direction of your argument does seem to be headed toward a conflation of the two.

Do you believe them equivalent?

Your contention that if I intend the act of spitting in another's face to be art, then it is art doesn't draw any sort of distinction between art and simple expression. People who spit in others' faces are rarely, I think, deciding at the time whether their act is art. So, I spit in the guy's face as an expression of contempt and disgust. I don't think "yes this is art," but I also don't think, "No, this is not art." My intent is expression, pure and simple. So, is it art?

And if so, is my yelling, "Jerk!" which is also a form of expression, although one that leaves no material object behind, art?

Dorkmaster wrote:
The definition of an artist is someone who creates art. While you may see that a circular, I see it as inherent to the title. Someone who works at a bank is a banker. Someone who bakes is a baker. That's just why the name exists. So I have no problem saying that an artist is someone who creates art.


Except that it isn't that simple.

Someone who works at a bank is not necessarily a banker. I worked at a bank…as an administrative assistant. The label "banker" turns on a definition of "banking." A banker is not one who works at a bank; a banker is an officer or an owner of the type of financial institution known as a "bank." And as for how to define "bank," well, trust me, we have extensive statutes leaving no ambiguity as to what institutions qualify. "Baker" doesn't necessarily have a professional component to its definition, but there's a reason we're not sitting here debating what constitutes "baked goods."

But "art" and "artist" aren't so simple to define, or there wouldn't be shelves and shelves of books, and hours and hours of debate from high schools to conservatories, and pages and pages on the internet (I'm sure) all arguing the same question. There have been compelling arguments made that art is in the eye of the beholder, that the artist is irrelevant, and there have been compelling arguments made that the beholder is irrelevant, that all that matters is the artist and the creation process.

But those just scratch the surface of the question. There has to be some actual object created, doesn't there?

Can one define only material objects as art? That would rule out music entirely, since I don't think anyone is going to seriously argue that the composer's notation (or that of the person to whom the composer was dictating) is what constitutes the art that is Beethoven's Ninth. It is, rather, the combination of sounds represented by the notation that constitutes the art.

But there has to be something perceptible, even if there is no perceiver, right?

Or maybe not. An art museum in California (I think it was California – I'll have to look it up) paid some sum of money (I believe it was $10,000) for 11 typed pages describing a woman's dream about making herself a piece of toast, entitled Beautiful Toast Dream. The museum acknowledged the concept therein as "art." Nothing tangible was created, however, nothing that could be seen or heard or touched. Only a dream.

And for that matter, is it only in the act of creation that art lies? Is there no art simply in performance and interpretation?

Would you deny that musicians like Itzhak Perlman are artists, since they perform other people's works, rather than creating their own? The composer of the Tchaikovsky violin concerto left nothing behind that constitutes "art." He did not perform his concerto. Again, I think it's difficult to argue that the notations on the page constitute the "art." So when Itzhak Perlman gets up on stage and performs the concerto, he is the one making it perceptible, even though the concept was not his. But what he makes is intangible, fleeting. Others will do the same after he is gone (although, undoubtedly, not in the same way and probably not as well). So which one creates the art? If a musical piece is never performed, never leaves the page, is it art? If it is lost before it can be performed, does that mean it isn't art?

Dorkmaster wrote:
Am I making sense here or does that still seem circular to you? (Again, I'm not saying anyone who claims something is art, makes it art... only the creator of that art can claim it as such.)


Yes. Your definition of "art" seems to be defined as "that which the creator intends to be art." Your definition of artist seems to be "one who creates art." We still haven't defined "art."

It also seems too nebulous to be a definition (I'm not seeing any distinction in your definition between art and the wider category of expression, or any way to determine whether something is art in the absence of its creator), and it doesn't admit of any component of merit.

I'm a person who believes that words have meanings, and that while we can choose how we apply a particular word, we can't just redefine it at will, or the very concept of language begins to disintegrate. Connotations may shift over time, and the meanings of words may change, but there still has to be a general consensus on what a word means and how it is to be used for language to exist as a means of communication.

So, I think we should take a look at the dictionary definition of "art." Since I graduated, I no longer have my subscription to the online edition of the OED, which is the only dictionary I acknowledge as having unquestioned linguistic authority for the English language. So, I'll be lazy and go to dictionary.com.

Dictionary.com wrote:
art n.

1. Human effort to imitate, supplement, alter, or counteract the work of nature.

2.
a. The conscious production or arrangement of sounds, colors, forms, movements, or other elements in a manner that affects the sense of beauty, specifically the production of the beautiful in a graphic or plastic medium.
b. The study of these activities.
c. The product of these activities; human works of beauty considered as a group.

3. High quality of conception or execution, as found in works of beauty; aesthetic value.

4. A field or category of art, such as music, ballet, or literature.

5. A nonscientific branch of learning; one of the liberal arts.

6.
a. A system of principles and methods employed in the performance of a set of activities: the art of building.
b. A trade or craft that applies such a system of principles and methods: the art of the lexicographer.

7.
a. Skill that is attained by study, practice, or observation: the art of the baker; the blacksmith's art.
b. Skill arising from the exercise of intuitive faculties: "Self-criticism is an art not many are qualified to practice" (Joyce Carol Oates).

8. arts
a. Artful devices, stratagems, and tricks.
b. Artful contrivance; cunning.

9. Printing. Illustrative material.


So, basically, even the dictionary can't decide what art is, and avoids the philosophical questions.

But again, I'm still not satisfied with the way you limit art to intent. That excludes, for example, Greek pottery, cathedrals and medieval illuminations. It probably excludes anything created before the Renaissance. The ancient world had no concept of "art" as we understand it. The "artist" as one who is inspired, who has a higher calling in the same sense as the musician and the poet was largely an invention of the Renaissance. The "artist" of the ancient world was a craftsperson, and "art" was any system of creation governed by rules, whether it was painting and sculpting, or masonry, or blacksmithing, or aquaduct repair.

In the Renaissance, the concept of art as representing a higher truth was popularized, and then rejected by modern art movements, until the Dadaists arrived at their paradoxical and intentionally circular definitions.

Even encyclopedias seem to have trouble describing art -- they, like you, seem to focus on defining the process rather than the concept itself. The Encyclopedia Britannica, for example, gives this:

Encyclopedia Britannica wrote:
the use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with others


So, I still don't have a definition. But I do think that linguistic traces of the idea of art as having merit, as expressing greater truth, linger even today after the onslaught of modernity and its confusions. Is it for nothing that certain actors are acclaimed by their peers as "not just actors, but artists"? That we speak of people having elevated (otherwise mundane) activities "to an art form"?
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PostPosted: Wed Jan 19, 2005 5:46 pm
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Clayfoot
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water10 wrote:
For starters, I don't even want to get close to this art discussion!
You, sir, are a gentleman and a scholar.
And, an artist.
Razz
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PostPosted: Wed Jan 19, 2005 5:55 pm
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Kali
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Joined: 29 Sep 2004
Posts: 162

I think a problem we're hitting on here is that you can't use one definition to describe the plethora (Mexican accent for that, Hefe) of things we commonly describe as "Art". More useful to us is to distinguish between the Static Arts and the Performance Arts. There's no other way to get a useful definition.

PostPosted: Wed Jan 19, 2005 6:07 pm
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Phaedra
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Clayfoot wrote:
because we don't have any other generalized way to define art...?


Hammer to nailhead: Gotcha!

We don't have a good way to define "art." Each time someone comes up with one, everyone argues with it. "Modern art," at least modern visual art, is largely an argument in visual form about what constitutes art. Abstract Expressionist artists aren't just putting paint on their canvasses; they're putting theories there too. To a certain extent, art that strives to be nonrepresentational (that is, "purely" expressive) is more literal and literary than the most strictly representational art. Those who bow to the god of Flatness do so not solely out of an aesthetic desire not to "violate the integrity of the picture plane" but out of a political one (in the sense of having partisan interests, rather than in the sense of dealing with the government).

Clayfoot wrote:
All we have is this notion that someone tried to convey a compelling (to the artist, at least) emotion, idea, image, or story to themselves or to others.


Oh, Clayfoot, we've got quite a bit more than that. People have been writing copiously on the question of What Is Art for centuries.

Clayfoot wrote:
These days, we make a distinction between expression purely for the purposes of information communication (i.e., the nightly news) and expression for the purposes of transferring feeling, emotion, and ideas. I am confident that these two forms were not always so separate.


Hmm. I don't think they're separate now. There are aesthetic and emotional aspects to the majority of media through which we convey information: commercials, the news, textbooks, etc.

Clayfoot wrote:
It could be art... It depends on why you did it. What were you trying to convey when you did it? Did the act transcend the moment? Lofty questions, I know; but, it's hard to escape these things when one talks of art and of beauty.


I'm not sure if I'd call those questions lofty -- they're sort of basic.

Clayfoot wrote:
Your story could be artistic


So "artistic" = "art"? If something is "conveyed artistically," it's art? The medium is the message?

Clayfoot wrote:
if you intend to convey something beyond the factual account itself.


So the intention to convey something, an emotional component, beyond the mere facts of the events as they happened is what makes a story art?

If I cry as I tell a story and don't bother to try to hide it so that the person to whom I'm telling it can get that personal emotional component -- that the events of the story hurt my feelings -- is it art?

Clayfoot wrote:
How about, "An artist intentionally creates works that convey some emotion, idea, thought, image, or event in a way that transcends the subject of the work."


What criteria do you use to decide whether it transcends the subject of the work?

If I paint a beautiful picture of an apple, and consider it art, but have no intention beyond creating a picture of an apple, is it art?

Clayfoot wrote:
I just love you guys.


Very Happy

Clayfoot wrote:
I do hope I haven't settled this argument.


<chuckle> That's awfully cute that you think you could. This argument will be going on long after we're all dead.
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PostPosted: Wed Jan 19, 2005 6:17 pm
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Nightmare Tony
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I think I would define art in the method that Frank Zappa does.

The idea being that an art form is something defined by the artist. Metoaphorically, it is the frame he draws around it, the definition.

For example, you can be drinking a glass of carrot juice with a microphone to your throat. If the artist defines THAT as his composition, then it is art. Otherwise, its a guy drnking a glass of carrot juice.
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PostPosted: Wed Jan 19, 2005 6:26 pm
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Clayfoot
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Peter Vidmar does a speech on Risk, Originality, and Virtuosity that might help us define art. We might say that an artistic work is an intentional creation that has an element of risk, originality, and virtuosity. Whether we call some activity or work "art" may just depend on how much risk, originality, and/or virtuosity is apparent to us in the work. Taking Phaedra's craftsman example, we recognize that much of the ancient craftwork was perfunctory and not very "artistic." However, a few pieces show the care and the thought that went into creating them. We recognize the virtuosity that goes into such pieces. In her musical example, we might say that we appreciate the originality of the piece and the virtuosity of the musician performing it. The musician might even take some risks in the performance that we recognize as an artistic contribution.

The Halo novels sound like they are on shaky ground with regard to these 3 qualities. They aren't very original; they're semi-original stories from existing characters and circumstances. They aren't very risky, because they have a predefined audience of readers hungry for information. It sounds like they aren't even written very well, so they fail the virtuosity test. To qualify as art, a creative work should meet at least one of these conditions, don't you think?
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PostPosted: Wed Jan 19, 2005 6:36 pm
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Kali
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Clayfoot wrote:
Peter Vidmar does a speech on Risk, Originality, and Virtuosity that might help us define art. We might say that an artistic work is an intentional creation that has an element of risk, originality, and virtuosity. Whether we call some activity or work "art" may just depend on how much risk, originality, and/or virtuosity is apparent to us in the work. Taking Phaedra's craftsman example, we recognize that much of the ancient craftwork was perfunctory and not very "artistic." However, a few pieces show the care and the thought that went into creating them. We recognize the virtuosity that goes into such pieces. In her musical example, we might say that we appreciate the originality of the piece and the virtuosity of the musician performing it. The musician might even take some risks in the performance that we recognize as an artistic contribution.

The Halo novels sound like they are on shaky ground with regard to these 3 qualities. They aren't very original; they're semi-original stories from existing characters and circumstances. They aren't very risky, because they have a predefined audience of readers hungry for information. It sounds like they aren't even written very well, so they fail the virtuosity test. To qualify as art, a creative work should meet at least one of these conditions, don't you think?


I say:

HUZZAH!
HUZZAH!
HUZZAH to Clayfoot!

I like the tripart test. Yes, it's a balancing test, Phaedra. Now where have I heard of that before... Twisted Evil Maybe that be art too?

PostPosted: Wed Jan 19, 2005 6:40 pm
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Phaedra
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Nightmare Tony wrote:
I think I would define art in the method that Frank Zappa does.

The idea being that an art form is something defined by the artist. Metoaphorically, it is the frame he draws around it, the definition.

For example, you can be drinking a glass of carrot juice with a microphone to your throat. If the artist defines THAT as his composition, then it is art. Otherwise, its a guy drnking a glass of carrot juice.


Okay, but that's exactly the essence of what Dorkmaster was saying.

Chiming in with "Frank Zappa and I think so too!" doesn't strengthen the argument. You've just stated your opinion. You haven't given me an argument.

Why does it constitute art?

Why is this a definition that anyone should accept?
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PostPosted: Wed Jan 19, 2005 6:43 pm
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water10
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Yes, I said I wouldn't come close to the "art" discussion, but I read this bit on Kristen's interview:

Quote:
Aside from theories and speculation of what the future might be for entertainment, this was an artistic experience unlike any other - as if the dream I had as a child of performing and touching people with theatre or art has finally come true. I did theatre in New York for 12 years and never felt like I touched an audience the way I feel I did in this project.


I don't like this whole 3-tests thing. To me art is all about emotions! That's why it's so hard to define with words. And that's why some things have artistic value to some people and none to others. So if someone's work touch you and you feel emotions, good or bad, it should have merit as art, even though it may not pass any kind of test ...

Yes, I used a very simple definition. But in my opinion, some things should be kept simple! Smile
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PostPosted: Wed Jan 19, 2005 6:51 pm
Last edited by water10 on Wed Jan 19, 2005 6:59 pm; edited 1 time in total
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Phaedra
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Joined: 21 Sep 2004
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Kali wrote:
I say:

HUZZAH!
HUZZAH!
HUZZAH to Clayfoot!


I like it. It's not perfect, but it's a start.

Kali wrote:
I like the tripart test. Yes, it's a balancing test, Phaedra. Now where have I heard of that before... Twisted Evil


Where haven't we heard it? Rolling Eyes Whether it's the question of whether the CIA can stiff its aging spies, or whether the state is required to give scholarships to seminary students...blech.

Can you believe they're still using the Lemon test?

Kali wrote:
Maybe that be art too?


I dunno, but I think Eakin's dissent in the PA case involving a mounted drunken driving accident can be characterized as such:

A horse is a horse, of course, of course,
but the Vehicle Code does not divorce
its application from, perforce,
a steed as my colleagues said.

'It's not vague,' I'll say until I'm hoarse,
and whether a car, a truck or horse
this law applies with equal force,
and I'd reverse instead.

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PostPosted: Wed Jan 19, 2005 6:59 pm
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