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 Forum index » Archive » Archive: The Haunted Apiary (Let Op!) » The Haunted Apiary (Let Op!): Questions/Meta
possibly a dumb question with an obvious answer...
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Clayfoot
Entrenched


Joined: 19 Aug 2004
Posts: 785
Location: Warner Robins, Georgia, USA

Phaedra wrote:
We don't have a good way to define "art." Each time someone comes up with one, everyone argues with it. "Modern art," at least modern visual art, is largely an argument in visual form about what constitutes art. Abstract Expressionist artists aren't just putting paint on their canvasses; they're putting theories there too. To a certain extent, art that strives to be nonrepresentational (that is, "purely" expressive) is more literal and literary than the most strictly representational art. Those who bow to the god of Flatness do so not solely out of an aesthetic desire not to "violate the integrity of the picture plane" but out of a political one (in the sense of having partisan interests, rather than in the sense of dealing with the government).
This aesthetic sense that we all carry around individually causes much of these arguments over art. What' s appealing to me is ugly to someone else. What's original to me is the same old thing to someone else. What's edgy to someone else is just over the top to me. I'm thinking of John Cage's 4'33", now; his trust fund won a plagiarism lawsuit over it.
Phaedra wrote:
Clayfoot wrote:
All we have is this notion that someone tried to convey a compelling (to the artist, at least) emotion, idea, image, or story to themselves or to others.
Oh, Clayfoot, we've got quite a bit more than that. People have been writing copiously on the question of What Is Art for centuries.
Well, I'm just getting warmed up. Give me a minute, and I'll have it all worked for the ages.
Phaedra wrote:
Clayfoot wrote:
These days, we make a distinction between expression purely for the purposes of information communication (i.e., the nightly news) and expression for the purposes of transferring feeling, emotion, and ideas. I am confident that these two forms were not always so separate.
Hmm. I don't think they're separate now. There are aesthetic and emotional aspects to the majority of media through which we convey information: commercials, the news, textbooks, etc.
So, you would agree that art is, at least partially, a work of aesthetic or emotional expression?
Phaedra wrote:
Clayfoot wrote:
It could be art... It depends on why you did it. What were you trying to convey when you did it? Did the act transcend the moment? Lofty questions, I know; but, it's hard to escape these things when one talks of art and of beauty.


I'm not sure if I'd call those questions lofty -- they're sort of basic.
lofty in the sense of high moral or intellectual value. If we could answer these questions of conveyance and of transcendence, we could be closer to a useful definition of art.
Phaedra wrote:
Clayfoot wrote:
Your story could be artistic
So "artistic" = "art"? If something is "conveyed artistically," it's art? The medium is the message?
artistic in the sense that it is made in a creative, intentional, expressive way --but now, I'm sure you're just baiting me.
Phaedra wrote:
Clayfoot wrote:
if you intend to convey something beyond the factual account itself.


So the intention to convey something, an emotional component, beyond the mere facts of the events as they happened is what makes a story art?

If I cry as I tell a story and don't bother to try to hide it so that the person to whom I'm telling it can get that personal emotional component -- that the events of the story hurt my feelings -- is it art?
Perhaps so. I say rather that if the person to whom you are telling your story feels as you did when it happened, then it is a work of art.

Phaedra wrote:
Clayfoot wrote:
How about, "An artist intentionally creates works that convey some emotion, idea, thought, image, or event in a way that transcends the subject of the work."


What criteria do you use to decide whether it transcends the subject of the work?
Allow me to point to the criteria I described above (originality, risk, and virtuosity) in the context of aesthetics. Did you convey the story to the reader so well that they felt like they were there, that it happened to them? Did your emotional outburst make the listener forget the moment and get caught up in your story? Did you tell it so well that your telling transcended the facts and the sequence of events? Would it satisfy this observer's criteria:
Quote:
When someone tells me a story, I want it to be told well. If it's told badly, then all I'm getting out of it is the information. And if that's the case, the author may as well just type me a plot summary and paragraphs including the necessary details and give me that instead. If I'm going to read a novel, I want to be drawn in, to be caught up in the story, which is a function of how well it's told.

If a story is told well, it influences your emotions; it doesn't just tell you things


Phaedra wrote:
If I paint a beautiful picture of an apple, and consider it art, but have no intention beyond creating a picture of an apple, is it art?
Yes, it is. Why? Because you are trying (intention) to paint a beautiful (virtuosity, aesthetics) picture of an apple.
Phaedra wrote:

Clayfoot wrote:
I just love you guys.


Very Happy

Where did you find that? I'm sure I have no idea.
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PostPosted: Wed Jan 19, 2005 8:29 pm
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Phaedra
Lurker v2.0


Joined: 21 Sep 2004
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Clayfoot wrote:
This aesthetic sense that we all carry around individually causes much of these arguments over art.


Sure, but the aesthetic sense we all carry around individually is still, to a large extent, culturally rather than individually determined. So where does the cultural consensus come from? (Granted, this is harder to define now that we're exposed to art and aesthetic ideas from all over the world on a daily basis...)

Clayfoot wrote:
What' s appealing to me is ugly to someone else. What's original to me is the same old thing to someone else. What's edgy to someone else is just over the top to me. I'm thinking of John Cage's 4'33", now; his trust fund won a plagiarism lawsuit over it.


You don't like 4'33"?!

<sigh>

I wanted to have that on my license plate, but someone else already stole it.

Clayfoot wrote:
So, you would agree that art is, at least partially, a work of aesthetic or emotional expression?


Certainly. But I'm not sure it has to have an emotional component, and I'm not sure it has to be beautiful. Actually, on the second part, I am sure it doesn't have to be beautiful. Guernica is not beautiful, but I would argue that it is art.

Clayfoot wrote:
lofty in the sense of high moral or intellectual value.


But I don't think we're to those questions yet. We're heading there, but so far this is all ground we covered in my high school philosophy classes.

Clayfoot wrote:
If we could answer these questions of conveyance and of transcendence, we could be closer to a useful definition of art.


Certainly. But we haven't actually asked questions about transcendence, at least, yet. We've only suggested them. They're lurking in the background.

Clayfoot wrote:
artistic in the sense that it is made in a creative, intentional, expressive way --but now, I'm sure you're just baiting me.


Yes. Razz




So the intention to convey something, an emotional component, beyond the mere facts of the events as they happened is what makes a story art?

If I cry as I tell a story and don't bother to try to hide it so that the person to whom I'm telling it can get that personal emotional component -- that the events of the story hurt my feelings -- is it art?[/quote]Perhaps so. I say rather that if the person to whom you are telling your story feels as you did when it happened, then it is a work of art.

Clayfoot wrote:
Allow me to point to the criteria I described above (originality, risk, and virtuosity) in the context of aesthetics.


I have noticed them and been intrigued, and when I'm actually sitting down and thinking rather than idly trying to keep myself amused at work (or answering this post before I go take a bubble bath), I'll give you a serious response, okay?

Clayfoot wrote:
Would it satisfy this observer's criteria:


That was a beautiful rhetorical maneuver.

Clayfoot wrote:
Phaedra wrote:
If I paint a beautiful picture of an apple, and consider it art, but have no intention beyond creating a picture of an apple, is it art?
Yes, it is. Why? Because you are trying (intention) to paint a beautiful (virtuosity, aesthetics) picture of an apple.


Ah. Look at my quote again. You'll notice I didn't say it was my intention to create a beautiful picture of an apple, simply that I wanted to create a picture of an apple, and that the result, regardless of my aesthetic intention or lack thereof, was beautiful.
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PostPosted: Wed Jan 19, 2005 10:22 pm
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Nightmare Tony
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Joined: 07 Jun 2004
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Phaedra: I find art in most anything, especially in nature. Since I own and live on a farm, I tend to find nature quite artistic because the of the sheer beauty out here I would call art, even though it was never commissioned or relegated as such. The Zappa definition I find interesting but not always applcable, reasons said above.

Some peices of pure functionality I find beautifully artistic. For example, I am a coaster freak and to me, 3 of the most beautiful ride designs local to Los Angeles would be the Revolution, Colossus and Superman, all residing at Magic Mountain. Each one was built as a comission for their specific purpose. Their interplay with the area and structural design I find pleasing and artistic, even though that was never their original intention. A similar example which I would call collaborative atrt is my coaster model in my living room. You can see it on my website at www.Nightmarepark.com and click on the who we are. I also have an interesting essay concerning creativeness and art as a a part of that page.

And a question which arises, what about art by comission, is it still art? Andy Warhol and his infamous rendtions of soup cans.

Classical music was also done by comission, Bach's pieces, for example. I would lay a claim that the works of Bach are as artistic as the halo 2 novels, even though we don't consider the halo 2 novels as art, they ARE creative pieces based on the set rules of the Haloverse to give a creative expression into that realm.

Art I would consider is like beauty, in the eye of the beholder. As a classically trained musician, I find rap and hip hop to be quite offensive and I find no artistic values in them whatsoever. But that is my own opinion, not shared by others.

Our esthetic is based on our upbrigning, cultural and personal based. So its all really a personal thing.
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PostPosted: Thu Jan 20, 2005 4:42 am
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Anton P. Nym
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Joined: 25 Jul 2004
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What is Ahhhhht?

Alright, here's a possible definition of my own invention. (No authority, but then again the OED isn't a prescriptive work either. So there. Razz)

Art is the creation of a work whose function is to evoke specific emotions in an audience.

This should cover modern and classic painting, song, theatre, sculpture, and artists voiding themselves into tin cans and hawking them to the gullible.

I see it'll also cover some political speeches, but then again I'm not adverse to that.

-- Steve's wondering how this'll fly. There's enough lead in the air hear to shoot it down if it doesn't fly well...
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PostPosted: Thu Jan 20, 2005 12:35 pm
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krystyn
I Never Tire of My Own Voice


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Art is: me, a full supply of plasma grenades, and your dead bodies surrounding me like a glorious, multi-petalled, cyborgeriffic flower.

PostPosted: Thu Jan 20, 2005 12:49 pm
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weephun
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A chance to meet the "artist" Wink Laughing :
http://halo.bungie.org/oldnews.html?item=11964
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PostPosted: Thu Jan 20, 2005 4:52 pm
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Phaedra
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weephun wrote:
A chance to meet the "artist" Wink Laughing :
http://halo.bungie.org/oldnews.html?item=11964


Oy vey:

halo.bungie.org wrote:
In February and March, there is a 2-part Workshop on Video Game Story Design - and the March session will be taught by Nylund.


Rolling Eyes
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PostPosted: Thu Jan 20, 2005 5:09 pm
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ariock
Has a Posse


Joined: 11 Aug 2004
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Coaster Model

NightmareTony:

Great Googly-Moogly!
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PostPosted: Thu Jan 20, 2005 5:52 pm
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thebruce
Dances With Wikis


Joined: 16 Aug 2004
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I'll second - "Oy Vey!"

two full pages in a matter of a couple of days... and I'm only responding now? man, I'm getting behind... Razz

anyway, as I read through the posts, I found myself agreeing with pretty much everyone; yes, including Phaedra Smile on many points... I think I response, and the next post adresses it too... but ultimately, here's my conclusion...

I don't believe "Art" can be universally defined. It's entirely a matter of personal tastes. One person's art is another person's trash, or statement of fact, etc... I think we need to recognize the different between personal art, and corporate (that is, as a group) art. Art itself, on a personal level, can be everywhere or nowhere. I might consider the shape of monitor to be art, I mean, its intent was to be esthetic (hopefully), and a lot of thought and process went into it. Whereas, someone else might consider it a design that was intended to solve a problem, with no aspect of imagination or creativity put into it - it was entirely to provide a tool that would perform acceptably.

Unfortunately, it also includes people that consider their sequential, serial murder and form of art. To them, and to other twisted minds out there, they may see 'expression' in their methods and means. Do I consider it art? technically, yeah, even though it's deplorable and I don't condone it in the slightest, obviously Evil or Very Mad .

If you spit in the face of someone you disagree with, to me, if you considered that to be an act that was intended to express your emotion, and to be recognized by someone else as that expression, then yeah, I'd consider it art. If someone spit on the ground in order to clear their mouth without second thought, I wouldn't consider it art. Someone might walk up to the splatter on the ground, look at how the splatter landed, it's intricacies, the chaotic nature of particles and such, and consider 'nature's art', or might use that instance in some form of their own personal expression. In all those instances, it was a matter of what one particular person received from some aspect of existence, which made them consider that entity 'art'.

Then there's corporate art, what a group of people consider to be art - majority rules, ie. A country that purposely goes about some questionable, or immoral act, might do so with a process they themselves may consider art, and yet no one else may think the same. Or a museum might allow some objects in as art, and decline other entries stating that they're redundant, unoriginal, or simply not a legitimate art form. Can they define what 'art' is? Obviously not, becuase the person who submitted the piece obviously considered it art themselves, and may find someone else to sell it to or consider it valuable itself. Is it not art because the museum said it's not art?

What's the commonality? It seems to me that 'art' is 'art' if one entity - a group or an individual - sees value in the piece, whatever form it might take, and considers it artful or artistic, in whatever 'good' or 'bad' context... 'art' by definition can't be negative - ie, I can't say what is not art, because it's entirely up to the entity regarding it. If I spoke for all humankind, then I could define something as not art, but I only speak for myself. An organization can only speak for itself. Art can only be defined 'as art', not the other way around.

It's pointless arguing about whether something is art or is not art, because it's not a definite answer. If one person in a group of people considers the object in question valuable, artistic, the others do not, that does not make it not art, because a value was perceived in the object itself, by at least one entity.

I believe art is some thing or act which is perceived to have value by one or more entities, thus cannot be determined ultimately to have no value unless all entities in existence agree that said object holds no value.

I've always said, if what you express touches even only one person in the entire world, having theoretically exposed everyone to it, it's still art. Art is only as valuable as what someone or some group will offer for it. Can I ever know if my line drawing of a square is or is not art until I ask every single human on the planet if they consider it art in any way? Nope... so in the end, at any time someone does something, there's always a chance someone somwhere out there may consider it art.

Even a presidential speech, yes, can be considered art if someone respects and notices the effort put into the words, to the way it was spoken, and more... speech giving can be considered an art form. Just as I can find artistic value in the shape of a blob of spit or a rock.

Art is value - not necessarily monetary - but in personal worth, to one or more entities.
One cannot say "this is not art", but one can say "I don't consider this art", ie, art is defined on a personal level.

*readies flame suit* *stretches in preparation for incoming backlash*
Wink
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PostPosted: Fri Jan 21, 2005 4:21 pm
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CoffeeJedi
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i think i'll borrow a phrase from the honorable Justice Potter Stewart:
"I shall not today attempt further to define the kinds of material I understand to be embraced . . . but I know it when I see it . . . "

granted, he was referring to pornagraphy at the time, but i think the statement is valid here too Very Happy
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PostPosted: Fri Jan 21, 2005 5:29 pm
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Clayfoot
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Joined: 19 Aug 2004
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Phaedra wrote:
Clayfoot wrote:
This aesthetic sense that we all carry around individually causes much of these arguments over art.


Sure, but the aesthetic sense we all carry around individually is still, to a large extent, culturally rather than individually determined. So where does the cultural consensus come from? (Granted, this is harder to define now that we're exposed to art and aesthetic ideas from all over the world on a daily basis...)


I'm really amazed and puzzled where the aesthetic sense comes from. Sure, some of it is what you see, hear, and taste when you're small. Later, peers take a heavy role in defining taste. Confounding our group-inspired sensibilities is our personal level of hunger for surprise and newness. We like things that are new and different, but not too different. We like things that are familiar and similar to our previous experiences, but not too familiar.

I think that one of the most amazing things about this system is the people who's careers are devoted to finding the food, music, stories, and artwork that will be popular in the near future, even if it's too far out to be popular, now.

Phaedra wrote:
Clayfoot wrote:
What' s appealing to me is ugly to someone else. What's original to me is the same old thing to someone else. What's edgy to someone else is just over the top to me. I'm thinking of John Cage's 4'33", now; his trust fund won a plagiarism lawsuit over it.


You don't like 4'33"?!

<sigh>

I wanted to have that on my license plate, but someone else already stole it.


4'33" was original and surprising. I understand the point that there's always some sound to hear, even if no one's playing. I just don't like it. Let me put it another way: When Mike Batt published 1 minute of silence on his own album, the John Cage Trust sued him for copying that one minute from the 4'33" piece. So, tell me please, which part of the piece was plagiarised? The first minute? The last minute? Was it a medley of the parts? Look at it another way: What skill is required to perform this piece? Why, none at all. Anyone who can read musical notation could perform it, because it's just a series of rests. Even a tone deaf person could play this piece. Lack of content is not the same as content, nobody how visionary the composer.

Phaedra wrote:
Clayfoot wrote:
So, you would agree that art is, at least partially, a work of aesthetic or emotional expression?


Certainly. But I'm not sure it has to have an emotional component, and I'm not sure it has to be beautiful. Actually, on the second part, I am sure it doesn't have to be beautiful. Guernica is not beautiful, but I would argue that it is art.


Guernica is not such a good example from the emotional standpoint, no? It's definitely moving, especially at the time it was released. I'll admit that art does not have to beautiful. For that mattter, nature is often beautiful without being art.

There are certain principles of symmetry, focus, contrast, movement, and, umm..., other stuff that are considered elements of basic aesthetics, but I hate to use these metrics to judge the aesthetic value of a piece.

Phaedra wrote:
Clayfoot wrote:
Allow me to point to the criteria I described above (originality, risk, and virtuosity) in the context of aesthetics.


I have noticed them and been intrigued, and when I'm actually sitting down and thinking rather than idly trying to keep myself amused at work (or answering this post before I go take a bubble bath), I'll give you a serious response, okay?


Yes, it's taking me pretty long to form a response for the same reasons.

Phaedra wrote:
Clayfoot wrote:
Would it satisfy this observer's criteria:


That was a beautiful rhetorical maneuver.


You like how I got there, eh? Very Happy I will so remember that.

Phaedra wrote:
Clayfoot wrote:
Phaedra wrote:
If I paint a beautiful picture of an apple, and consider it art, but have no intention beyond creating a picture of an apple, is it art?
Yes, it is. Why? Because you are trying (intention) to paint a beautiful (virtuosity, aesthetics) picture of an apple.


Ah. Look at my quote again. You'll notice I didn't say it was my intention to create a beautiful picture of an apple, simply that I wanted to create a picture of an apple, and that the result, regardless of my aesthetic intention or lack thereof, was beautiful.


Okay, you have me there. You didn't necessarily intend for it to be beautiful. So, if you intended to paint an ugly picture, could it be beautiful? Oh, I think so. If nothing else, it has that evocative, surprising element that we seek. So, what would make the said art painting not art? Perhaps, if the final product was so unmoving, uninteresting, and unremarkable, we could call it just an illustration. What exists in this form? CAD drawings? Blueprints? Voice-synthesized weather reports? Romance novel covers (little joke there, people)?

EDIT: Yanked unnecessary capitalization.
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PostPosted: Fri Jan 21, 2005 5:50 pm
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Clayfoot
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I'm not ignoring all of the posts in between Phaedra's and my last. I'll get around to all of you, presently.
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PostPosted: Fri Jan 21, 2005 5:55 pm
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thebruce
Dances With Wikis


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Clayfoot wrote:
Phaedra wrote:
Clayfoot wrote:
Phaedra wrote:
If I paint a beautiful picture of an apple, and consider it art, but have no intention beyond creating a picture of an apple, is it art?
Yes, it is. Why? Because you are trying (intention) to paint a beautiful (virtuosity, aesthetics) picture of an apple.


Ah. Look at my quote again. You'll notice I didn't say it was my intention to create a beautiful picture of an apple, simply that I wanted to create a picture of an apple, and that the result, regardless of my aesthetic intention or lack thereof, was beautiful.


Okay, you have me there. You didn't necessarily intend for it to be beautiful. So, if you intended to paint an ugly picture, could it be beautiful? Oh, I think so. If nothing else, it has that evocative, surprising element that we seek. So, what would make the said art painting not art? Perhaps, if the final product was so unmoving, uninteresting, and unremarkable, we could call it just an illustration. What exists in this form? CAD drawings? Blueprints? Voice-synthesized weather reports? Romance novel covers (little joke there, people)?


And yet, each of those may somewhere be considered art... I could look at a straight illustration of an object, and admire the skill required to replicate precisely the original object, I could be inspired by the effort it took to create an accurate illustration, and I might find value in owning that illustration, treating as a piece of art for myself. Or even CAD drawings, which have been considered art in the past by people - because they hold value in and of themselves to certain individuals or groups... voice-synthesized weather reports may be considered as art by some people if they look into the work required, and the thought processes used, when defining how the voice would sound; obviously the tone had to be chosen, how much pitch, frequency, all of that... technical, yes, but the human mind had a role in creating it, and someone might hold value in it as an art form... yes, even romance novel covers Razz hehe
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PostPosted: Fri Jan 21, 2005 5:59 pm
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Nightmare Tony
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And then the questin is begged on the beauty and glory of nature. Is it art? To me it is. The beauty of forests and meadows. A city dweller type would not consider it as such, I guess...
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PostPosted: Sat Jan 22, 2005 1:47 am
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hmrpita
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Nightmare Tony wrote:
And then the questin is begged on the beauty and glory of nature. Is it art? To me it is. The beauty of forests and meadows. A city dweller type would not consider it as such, I guess...

My dear Nightmare Tony,
How can anything man-made compete with the beauty of nature? I am a certified citified city chick, but I would never compare the beautitful city I live in with anything in the natural world (nor would I compare thee to a summer's day Wink).

I have not read this entire thread, so spaminate me, if you must:

Art is.
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PostPosted: Sat Jan 22, 2005 2:15 am
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