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lonsumtravlr
Entrenched

Joined: 23 Mar 2014
Posts: 1009
Location: The Great Continent of New England

Lithp wrote:

Since it was an accident that they decided to keep because it looked creepy, I'm not surprised that it's not completely accurate to The Operator's anatomy.


Yes, but there's still the question of how Brian/Hoody/TTA/Who/Whatever got that tape. Because it had to have been TTA who put the tape there.

Quote:
It could also ruin it if there aren't any answers. If that was the last Entry, they probably answered just enough for me to consider it a weak but passable ending. And then, if you consider that I wasn't expecting much because of the low budget of the series & also that my expectations were practically in freefall for Season 3, at several points asking for "anything to make The Operator kind of threatening again"...that's not very good.


Not disputing this at all. Just saying that not everything has be be answered completely, at least. Season Three has been uneven, yes.

PostPosted: Mon Jun 16, 2014 11:48 pm
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Lithp
I Have No Life


Joined: 04 Mar 2012
Posts: 2058

Quote:
Yes, but there's still the question of how Brian/Hoody/TTA/Who/Whatever got that tape. Because it had to have been TTA who put the tape there.


He left it near Alex's burnt tapes, right? Maybe that has something to do with it?

Quote:

Not disputing this at all. Just saying that not everything has be be answered completely, at least. Season Three has been uneven, yes.


Maybe not, but maybe there's a benefit to pretending otherwise. If it's too insignificant to be answered, then maybe it shouldn't be built up as some huge mystery. If it's too important to ever BE answered, then maybe the answer should be that there is no answer. A simple plot should be shorter, longer plots should have several revelations along the way.

PostPosted: Tue Jun 17, 2014 12:12 am
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lonsumtravlr
Entrenched

Joined: 23 Mar 2014
Posts: 1009
Location: The Great Continent of New England

Lithp wrote:
He left it near Alex's burnt tapes, right? Maybe that has something to do with it?


Could be, but maybe that was also a signal that there was something more there (i.e., the burned tapes in the Static Hole). I really think that Brian/Hoody/TTA got this tape some other way--possibly some sort of [for lack of a better term] pact with Alex, whereby Hoody and Alex thought they could stop TO by no longer filming? Maybe this tape was insurance somehow, against what I don't know? I admit I don't have much to go on here.

Quote:
If it's too insignificant to be answered, then maybe it shouldn't be built up as some huge mystery. If it's too important to ever BE answered, then maybe the answer should be that there is no answer. A simple plot should be shorter, longer plots should have several revelations along the way.


Yeah, but you can't blame 'em for swinging for the fences their first time up making a series. I agree with you that the mystery probably got too big for the story's own good. But the camera's limited and the found footage genre's limited. I'm not quite sure which aspects of the mystery you think maybe should have been, what, avoided or rather smoothed out or elided or glossed over? I think they left the Hoody reveal drag on too long (though I also think it seemed too long just because filming on Season Three dragged on too long). But it didn't bother me so much (and I liked Brian's return in Entry #86). As for TO--that's a mystery that I'd love to see practically unsolved. I think enough indication's been given in the series about what may block it out and what may attract it. I still think The Ark was largely the product of warped Brian's warped brain. (Maybe he was abducted the way Tim was in Entry #64, so he got a glimpse of Oppy Land, maybe saw the dead body of one of the MH crew members, and when he returned to life he somehow put together some sort of heroic narrative about trying to get to "The Ark" as some sort of way of getting justice, somehow, and of making sense of his and others' suffering? Again, no proof in the sense of an actual document [such as an Entry] laying this out. But I don't think it's unreasonable to conjecture that given what's been provided in the series.)

PostPosted: Tue Jun 17, 2014 12:26 am
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Lithp
I Have No Life


Joined: 04 Mar 2012
Posts: 2058

Quote:
Yeah, but you can't blame 'em for swinging for the fences their first time up making a series.


I don't, exactly, it's more like I think they need more writing experience than people would lead them to believe.

Quote:
I'm not quite sure which aspects of the mystery you think maybe should have been, what, avoided or rather smoothed out or elided or glossed over?


Hoo boy...going through my own list of questions, I will try to give you some idea. The crossed out ones are basically unimportant.

Quote:
What's the Hoody Hut?
What's the significance of the tunnel?


If we just know what supernatural thing is going on here, that would probably suffice. Details like what the cabin is for, if it's just a cabin, or why Brian chose to use it, those aren't really important, though they could bring some depth to the world.

Quote:
Why does The Operator not jump to everyone that Tim knows, or even everyone that he knows well?
Why does The Operator need people to "spread" at all?
How did Brian stay away from it after he decided to live in Rosswood?


Kind of important. If you want to sell us on the claim that this is how it works, you need it to be derivable from the story. It's really not. To be blunt, it kind of looks like Alex & Tim just read some fanfiction about their situation & went, "Yeah, I guess it works that way." A lot of things don't really synch up with their "disease theory."

If The Operator's function is to create paranoia & violence, what's with all of the bloody memory wipes?

Quote:
What is "The Ark"?
What was Brian trying to accomplish with ToTheArk?
Why did Brian set Tim & Jay up to work together?
Why did he take so long to do so?
What was the point in saying that Jessica is out there if Brian knew that wasn't true the entire time?


For being one of the central characters, we know practically nothing about Brian's motive. And I really hate the "crazy people believe in crazy things" plot excuse, but there are a multitude of ways to make The Ark ultimately meaningless but still impactful. For example, maybe have Tim & Jay argue about whether or not it's real, & have that really piss ToTheArk off. That would be foreshadowing & it would show how desperate Brian is for this thing. Basically, for all of the attention paid to ToTheArk, there should have been a lot more ABOUT him.

Quote:
How did Brian keep breaking into Jay's account?


The biggest problem here is that Jay seemed to think this was a big deal. This falls under "don't play it up if it's not really significant."

Where was Brian's corpse in Entry 86?
Why didn't Brian buy his own gun?


Was Tim serious about not wanting to kill Alex, or was he bullshitting to create an opening?

Quote:
Where does The Operator send the people that it "takes"?
How did Tim first come into contact with The Operator?
What does it gain by infecting people & taking dead bodies?
Does Tim really remember his whole past with The Operator?
When did he remember or did he always know?
Is "Masky" an unrelated issue or something that The Operator caused?
If The Operator caused both "Hoody" & "Masky," then why doesn't Alex have an alter ego that fights crime?
Why did Alex only burn some of the tapes?
How did all of the people that Alex failed to kill survive?
What happened after Entry 12?


These are kind of key to the plot.

Quote:
What's with the Operator symbol, especially the ass-random ones on buildings & shit?
Why did Tim & Brian abduct Jessica?
Why did Alex call Tim & Jay & tell them to leave?


These are just annoying because there's really no reason for these things to be unexplained.

Why didn't they run into any penis graffiti in the abandoned hospital?
Where the Hell was Alex shooting from?


Quote:
Why is there no information on The Operator prior to Marble Hornets when Alex, a single victim, had amassed hundreds of tapes documenting it?
Why did The Operator wait several years to return to Alex?
Why didn't Alex get rid of that camera?
What happened to Alex while he was hanging out with The Operator?


Why can't the characters at least discuss these things? We can get some explanation for why they can't find any answers & they can give us at least some idea, based on their personal experiences.

How did Alex kill Amy--did he just shove her out of that window?
Why didn't Alex try to cover up his crimes, even though Hoody went to extensive lengths to stay off of the radar?
Where did Hoody get his food & water?
Does the Operatorsickness cause hallucinations or not?
Where did The Operator come from?
Is there only 1 of it?
Why don't the people that it "takes" decay?
Why does it only ever attack people indirectly?
Why does it skulk around Rosswood?


PostPosted: Tue Jun 17, 2014 1:27 am
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DJay32
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Joined: 10 Dec 2010
Posts: 87
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Lithp wrote:
Hoo boy...going through my own list of questions, I will try to give you some idea. The crossed out ones are basically unimportant.


And I will try to answer the ones that I think the narrative has heavily implied.

Quote:
What's the Hoody Hut?
What's the significance of the tunnel?


I don't think the Hoody Hut has been played up. It appeared in a couple of late entries after it'd already been established that Rosswood's topography isn't the most consistent where the Operator is involved. As for the tunnel, I will agree that it could be nice for some explanation, but if the series ended without an explanation, I could infer from what we've seen that the tunnel is significant simply because Alex murdered someone there, so it's a location that holds bad memories for him, which is all it seems to take for the Operator to "latch onto" it.

Quote:
Why does The Operator not jump to everyone that Tim knows, or even everyone that he knows well?
Why does The Operator need people to "spread" at all?
How did Brian stay away from it after he decided to live in Rosswood?


The few bits of information we've seen about Tim's personal life have implied he's a bit of a loner who doesn't make many friends, so random people Tim encounters probably have unlucky days for a little bit at most but I don't see it being enough grounds for the Operator to "latch onto" them.

Now, as to the nature of the Operator. Just going by what the series has shown so far, the Operator does not seem to me to be an entity with any motives beyond self-preservation. It's not literally a virus, but I can see why Tim and Alex would use that metaphor for it. It latches onto people and feeds off their trauma, their guilt, their anxieties, and it spreads among living people who "connect with" these victims (so basically "friends" is a good way of putting it). The way I personally see the Operator is as a metaphor for a lot of very serious mental problems, whether caused by nature (disorders like with Tim) or nurture (trauma like with Alex's victims). People seem to be able to "avoid" the Operator just by working on fixing their own mental issues, which would be why the pills work for Tim, and why between #25 and #26 Jay was able to get a lot better, mentally, as he didn't have a need to think about Alex or the mysterious man on the tapes. This would be how Brian stayed away from it, though actually I'm not terribly sure what you mean by that, since besides the summer of 2006 the only times we've seen Brian he's been pretty blatantly traumatized beyond recognition (i.e. Hoody).

Quote:
If The Operator's function is to create paranoia & violence, what's with all of the bloody memory wipes?


I know you're saying this question isn't important but it's not even a question. Memory loss would make anyone really freaking paranoid. Hell, even blocking memories yourself makes one really paranoid.

Quote:
What is "The Ark"?
What was Brian trying to accomplish with ToTheArk?
Why did Brian set Tim & Jay up to work together?
Why did he take so long to do so?
What was the point in saying that Jessica is out there if Brian knew that wasn't true the entire time?


I will agree that the Ark is something I would love an official answer on, though again, if the series ended around here and I had to infer from what we've already seen, I'd wager a guess that the Ark is the location the Operator takes people (living or dead), the location seen in #65, #83, and #86, the location made up of bad memories and horrific imagery. Still guessing here, I've assumed Brian wanted to go to the Ark to find out beyond a shadow of a doubt which of his friends are still alive. A sort of "I won't believe they're dead until I've seen the bodies." And as we've seen from all three listed entries, that location always shows us the dead bodies of those taken.

Brian's motivations throughout the series, while certainly cryptic, are still possible to infer and honestly it's the most fun puzzle I've tried to figure out in a long time. Brian (i.e. totheark/Hoody) has always acted in support of Jay, it seems, because Brian wanted closure but wasn't mentally stable enough to get it, while Jay wanted closure and was. Brian always tried to push Jay in the right direction where he could (see: Addition, Admission, Forecast), and whenever Jay wasn't productive Brian would get mad at him (see: Memories, Conversion). And we already know Brian and Tim were good friends back when it all started, so I'd say that's plenty of reason for Brain to want Jay and Tim to work together (look at Surveillance for an example of Brian basically seeing the three of them as some bizarre equivalent of "friends," as there's that shot where we see Jay, Tim, and Hoody framed together with the caption of "PERMANENCE"). Taking so long to set Jay and Tim up, I'd say he was more trying to wait for them to do it themselves, but when that didn't work he had to take action.

AS FOR LYING ABOUT JESSICA. I think that was one of the more clever parts of the totheark videos. In Display, we see Brian disappointed in Jay for leaving Tim behind, so he instills in Jay this reminder of Jessica, as he probably figured from watching the videos of season 2/early season 3 that she was for a while Jay's main motivator. Jessica was an attempt to coax Jay into action. But Brian went a little bit too far with this. He went a little too far with a lot of things towards the end, and it resulted in Jay getting killed. But do you remember the video Brian posted after Jay's death (but just before Entry 80 itself was posted)? It was Quadrant, a melancholy video filled with guilt, asking himself if he is the third liar, and concluding with "I can not help." Brian acknowledged his own lies, and he showed genuine regret. I think this alone confirms he wasn't just a crazy person (so yes, I agree that it would be disappointing to hear he was intended to be).

tl;dr: Brian has shown a lot of understandable decisions. It just takes a lot of digging through his code. But that seems to be the only way he can really communicate anymore.

Quote:
How did Brian keep breaking into Jay's account?


My only guess for this is "If he has the technological know-how to make the complex videos he does, maybe he also knows how to hack accounts."

Quote:
Where does The Operator send the people that it "takes"?
How did Tim first come into contact with The Operator?
What does it gain by infecting people & taking dead bodies?
Does Tim really remember his whole past with The Operator?
When did he remember or did he always know?
Is "Masky" an unrelated issue or something that The Operator caused?
If The Operator caused both "Hoody" & "Masky," then why doesn't Alex have an alter ego that fights crime?
Why did Alex only burn some of the tapes?
How did all of the people that Alex failed to kill survive?
What happened after Entry 12?


I've already said what I think about the Operator, so I won't repeat myself. I will totally agree it would be appropriate to find out how Tim first made contact, or at least just some more information about his childhood. I would believe him if he said he doesn't remember, though, since he said in #66 he doesn't even remember what his hallucinations were when he was young (otherwise he would have confirmed they were of the Operator).

Going with my own ideas about the Operator, I'd say Masky is a reaction to the trauma of not having a stable mind. ..or in other words it's something he's always had but exposure to the Operator can trigger it. That just feels like what the medical records were trying to imply, anyway. As for Brian and Alex, I'd say they're actually closer to the "normal" reaction to the Operator-- Tim's split personality thing is probably because of his past with mental problems. Brian seems to have responded to the Operator/the emotional trauma of Alex trying to kill him in #51 with becoming a masked persona at all times, and possibly even becoming a mute for all we know. Alex responded to the Operator by becoming a murderer. I mean, say what you want about Alex, but I'm pretty sure that's not what he was like before the Operator came in. Hell, even Jay was slipping down that route before he died; it just took him longer than the others because he didn't really jump headfirst into this until years after the others.

I will agree to wanting to know why Alex only burned some of the tapes (though I don't consider it to be vital to know), and I will definitely agree to wanting to know a bit more of the specifics of what happened in the summer of 2006/why people survived. But Entry 12? I think we can probably just infer what happened by now-- it was probably something along the lines of what happens every other time the Operator shows up. There would have been a lot of trauma, maybe some teleportation, maybe some in-fighting amongst the crew, and in the end those who remembered the events would try their hardest not to think about it.

Quote:
What's with the Operator symbol, especially the ass-random ones on buildings & shit?
Why did Tim & Brian abduct Jessica?
Why did Alex call Tim & Jay & tell them to leave?


Will agree about being curious about the Operator symbol.
Jessica abduction seemed, to me, to be because Alex had found them. Immediately afterward, Tim scared Jay out of the hotel. It looked like a pretty failed attempt to save their lives.
Will agree about the phone call.

Quote:
Why is there no information on The Operator prior to Marble Hornets when Alex, a single victim, had amassed hundreds of tapes documenting it?
Why did The Operator wait several years to return to Alex?
Why didn't Alex get rid of that camera?
What happened to Alex while he was hanging out with The Operator?


For the longest time, the lack of discussion about the Operator made me absolutely sure the Operator was meant to be taken as a metaphor, though the few times characters talked about it kinda put a hole through that. I still think there's some element of metaphor in there, though the rest of it seems to me to be a stylistic thing. But I can at least say, speaking from experience here, that if a group of people are in a really dysfunctional and horrible situation, even if there's a guy with a gun involved, people will go out of their way not to talk about it, even with each other. So I just.. I can believe it.

Alex's private time with the Operator is probably a lot like the events of #44; that struck me as being the reason that entry was made, as well as to give more context to earlier entries like #8.

SO YEAH
Those are my answers. Maybe one or two of them might make sense to you as well, or maybe it all sounds farfetched. And I fully acknowledge I might be wrong on even all of them, certainly the ones regarding the Operator and the Ark. But usually, if you want to know answers to a work's mysteries, it's best to try and figure out the rules of the world based on what the work itself presents. Or in other words, look at what's presented; it's best not to think about what isn't there.

PostPosted: Tue Jun 17, 2014 4:52 am
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Lithp
I Have No Life


Joined: 04 Mar 2012
Posts: 2058

Quote:
I don't think the Hoody Hut has been played up. It appeared in a couple of late entries after it'd already been established that Rosswood's topography isn't the most consistent where the Operator is involved.


Rephrase the question as you wish. There's still no apparent reason for things in Rosswood moving around. Nor does it make sense that the locals wouldn't notice this. If it doesn't add anything, it should probably be cut.

Quote:
The few bits of information we've seen about Tim's personal life have implied he's a bit of a loner who doesn't make many friends, so random people Tim encounters probably have unlucky days for a little bit at most but I don't see it being enough grounds for the Operator to "latch onto" them.


There's really no reason why it shouldn't start following anyone that Tim meets. It started following Alex after their first meeting. And even if we ignore that: Brian. He doesn't show evidence of being stalked in the early Marble Hornets tapes, despite having known Tim longer than anyone.

There are really just too many inconsistencies with this theory for me to believe that they actually deduced this somehow.

Quote:
This would be how Brian stayed away from it, though actually I'm not terribly sure what you mean by that, since besides the summer of 2006 the only times we've seen Brian he's been pretty blatantly traumatized beyond recognition (i.e. Hoody).


Wait, did he or did he not evade the effects of The Operator? It can't be both. At any rate, Brian basically lives full time in Rosswood, yet The Operator only ever appears to him when Alex is nearby.

Quote:
I know you're saying this question isn't important but it's not even a question. Memory loss would make anyone really freaking paranoid. Hell, even blocking memories yourself makes one really paranoid.


Why do they not remember that Alex tried to kill them during the production of Marble Hornets? Because The Operator wiped their memory. They had a perfectly good reason to start getting violent & The Operator went, "Nope." The Operator would later erase Jay's memory the SECOND time that Alex tried to murder him.

Quote:
tl;dr: Brian has shown a lot of understandable decisions. It just takes a lot of digging through his code. But that seems to be the only way he can really communicate anymore.


Okay, so there may be an answer, but it is inaccessible to the bulk of the audience. I'm not sure if that's an improvement over the codes being apparently useless messages.

Quote:
My only guess for this is "If he has the technological know-how to make the complex videos he does, maybe he also knows how to hack accounts."


So don't make it more than it is. Just have Jay say, "He must be a really good hacker." That's not to say that I wouldn't still call bullshit, but in the context of that post, I was using this as an example of making too much mystery out of something that isn't going to have a huge payoff.

Quote:
I'd say they're actually closer to the "normal" reaction to the Operator-- Tim's split personality thing is probably because of his past with mental problems.


Didn't we basically conclude that his past mental problems were just misdiagnosed Operator attacks?

Quote:
I will agree to wanting to know why Alex only burned some of the tapes (though I don't consider it to be vital to know), and I will definitely agree to wanting to know a bit more of the specifics of what happened in the summer of 2006/why people survived. But Entry 12?


It makes no sense. "He burned the tapes, no he didn't, wait he did, he attacked me when he gave me the tapes, but I still have them." If it all makes perfect sense because they have some kind of justification for it, then why aren't they making that point?

Supposedly, they said that Entry 12's aftermath was going to be important.

Quote:
Will agree about being curious about the Operator symbol.
Jessica abduction seemed, to me, to be because Alex had found them. Immediately afterward, Tim scared Jay out of the hotel. It looked like a pretty failed attempt to save their lives.


How does that work? Tim wasn't carrying Jessica when he tried to nab Jay. So either he'd already abducted her & stashed her somewhere while he went to get Jay, or he'd gone back for Jay after Jessica had already been killed. Either way, it seems like a counter productive way to land them right in Alex's lap, especially considering that they were already leaving the hotel & could probably go faster on the road than stumbling around Rosswood in the dark.

Quote:
For the longest time, the lack of discussion about the Operator made me absolutely sure the Operator was meant to be taken as a metaphor, though the few times characters talked about it kinda put a hole through that. I still think there's some element of metaphor in there, though the rest of it seems to me to be a stylistic thing. But I can at least say, speaking from experience here, that if a group of people are in a really dysfunctional and horrible situation, even if there's a guy with a gun involved, people will go out of their way not to talk about it, even with each other. So I just.. I can believe it.


You could go back & forth on what is or is not realistic, but the point remains that this series is supposed to about finding answers regarding The Operator & the Marble Hornets disappearances both in & out of context, but it does a remarkably poor job of that.

Quote:
Alex's private time with the Operator is probably a lot like the events of #44; that struck me as being the reason that entry was made, as well as to give more context to earlier entries like #8.


So he gets kidnapped & then...what?

PostPosted: Tue Jun 17, 2014 7:23 am
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censura_umbra
Unfettered


Joined: 13 Aug 2012
Posts: 494

Lithp wrote:
Quote:
And finally, the question that is first and foremost on my mind, why was Brian's corpse clean-shaven when he's basically spent the last seven years as a wandering ghost-hobo with a bag over his head who takes shelter in tunnels and abandoned shacks in the woods?


That's a good point. Normally, I wouldn't care, but they seem to pay attention to that. Maybe he can't grow facial hair for some reason?

Also, why didn't I think of "who was upload"?


I just got a creepy image of Alex watching Brian die there slowly, and as he takes his last breath, Alex slowly stands up, picking up the razor, he bends over Brian and slowly shaves his still face. Whispering "Tim is coming over, you have to look nice for Tim"

PostPosted: Tue Jun 17, 2014 10:21 am
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Lithp
I Have No Life


Joined: 04 Mar 2012
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That's odd, because I pictured Alex shaving his face while he was dying & Brian wheezing out, "You...dick." Not so scary.

PostPosted: Tue Jun 17, 2014 10:36 am
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ReverendJ
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Joined: 04 Aug 2011
Posts: 558

Lithp wrote:
Why can't the characters at least discuss these things? We can get some explanation for why they can't find any answers & they can give us at least some idea, based on their personal experiences.


Cause they dead.

PostPosted: Tue Jun 17, 2014 10:40 am
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censura_umbra
Unfettered


Joined: 13 Aug 2012
Posts: 494

Lithp wrote:
Quote:
I don't think the Hoody Hut has been played up. It appeared in a couple of late entries after it'd already been established that Rosswood's topography isn't the most consistent where the Operator is involved.


Rephrase the question as you wish. There's still no apparent reason for things in Rosswood moving around. Nor does it make sense that the locals wouldn't notice this. If it doesn't add anything, it should probably be cut.


What is interesting about Hoody Hut? It is a place where Hoody stayed.

Quote:
Quote:
The few bits of information we've seen about Tim's personal life have implied he's a bit of a loner who doesn't make many friends, so random people Tim encounters probably have unlucky days for a little bit at most but I don't see it being enough grounds for the Operator to "latch onto" them.


There's really no reason why it shouldn't start following anyone that Tim meets. It started following Alex after their first meeting. And even if we ignore that: Brian. He doesn't show evidence of being stalked in the early Marble Hornets tapes, despite having known Tim longer than anyone.

There are really just too many inconsistencies with this theory for me to believe that they actually deduced this somehow.


This is simple. TO is all but confirmed to follow people the more they are aware of it. And people around TO get their memory wiped pretty often (I'll get to that soon) so Brian, even though he hangs out with Tim and may see TO from the corner of his eye once in a while. He either a) writes it off as seeing things, or b) forgets it. So TO leaves him alone. What makes Alex and Jay different is they are recording everything. They DON'T forget TO because they see him on the tapes. Entry 12 was probably the first time everyone but Tim saw TO. And after entry 12, everyone forgot, except Alex who went home and saw the tape.

Quote:
Quote:
I know you're saying this question isn't important but it's not even a question. Memory loss would make anyone really freaking paranoid. Hell, even blocking memories yourself makes one really paranoid.


Why do they not remember that Alex tried to kill them during the production of Marble Hornets? Because The Operator wiped their memory. They had a perfectly good reason to start getting violent & The Operator went, "Nope." The Operator would later erase Jay's memory the SECOND time that Alex tried to murder him.


I think we are looking at this Memory wipe thing the wrong way. We assume that TO wipes their memories because he is often right up in their face right before the memory wipe. BUT, as mentioned, that doesn't make sense, why would he wipe their memory if he wants them to know about him so he can spread. Answer: he doesn't, it is a natural defensive response of the human mind. In a way The Operator represents a primal fear in humans, and whether on purpose or not, if TO gets too close or powerful, the human mind wipes the incident (or suppresses it most likely) it is a normal response to traumatic experiences. And by forgetting about TO, then TO leaves you alone. That is why Tim was fine until Jay started asking questions, and Alex was "fine" until Amy found the camera.

Quote:
Quote:
tl;dr: Brian has shown a lot of understandable decisions. It just takes a lot of digging through his code. But that seems to be the only way he can really communicate anymore.


Okay, so there may be an answer, but it is inaccessible to the bulk of the audience. I'm not sure if that's an improvement over the codes being apparently useless messages.


I am also interested in knowing why TTA feels it necessary to use codes. Is it just to fuck with/distract/stall Jay?

Quote:
Quote:
My only guess for this is "If he has the technological know-how to make the complex videos he does, maybe he also knows how to hack accounts."


So don't make it more than it is. Just have Jay say, "He must be a really good hacker." That's not to say that I wouldn't still call bullshit, but in the context of that post, I was using this as an example of making too much mystery out of something that isn't going to have a huge payoff.


It is actually something. It is really easy to "hack" an account. You just need to know their security questions. If this is how he does it, it shows that TTA/Hoody/Brian/Masky/Tim knew Jay pretty well. OR that they knew his normal passwords. Either because he trusted them with the passwords during the shooting of MH or because they stalk him a lot. (or they could have just easily installed a key logger on his laptop. They had plenty of opportunities, hacking someone's account is not hard if you are determined) And they hype it up because it is a big deal. All of the things I mentioned for how they would get into Jay's account would creep anyone out. It just shows how little control Jay has.

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For the longest time, the lack of discussion about the Operator made me absolutely sure the Operator was meant to be taken as a metaphor, though the few times characters talked about it kinda put a hole through that. I still think there's some element of metaphor in there, though the rest of it seems to me to be a stylistic thing. But I can at least say, speaking from experience here, that if a group of people are in a really dysfunctional and horrible situation, even if there's a guy with a gun involved, people will go out of their way not to talk about it, even with each other. So I just.. I can believe it.


You could go back & forth on what is or is not realistic, but the point remains that this series is supposed to about finding answers regarding The Operator & the Marble Hornets disappearances both in & out of context, but it does a remarkably poor job of that.


I agree 100% with this. The lack of discussion about the monster chasing them is annoying. But. MH isn't a Paranormal Activity type movie where the characters go searching for the monster and read old books about it and call in a priest and shit. It started as a monster hunt series but quickly became a series about being hunted by the monster. The whole angle of MH is to show the mental states of these characters. Almost every plot point is related to a mental state of one of the characters. Them not talking about TO is just another way THAC shows how disturbed these guys are.

Also, remember, both Tim and Jay spent a long time dealing with this alone and not talking about it. They probably don't know or want to discuss it.

PostPosted: Tue Jun 17, 2014 11:06 am
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Lithp
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I'm not sure if I was clear. I didn't repost my list with annotations to say, "Propose explanations to these," it was in response to a question about what I said regarding avoiding situations where the unanswered question list dramatically outweighs the list of things we've learned.

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What is interesting about Hoody Hut? It is a place where Hoody stayed.


The fact that it just decided to walk away one day? And if you're going to say, "That wasn't the Hut, it was--" rephrase the question however you want. What's up with that shit moving around?

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This is simple.


Proposing a "simple explanation" doesn't actually mean that it's necessarily true. "Plot hole" is also a simple explanation.

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Answer: he doesn't, it is a natural defensive response of the human mind.


I seriously hope not, but that's neither here nor there.

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It is actually something. It is really easy to "hack" an account. You just need to know their security questions. If this is how he does it, it shows that TTA/Hoody/Brian/Masky/Tim knew Jay pretty well. OR that they knew his normal passwords. Either because he trusted them with the passwords during the shooting of MH or because they stalk him a lot. (or they could have just easily installed a key logger on his laptop. They had plenty of opportunities, hacking someone's account is not hard if you are determined) And they hype it up because it is a big deal. All of the things I mentioned for how they would get into Jay's account would creep anyone out. It just shows how little control Jay has.


Then maybe he should put it that way, not "how are they getting into my account"? Frankly, I suspect that Jay kept using "password," "password2," "password3," etc.

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The whole angle of MH is to show the mental states of these characters. Almost every plot point is related to a mental state of one of the characters. Them not talking about TO is just another way THAC shows how disturbed these guys are.


Then write a monster that doesn't need explaining.

PostPosted: Tue Jun 17, 2014 11:33 am
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lonsumtravlr
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Lithp, I see your points. I share a couple of your criticisms. To be fair to the THAC guys (and I'm aware that this really is neither a viable ulitmate excuse nor any sort of viable defense of some of MH's weaker moments), I still think that part of the issue has been that MH became far bigger than they'd imagined, and as you rightly state, they're not accomplished writers on the long-term series level yet. I don't want to keep pointing back to the limits of found footage argument, either, because, again, it's more a reason to drop it for the next series.

I do think that the mystery isn't all gratuitous and that there are more clues given for things in the visual composition of the series. Now I agree--a little more explanation for the shack and part of Rosswood shifting woulda been nice. And it coulda been done in the limited medium of found footage and the limited handheld and chest cameras. At least EMH had a couple of trips to ye ol' library or a little online research. Everyone in the show is computer savvy enough to have checked online--something coulda come up when Jay tried to find a missing persons report on "Bruce." There could have been some backstory about TO and Rosswood without providing everything--an origin story isn't necessary, but some sort of sense of history could be. This is a hole. BUT not everything needed to be completely laid out, either. if this were say a Lovecraft short story, you'd get a page-and-a-half diatribe tying the connections together. I'm glad that MH didn't go that route, especially as long-winded monologues are not something Troy et al. do that well yet (and hopefully they'll avoid them in the future). I don't think the characters needed to really say much more--and it's possible in series (again, unsubstantiated, weak argument) that they said a lot when the camera either wasn't rolling or that just got edited from the entries. I don't think this is a problem--I just wonder why no one thought even to check Snopes or something and look into ghost stories and urban legends. They wouldn't have had to mention creepypasta--it's quite likely that MH takes place in a different universe in which creepypasta doesn't even exist (though it's clear from the series's start that "Something Awful" does). They could do this without going the Candle Cove route (something tells me there wouldn't have been a TO survivor's forum anyway). Agreed that they coulda handled this better while still maintaining a lot of the mystery and the creepiness and the inhumanness of The Operator.

As for TO not jumping to everyone--it seems that the camera's the thing that does it. It lays claim to a host that way. Alex had a point about an outbreak--though if I'm reading his last words correctly, he came to think that ANYone he came in contact with would be contaminated (I understand him saying, "When you see someone, you have to kill them, then yourself"). Even before Entry #84, it seemed pretty clear that this was where they were going (Jay tweeted that he was getting terribly ill after reviewing this footage [some of which had included him from the MH shoot], and it's not a weak conjecture that Alex was relatively OK till Amy found the camera).

As for Jessica... well, I'm not sure that she's really dead. I still don't believe that Entry #76 shows a death and a TO abduction. Or, if she's dead, maybe Hoody killed her? Doubtful, but maybe she was allowed to leave, too? Entry #76 seems staged in series to me. But the "she's out there" seemed to me to be something to incense Jay and keep him mad at Alex or just keep him going (as Tim pointed out in Entry #69, and as Jay stated himself in Entries #59 and #63, finding Jessica was one of the main reasons he persevered, such as it is).

I'm of the camp that says that when the attempted offing of Brian didn't take in Entry #51, Brian "snapped." He became that sort of mad Ahab confusing justice with vengeance, and with him it was a zero sum game. I think there's been enough evidence to support that interpretation, although it coulda been sharper in points, yeah. Agreed about the account hacks, too, but Jay seemed like a guy who tried to keep stoic about things and was wicked bad at it. That's all I got for now.

PostPosted: Tue Jun 17, 2014 12:03 pm
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Lithp
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Quote:
Lithp, I see your points. I share a couple of your criticisms. To be fair to the THAC guys (and I'm aware that this really is neither a viable ulitmate excuse nor any sort of viable defense of some of MH's weaker moments), I still think that part of the issue has been that MH became far bigger than they'd imagined, and as you rightly state, they're not accomplished writers on the long-term series level yet. I don't want to keep pointing back to the limits of found footage argument, either, because, again, it's more a reason to drop it for the next series.


You definitely see what I'm driving at, which is good. It's not really easy criticism to make. I don't want to keep going back to "they could write better." I think it's pretty safe to say that Marble Hornets defied expectations & broke new ground, regardless of what anyone says about it. But I don't like how they're being told to change nothing, especially when they're planning on doing more & more series (horror & otherwise).

Just judging off of the conclusion of Marble Hornets, I'm willing to give their new series a try, but I'm skeptical of it. There were a handful of times that I thought about quitting Marble Hornets because of its pacing, but I kept going because I knew they were capable of really amazing plot twists, like Alex being not only alive. Also, while I wasn't expecting it at the time, the fact that Tim could finish up the series &, in some ways, be even more interesting than Jay proves that they write their "secondary characters" deep enough to stand on their own.

Is the found footage thing part of the problem? Maybe? I see the arguments against it, but don't think it really got in their way a lot.

Quote:
I do think that the mystery isn't all gratuitous and that there are more clues given for things in the visual composition of the series. Now I agree--a little more explanation for the shack and part of Rosswood shifting woulda been nice. And it coulda been done in the limited medium of found footage and the limited handheld and chest cameras. At least EMH had a couple of trips to ye ol' library or a little online research


Yeah, I was trying REALLY hard not to compare Marble Hornets to its little brother, but in the back of my head, I kept thinking, "EMH has plenty of Wham Episodes, yet it still has plenty of mystery." Another thing that I mentally compared it to is the writing that they did for "Slender: The Arrival." Of course, that was a lot of plot relative to a game that, if everything goes well, is less than 2 hours, but the point remains that it still has a pretty detailed chronology despite how little they had to work with (think of how few characters actually appear, onscreen, as fully articulate models).

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As for TO not jumping to everyone--it seems that the camera's the thing that does it.


Which is weird if true. Did Tim snap a picture of it while he was a kid, or something? And it still doesn't really rub off on Jay. He obviously gets Slendersick, but as far as we know, it doesn't follow him around. And considering The Operator's tendency to photobomb, it would be strange if he didn't catch it around his house a few times, if it was there.

PostPosted: Tue Jun 17, 2014 6:23 pm
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lonsumtravlr
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Lithp wrote:
Quote:
Lithp, I see your points. I share a couple of your criticisms. To be fair to the THAC guys (and I'm aware that this really is neither a viable ulitmate excuse nor any sort of viable defense of some of MH's weaker moments), I still think that part of the issue has been that MH became far bigger than they'd imagined, and as you rightly state, they're not accomplished writers on the long-term series level yet. I don't want to keep pointing back to the limits of found footage argument, either, because, again, it's more a reason to drop it for the next series.


You definitely see what I'm driving at, which is good. It's not really easy criticism to make. I don't want to keep going back to "they could write better." I think it's pretty safe to say that Marble Hornets defied expectations & broke new ground, regardless of what anyone says about it. But I don't like how they're being told to change nothing, especially when they're planning on doing more & more series (horror & otherwise).

Just judging off of the conclusion of Marble Hornets, I'm willing to give their new series a try, but I'm skeptical of it. There were a handful of times that I thought about quitting Marble Hornets because of its pacing, but I kept going because I knew they were capable of really amazing plot twists, like Alex being not only alive. Also, while I wasn't expecting it at the time, the fact that Tim could finish up the series &, in some ways, be even more interesting than Jay proves that they write their "secondary characters" deep enough to stand on their own.

Is the found footage thing part of the problem? Maybe? I see the arguments against it, but don't think it really got in their way a lot.

Quote:
I do think that the mystery isn't all gratuitous and that there are more clues given for things in the visual composition of the series. Now I agree--a little more explanation for the shack and part of Rosswood shifting woulda been nice. And it coulda been done in the limited medium of found footage and the limited handheld and chest cameras. At least EMH had a couple of trips to ye ol' library or a little online research


Yeah, I was trying REALLY hard not to compare Marble Hornets to its little brother, but in the back of my head, I kept thinking, "EMH has plenty of Wham Episodes, yet it still has plenty of mystery." Another thing that I mentally compared it to is the writing that they did for "Slender: The Arrival." Of course, that was a lot of plot relative to a game that, if everything goes well, is less than 2 hours, but the point remains that it still has a pretty detailed chronology despite how little they had to work with (think of how few characters actually appear, onscreen, as fully articulate models).

Quote:
As for TO not jumping to everyone--it seems that the camera's the thing that does it.


Which is weird if true. Did Tim snap a picture of it while he was a kid, or something? And it still doesn't really rub off on Jay. He obviously gets Slendersick, but as far as we know, it doesn't follow him around. And considering The Operator's tendency to photobomb, it would be strange if he didn't catch it around his house a few times, if it was there.


I think we can agree on certain things while agreeing to disagree on the other points. Very Happy

I think they all have tremendous potential as writers. I also think Troy's a pretty fine director (maybe a better editor) and has his moments as an actor. Tim will be a great actor if he's not one now. Some of his little "pomes," I think he calls them, on his Tumblr are funny, too. Joseph has a great sense of humor, impeccable comic and deadpan timing, and can play a hard-ass too. Let's just hope they have the sensibility to not listen when the fandom tells them not to change anything.

About The Operator, it also seems that it does feed off insecurity and fear. Tim seemed like a good host for a long time. Alex was obviously more insecure at the start (Entry #84) than he'd let on. What Entry #84 does is not only show the apparent moment that TO infects everyone; it gives a possible reason for why it hung around Alex. I've posted before that despite its anthropomorphism, whatever TO is, it seems like a parasite or pest, and some of those early entries seemed to be TO nesting in Alex's home (that's how I read Entry #14, where it opens the door and apparently follows him after--something). I don't know--right now, as I try to type it, I think I'm not making the connections well. What this last entry seems to have showed is that while TO might have latched on to Tim earlier, it seemed to have turned on him--but is it because it's some diabolical intelligence or because it's a parasite that liked its new host better and rejected the old one?

There's more to go into here, but I can't type it right now (by which I mean I really physically have to run).

The thing about Jay, though, is that he must have been somehow infected during the MH shoot. And like Brian he's the only apparent non-host (i.e., he's neither Tim nor Alex) who made it back from Oppy Land as far as we can tell. Does that mean he's got some sort of weird immunity to a point (his memory was wiped, but it took a fatal shot for TO to take him)? Does that mean he's changed in some other way? He started getting physically ill just watching the tapes (see his Season One twitter feed). Something was up with that.

Found Footage is limited because of the perspective of the camera, the lack of apparent context, and the editing that may be done to entries. It's a very, very, very limited genre to use for your first series. So for all of their flaws, I've gotta give the THAC boys props for Marble Hornets (most of it, anyway).

And why not compare MH and EMH? They're both brilliant in many ways, both flawed, both innovative, and both just about the only Slender-influenced series that I personally think are worth a damn. (I can't stand TribeTwelve, though I respect what its creator's doing, I can't get into Dark Harvest, I like what the Handprints guy does but you pretty much have to devote your life to following him to get what he's doing, and what does that leave--Pistachio Spiders? I think not.) OK, now must run.

PostPosted: Tue Jun 17, 2014 7:09 pm
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lonsumtravlr
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Actually, now that I've been briefly detained, why not one further post?

About their storytelling style. (And I think that while they likely share a vision, this is Troy's baby.) I really do think that in MH's case many clues and many answers are provided visually--especially as emotions and thoughts have apparently been captured by the cameras (IG). THis might have been Trosephim's way of getting around the limitations of found footage while also throwing a few bones to the fans who like to pick things apart. It also suggests something of a surreal influence on Troy and likely on Joseph and Tim too. (Again, Troy was following David Lynch on Twitter, he's a film student, I'm sure he's seen Twin Peaks and Mulholland Dr. and Eraserhead, though it's the former two whose influence I see on MH.)

PostPosted: Tue Jun 17, 2014 7:22 pm
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