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 Forum index » Archive » Archive: The Haunted Apiary (Let Op!) » The Haunted Apiary (Let Op!): Questions/Meta
possibly a dumb question with an obvious answer...
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Jacqueline
Boot

Joined: 17 Aug 2004
Posts: 23

possibly a dumb question with an obvious answer...

I started following the whole ilovebees saga near the beginning, and then RL issues forced me to give up on the computer for awhile and I lost track of what was going on here. Is there somewhere I can find the major events all summarized, and preferably links to the transmissions, too? I'm particularly interested in seeing the story from the ship, (the Covenant artifact and the like) as I've just read a few excerpts here and there and been unable to piece them all together.

Also, would anyone here recommend the Halo novels? I've never played the actual games, but I'm curious about all the backstory now and I'm considering gettign them off of Amazon. (What would really be cool is if they incorporated Melissa into a future novel...)

PostPosted: Mon Jan 17, 2005 8:31 pm
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weephun
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Joined: 25 Aug 2004
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You can find just about everything from here: http://forums.unfiction.com/forums/viewtopic.php?t=6438

I found the fireflies wiki to be one of the most helpful, but all the rest of the resources are excellent also.
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PostPosted: Tue Jan 18, 2005 10:08 am
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Anton P. Nym
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Joined: 25 Jul 2004
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Thank you. (Link to the Fireflies Wiki in my .sig.)

As to the novels, they are good reading if you enjoyed the story of Halo and Halo 2. I'd be reluctant to recommend them as stand-alones, though, as without the wider base of background the novels themselves aren't terribly spectacular.

-- Steve thinks that ILB was probably the single most powerful story in the Haloverse.
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PostPosted: Tue Jan 18, 2005 11:47 am
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Phaedra
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Anton P. Nym wrote:
Thank you. (Link to the Fireflies Wiki in my .sig.)

As to the novels, they are good reading if you enjoyed the story of Halo and Halo 2. I'd be reluctant to recommend them as stand-alones, though, as without the wider base of background the novels themselves aren't terribly spectacular.

-- Steve thinks that ILB was probably the single most powerful story in the Haloverse.


People are probably going to hate me for saying this, but...

Go ahead and read them if you really want the information and backstory.

But the writing quality is, to put it as gently as I can and still express my feelings, execrable.
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PostPosted: Tue Jan 18, 2005 11:51 am
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Jacqueline
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Joined: 17 Aug 2004
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Okies, thanks for the link. Smile


Quote:
But the writing quality is, to put it as gently as I can and still express my feelings, execrable.


Hmm, I was afraid of that. (I haven't had very good experiences with the few other game and movie novelizations I've read...) But I was hoping the high quality of the ILB story meant they had higher standards for their writers. Well I may try to get copies secondhand then, or at least find an excerpt from the books and see if I can read a few paragraphs without physical pain before buying retail...

PostPosted: Tue Jan 18, 2005 1:01 pm
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Phaedra
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Jacqueline wrote:
Okies, thanks for the link. Smile


Quote:
But the writing quality is, to put it as gently as I can and still express my feelings, execrable.


Hmm, I was afraid of that. (I haven't had very good experiences with the few other game and movie novelizations I've read...)


Amen to that. <cringe>

Although J. Gregory Keyes' telepath trilogy for Babylon 5 was surprisingly well-written. As was Peter David's trilogy. But then again, these are writers who had solid reputations on their own before doing the tie-in books. I imagine Sean Stewart's Star Wars book is wonderful.

Jacqueline wrote:
But I was hoping the high quality of the ILB story meant they had higher standards for their writers. Well I may try to get copies secondhand then, or at least find an excerpt from the books and see if I can read a few paragraphs without physical pain before buying retail...


Check Amazon. They might have that thingy where you can read the first couple of pages.
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PostPosted: Tue Jan 18, 2005 1:07 pm
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Anton P. Nym
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Phaedra wrote:
But the writing quality is, to put it as gently as I can and still express my feelings, execrable.

"Execrable" is a bit strong... the novels will never by considered fine literature, but they're not terrible. The two by Eric Nylund are the better ones, but even William Deitz's The Flood isn't just a throw-away. (He had a tough row to hoe on that one... it's hard enough to novelize in a FPS universe, but he had to novelize the gameplay too.)

-- Steve will admit that the writing on ILB was far superior, but ILB's far superior to the typical novel put out these days anyway.
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PostPosted: Tue Jan 18, 2005 2:16 pm
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thebruce
Dances With Wikis


Joined: 16 Aug 2004
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I'll second anton's comments... I found the Halo novels enjoyable, not from a literary standpoint, but for entertainment value... if you have high expectations and put a lot of value on the literary quality of novels, then you might not enjoy them unless you lower your standards just a bit... but for entertainment, hey, if you like sci-fi and you like Halo, then yeah, the novels are great...

and on a sidenote, *shameless plug* if you want to read ilovebees in novel form, bookmark the link in my sig Smile my attempt is to get every piece of game content into the novelization, including the 'real-world' activities, alongside the game plot, and even narrating the audio transcriptions to read linearly... I'm not the most amazing writer Razz but reading through the transcriptions as a narrative adds a unique perspective to the radio drama...
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PostPosted: Tue Jan 18, 2005 4:18 pm
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weephun
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Heck, even new, the novels are only $5 a piece softcover. Not a bad $15 for me at all.

Very enjoyable story, but yah, somebody really needed a better editor.
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PostPosted: Tue Jan 18, 2005 4:49 pm
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Phaedra
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Anton P. Nym wrote:
Phaedra wrote:
But the writing quality is, to put it as gently as I can and still express my feelings, execrable.

"Execrable" is a bit strong... the novels will never by considered fine literature, but they're not terrible.


Heh, you are, as ever, entitled to your opinion. Razz

thebruce wrote:
I found the Halo novels enjoyable, not from a literary standpoint, but for entertainment value... if you have high expectations and put a lot of value on the literary quality of novels, then you might not enjoy them unless you lower your standards just a bit... but for entertainment, hey, if you like sci-fi and you like Halo, then yeah, the novels are great...


For me the two are pretty inseparable. When someone tells me a story, I want it to be told well. If it's told badly, then all I'm getting out of it is the information. And if that's the case, the author may as well just type me a plot summary and paragraphs including the necessary details and give me that instead. If I'm going to read a novel, I want to be drawn in, to be caught up in the story, which is a function of how well it's told.

If a story is told well, it influences your emotions; it doesn't just tell you things. I remember an essay of Tolkien's in which he describes the magic of "fairy-stories" and how there is a "turn" that comes at a particular point in the story that makes the reader catch their breath. Sometimes it can work out of context. He quotes:

Tolkien wrote:
Seven long years I served for thee,
The glassy hill I clamb for thee,
The bluidy shirt I wrang for thee,
And wilt thou not wauken and turn to me?
He heard and turned to her.


Not all stories are "fairy-stories," with Tolkien's eucatastrophes and not all of them have a particular identifiable moment of emotional pull. Some stories have an inherent power of their own, so that passed from person to person, changed and modified, told well and told badly, they survive, sometimes for millennia. But most stories gain their power from how they're told, which is why we still love Shakespeare's plays, despite the fact that plot wasn't his forte.

When a story is told badly, it's jarring. It interferes with my enjoyment, prevents me from becoming caught up in it.

I look at it like this:

Plenty of truly execrable writing gets published. (I'm talking about books where the author apparently fails to realize that there are other ways of conveying that someone said something than "So-and-so said," or those that have completely unrealistic dialogue, those that repeat the sentence structure subject-verb-object a gazillion times in a row with no variation, you know, the sort of stuff that makes you think, "Where the Censored was the editor?" And then there are the books whose plot and style of description are so hackneyed that they vary not one whit from the genre template. And so on.)

Plenty of this truly execrable writing gets published with no tie-ins to anything marketable. I worked for a press. I have no idea why we published a good quarter of the stuff we published for our fiction division. No clue. It was marginally better than the crap I saw in my creative writing classes, but only marginally. Just because you manage to finish a novel doesn't mean it necessarily deserves to be published.

So, when I pick up a book that's a tie-in to an easily marketable game/movie/RPG/whatever, after reading a few pages, I ask myself, "Would this have gotten published if it had no tie-in?" If I feel that the answer is probably "no," then I characterize the books as "utterly irredeemable." If I feel that the answer is "yes," and I would otherwise characterize it as "lousy" rather than "execrable," I bump it down to "execrable" for taking advantage of the tie-in.

I do not look kindly upon publishers and authors that take advantage of fans, knowing that people who really want more information on their favorite universe or characters, and are desperate for a little extra time with them will probably buy the books, despite their poor quality.

Eric Nylund is the author of A Signal Shattered. His writing style could have used a little more maturity, and he needs to learn to transcend his tendency to telegraph what's going to happen two pages in advance, but it was an interesting, entertaining read nonetheless.

I expected more fluidity from him in his Halo novels. Picking one of them up and reading the first chapter or two, I was insulted. Doing a tie-in novel shouldn't be a throwaway project. I would expect the same level of care and effort that an author would put into one of their "own" books, if not more, seeing as he is dealing with someone else's characters and concepts and ought to demonstrate more respect for the trust he's been granted.

I knew nothing of William Dietz before encountering his Halo novel, but what I saw there didn't make me inclined to explore his opus any further.

Not every tie-in story is going to be ILB; not every author who does a tie-in is Sean Stewart. But that doesn't mean that companies looking for authors to write tie-in novels can't hire good ones, and that doesn't mean that authors writing tie-in novels shouldn't put in as much craft and creativity as they would with any other work to which they put their name.

Anything less insults me as a fan, suggesting that my fanship is a weakness to be exploited rather than a passion to be shared.
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PostPosted: Tue Jan 18, 2005 5:21 pm
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thebruce
Dances With Wikis


Joined: 16 Aug 2004
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very good points... *shrug* I guess it's a matter of perspective, or where you put your values in determing 'excretal' work from all others Smile

For me, when it comes to appreciating arts, I do my best to put myself in the artist's position - so regardless of technical accuracy or quality, since I can't judge if the person is being lazy or naturally can't reach a certain level - I can try to experience what the artist was trying to express. For artwork, you have to in a sense, get in the mind of the artist, either understand what they were trying to say, or otherwise immediately grasp a concept in your own way - two ways of appreciating art... for novels, as I read through, my level of expectation fluctuates as the technical quality of writing is better gauged, so that even if the writing sucks, I'll still do my best to understand from the author's POV what they're trying to express - if I can't do that, or the topic just doesn't interest me, then the book goes down... but seeing a lack of editing quality or grammatical excellence won't in itself ruin a novel for me... which is why I can say that if you like sci-fi, and don't have high expectations for quality writing in order to enjoy a novel, then you can enjoy the Halo novels... that's of course not to say that either appreciation is better than the other... Smile

I totally agree, the Halo novels are definitely sub-par... if you're in high school, and suggested doing one of the novels in english class, the teacher might look at you, smile, and remind you to get to your next class... if you have a nice english teacher Razz
IMO, entertainment value, very good (not amazing or top notch, but very good)... technical quality?... in less visual words, leaves much to be desired... but I've read much worse... I actually laughed a couple times when reading the Doom novels, seeing grammatical and spelling errors all over the place... but Halo did pretty well, relatively... Smile
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PostPosted: Tue Jan 18, 2005 5:36 pm
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Anton P. Nym
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Joined: 25 Jul 2004
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I'll be more precise in my opinion of the novels, so that (hopefully!) folks can decide for their themselves.

PLOT: the novel plots are of average novel quality, which means they're head-and-shoulders above most tie-in novels in the market. However, be advised that there are no "gems"... plots are serviceable throughout but never gripping or shocking in and of themselves.

SETTING: the novels do a great job of filling out the military aspects of the UNSC; The Fall of Reach gives a good look at the SPARTAN program and the naval aspect of the war with the Covenant, The Flood illustrates military operations and some of the "office politics" of the Marines and the Covenant, First Strike goes into special operations and intelligence. You also learn much about the Haloverse in general, but not in great detail.

CHARACTER: wildly variable... some characters are well drawn, some are charcoal scribbles. Interestingly the Master Chief (which in the game is an "empty vessel" into which the player can pour him/herself) is the best-drawn of them all, with Cortana a close second. Most of the characters remain fairly static, though in First Strike there is some development in the Chief.

STYLE: easily the weakest aspect of the series, the novels have very few stylistic touches which often lead (most egregiously in The Flood) to repetitive prose. It is serviceable and reasonably clear, but creates no "poetry" and can most charitably be described as "bland".

If you want to learn more about the SPARTANS and the war with the Covenant, or want to see inside the Master Chief's mind, then the novels are worthwhile. Otherwise, you may want to set them aside.

-- Steve still thinks they were worth reading, but that may be because he's a major Halo fanboi. Your Milage May Vary.
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PostPosted: Tue Jan 18, 2005 5:47 pm
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Phaedra
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Anton P. Nym wrote:
I'll be more precise in my opinion of the novels, so that (hopefully!) folks can decide for their themselves.


Very nice summary, and doubtless far more useful to those curious about the books than anything else any of us have said. Smile

thebruce wrote:
very good points... *shrug* I guess it's a matter of perspective, or where you put your values in determing 'excretal' work from all others
For me, when it comes to appreciating arts


Stop. When did the Halo novels become art? Shocked

Are you honestly suggesting that form alone determines something's status as "art"? That if Ulysses, a novel, is art, all novels by definition are art?

thebruce wrote:
what the artist was trying to express


Or are you suggesting that the mere action of attempting to express something makes the result "art"?
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PostPosted: Wed Jan 19, 2005 1:05 pm
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Dorkmaster
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Without getting too close to the discussion as to singe my already burned and battered wings here...

I tend to believe that anything intended as art IS art. However, there is then a distinction between legitimate/good art, and illegitimate/bad art. That line is oft ever-changing, and that's how you get around this sticky situation.

That's how Rembrandt and Picasso are artists along with those people that smear dog poop on a canvas and call it art. Do I put them all in the same category of skill or legitimacy? No way! But do I consider them both artists, unfortunately, I do. I mean, I know a lot of bad artists. But does my opinion make them less of an artist? No. But I can defintely judge the quality of the piece for myself and determine whether they legitimately deserve to be in the category of "good" artists. But the problem faced is that "good" tends to be very subjective.

So "Good" or not, we can agree that someone creating an artistic work is an artist. Do all authors create art and therefore become artists? No, because some are creating technical manuals, etc. But if the purpose is to entertain, provoke thought, or otherwise engage in a non-institutional way, then I think that is art.

But yeah... the wings enabling me to escape are quickly shriveling from the heat of this potential argument, so I'm outta here... But that's my definitions of art and of artists. Wink
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PostPosted: Wed Jan 19, 2005 3:02 pm
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Phaedra
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Dorkmaster wrote:
Without getting too close to the discussion as to singe my already burned and battered wings here...


Too late. Twisted Evil

Dorkmaster wrote:
I tend to believe that anything intended as art IS art.


Okay.

Why?

Dorkmaster wrote:
That's how Rembrandt and Picasso are artists along with those people that smear dog poop on a canvas and call it art.


This still fails to address the distinction between my two questions. Above you said that you consider anything intended as art to be art. But is it art because it was a conscious attempt to express something?

In which case, if I spit in the face of a man who utters a sexist remark, is my spit-blob art?

Or is the form also important?

What if, I intend to paint a picture of a horse, but as I reach out with my paintbrush, I pull a muscle in my shoulder. Is the resulting light smear of grey paint art?

Is the form alone important? Movies, novels, and plays all tell stories. So is my anecdotal account of my trip to the chiropractor on Monday, which is a story, art?

Or is the form required to be one traditionally accepted as art? Do I have to make the story of my chiropractor appointment into a novel for it to be art?

Dorkmaster wrote:
So "Good" or not, we can agree that someone creating an artistic work is an artist.


Not so fast. No, we can't agree on that -- or rather, we have no choice but to agree because the definition is circular, and therefore meaningless.

You seem to be saying:

How do we determine whether something is art? Art is whatever is created by an artist.

How do we determine whether someone is an artist? An artist is one who creates art.

So, we're right back where we started.

Dorkmaster wrote:
But yeah... the wings enabling me to escape are quickly shriveling from the heat of this potential argument


Oh, honeybunch, you think this is hot? We haven't even gotten started. We're just getting into position. Razz
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PostPosted: Wed Jan 19, 2005 3:53 pm
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