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 Forum index » Archive » Archive: The Haunted Apiary (Let Op!) » The Haunted Apiary (Let Op!): Questions/Meta
possibly a dumb question with an obvious answer...
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Dorkmaster
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Joined: 27 Jul 2004
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Ok, well I'm going to avoid the canonical way of quoting and replying, because I do think that it does tend to make a post way too long, (although it's great to have context when tackling multiple subjects).

Two things, really:

1) Clayfoot, you suck. Just kidding... Laughing I know what you're saying, but I just have to disagree with you (and I know, you have to disagree with me as well) but I think I'm being perfectly clear here when I say "Art is intrinsically intentionally created as such." The only time when that doesn't come into play, is when we have no access whatsoever to the creator, in which case, then we have no way to tell if the intention was art, so then we must decide for ourselves.

In terms of your whole "well what about nature?", I may be going farther than ANYONE wants to get here, but you brought it up, so I submit that there was a creator of that, who was quite intentional in the artistic nature of quite a few things growing and not on this planet of ours... I will leave it at that, but it is quite simple to say it is art, but functional as well.

2) Secondly, I think it's important to point out that skill is the measure of the value of a piece. Does that mean skill = talent? NO! I don't mean just by how "realistically" or "pretty" or "symmetrical"... I mean that the creator aptly created the item better than most could to create the desired effect. I know this is a very generic statement, but I mean for it to cover all aspects of art: audio, visual, physical, etc... So, in other words, if something like 4' 33" were to be judged on that scale, it is obviously art, as its result is exactly as intended. However, the "spit on a napkin" example (where do we get this?... vomiting, spitting, ugh!) is not skillful, and pretty universally agreed as not art because of that fact. It took no skill to create that unfocused, and unintentional "piece".

Again, while I do strongly believe everything I've written, I don't expect y'all to agree with me. I just think that either we have a definition for art, and it has to have some limitation, or like thebruce said (paraphrased): then there is no firm boundary of where art is and isn't present. Because one person could always perceive something as art, then it must be, well then EVERYTHING would be art. And then there's not really a need to define art, cuz it's literally everywhere... But I disagree with that notion. I think there has to be a committed action to create art. I think there needs to be intentionality. There needs to be a purpose, even if that purpose is to make someone look at something differently, as in Warhol, or Picasso for very much the same reason. Guernica is one of my favorites, since I was a child. I love it because there is so much going on in a variety of different views, and because it's ugly. But it's ugly for the purpose of being un-pretty, of being skewed... (totally my opinion on the quality of Guernica, so sorry...) Anyway....

One other point that people brought up re: Emily Dickenson(so there's three points... shoot me): There WAS INTENTIONALITY THERE!!! Art doesn't have to have the purpose of being public. But it was still created with an artistic intent. Poetry is intrinsically artistic. Thesis papers typically are not. So if Emily Dickenson wrote a technical manual on the virtue of hardwood floors, I would probably say that despite the public raving about the value or worth of the manual, that it was still not art. But since she wrote in poetic form, then YES it is art.

Ok, I'm done... Thanks!

EDIT: Oh and one more thing, that's totally off-topic, but a bit creepy... I have personally found (don't ask why/how) that most (not all, but a disconcerting majority) of Emily Dickenson's poems fit eerily well with the Gilligan's island theme music. Dunno
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PostPosted: Wed Jan 26, 2005 2:58 pm
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hmrpita
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Clayfoot wrote:
Nightmare Tony wrote:
And then the questin is begged on the beauty and glory of nature. Is it art? To me it is. The beauty of forests and meadows. A city dweller type would not consider it as such, I guess...
It's beautiful, but it's not art. Why? No virtuosity, originality, or risk. Nature isn't (and can't be) the best (or worst) of itself; it just is what it is. Once again, I am not disputing the beauty of nature, nor nature's ability to touch someone in the same way as art. I'm just saying that nature can't be art.

Oh it can't be, can it? You are certainly sure of yourself.

clayfoot wrote:
hmrpita wrote:
Nightmare Tony wrote:

And then the questin is begged on the beauty and glory of nature. Is it art? To me it is. The beauty of forests and meadows. A city dweller type would not consider it as such, I guess...

My dear Nightmare Tony,
How can anything man-made compete with the beauty of nature? I am a certified citified city chick, but I would never compare the beautitful city I live in with anything in the natural world (nor would I compare thee to a summer's day ).

Now rould I since, since the beautiful city could be art, and the beatiful nature could not be.

I don't agree.
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PostPosted: Wed Jan 26, 2005 5:06 pm
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krystyn
I Never Tire of My Own Voice


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i like string

PostPosted: Wed Jan 26, 2005 6:07 pm
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ThaJinx
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krystyn wrote:
i like string
do shoelaces count?

PostPosted: Wed Jan 26, 2005 7:55 pm
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vector
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Quote:
bla bla bla nature is art....bla bla bla nature is not art
*

Art being more or less officaly defined much the same way porn is, as "you know it when you see it" can encumpus nature. As you are the one preciveing it and you are the one that sees it, you define if that biit of nature/city/act/picture/nothing is art to you. Many things that are considered art is only art because we collectively decide to procive it as art even though it is a big pile of crap (some times it is literaly a big pile of crap). The requirement for something to be art is that that it is created by an artist, but that it is seen by someone that is moved by that image/sound/feel.

krystyn wrote:
i like string


I like buttons


*note, im not discounting any above opinions, just didnt want to quote the quote of a quote for some one else to quote

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PostPosted: Wed Jan 26, 2005 8:21 pm
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vpisteve
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OK, so as a public service, I hereby define art (thanks, Addie):

ART

Thank you, and goodnight.
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PostPosted: Thu Jan 27, 2005 2:14 am
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krystyn
I Never Tire of My Own Voice


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GROSS

evade evade evade!!!!!!!!!

PostPosted: Thu Jan 27, 2005 8:18 am
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water10
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Man, I've gotta send this link to my wife! Being a cat person, I'm sure she'll like it!

But, on the other hand, it might put a stop on this rather long and endless discussion ...
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PostPosted: Thu Jan 27, 2005 9:43 am
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Anton P. Nym
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water10 wrote:
But, on the other hand, it might put a stop on this rather long and endless discussion ...

But why would you destroy the wonderful work of art that is this thread?

-- Steve starts running to get a head start on the angry mob.
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PostPosted: Thu Jan 27, 2005 12:53 pm
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Clayfoot
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Phaedra wrote:
Clayfoot wrote:
CoffeeJedi wrote:
i think i'll borrow a phrase from the honorable Justice Potter Stewart:
"I shall not today attempt further to define the kinds of material I understand to be embraced . . . but I know it when I see it . . . "

granted, he was referring to pornagraphy at the time, but i think the statement is valid here too Very Happy
Oh, that's interesting. How is it valid? Because you say so? How delightful!


Now you're just being cranky, Clayfoot. Razz
You're right; I should have just ignored it. I withdraw the comment.
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PostPosted: Thu Jan 27, 2005 1:37 pm
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Phaedra
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Clayfoot wrote:
Phaedra wrote:
Clayfoot wrote:
CoffeeJedi wrote:
i think i'll borrow a phrase from the honorable Justice Potter Stewart:
"I shall not today attempt further to define the kinds of material I understand to be embraced . . . but I know it when I see it . . . "

granted, he was referring to pornagraphy at the time, but i think the statement is valid here too Very Happy
Oh, that's interesting. How is it valid? Because you say so? How delightful!


Now you're just being cranky, Clayfoot. Razz
You're right; I should have just ignored it. I withdraw the comment.


Oh, stop taking me so seriously! I was just playing!
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PostPosted: Thu Jan 27, 2005 1:47 pm
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Foz
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Not to throw the proverbial monkey wrench but Ken Griffey's swing is art.

PostPosted: Thu Jan 27, 2005 2:01 pm
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Clayfoot
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thebruce wrote:

Clayfoot wrote:

Well, that certainly is an easy test to pass on the individual level. "If it's attractive to me, then it's a work of art, even there was no work involved." Of course, that doesn't help us settle on a common framework for what is art or not. If everything is potentially art to someone, then nothing is art.

Au contraire - if everything is potentially art to someone, then there is no common ground to provide a definition for art. That doesn't mean nothing is art; that contradicts the statement that anything can be art to anyone. So it simply means that there is no 'this is art' definition with which to compare anything in the world in order to reach a definite conclusion. A stone may be art to someone and may not be to someone else. A Picasso may be art to someone and not to someone else.

If there's no common definition for "art", then calling something art is the same thing as calling it "stuff". There's no common definition for "stuff", but none is needed, since we don't need to distinguish "stuff" from anything else. If we don't need to distinguish "art" from "stuff", why do we have a word for it, and why does "art" seem to be the more valuable of the two?
thebruce wrote:

I still put forward that art is strictly in the value of the thing or act in question. If you don't find value in it, that doesn't mean it is definitively not art, because someone else may. As I said earlier, because art is entirely based on personal opinion, there can be no "this is not art" definitive statement, only "I do not consider this art".

How is that value to be determined? I already suggested that value --even in a relative sense-- can be evaluated on a tripart system. Such a system could be used to separate "art" from "stuff", whether a given observer "liked" a given piece of work or not.
thebruce wrote:

For me, personally, anything that I know to be considered by at least one person out there to be considered art, I consider art, no matter how awful, disgusting or beautiful it may be. I can never point at something and say that is not art if someone beside me sees value in it as art.

Then, how do you separate the "art" from the "stuff"? I still say if there is no clear way to distinguish "art" from "stuff", then there's no difference between the two; in effect, there is no "art", because all of it is just "stuff".
thebruce wrote:

Quote:

Andy Warhol is a tough subject. So much of his work seems to be daring us to call his work art or not. It would be easy to give in and call everything he ever touched artwork, but we should be able to sort the treasure from the trash better than that, don't you think?

I definitely consider his work art, no matter how much of the media he didn't create himself. But again, this comes back to expression, which is only one aspect of art.

Is everything that Warhol touched art? Even the stuff on his desk that he periodicially shoved into a box and dated? If at least some of Warhol's personal property is not art, how can we identify which pieces are art, and which are not? If expression is one aspect, what are some other aspects?
thebruce wrote:

Quote:

That leaves open to call the original Post-It Notes and Velcro art, since they were certainly creative works when they were invented. Are you saying that these creative works are also art? If so, are we back to saying that everything and nothing is art?

Just to clarify on the latter - only you said that 'nothing is art' because anything can be art... Smile

Just to clarify, you said that anything could be art, so long as some hypothetical person somewhere calls it art. At that threshold, everything becomes just stuff, and there is no smaller body of work which can be called art. That's the same thing as saying that everything is (or could be) art, which means that nothing is art (i.e., greater than just "stuff").
thebruce wrote:

Quote:

So, you would say that a work has to be appealing to oneself to be art? If you don't like it, it can't be art? I fear that your system won't be very portable, nor will it help us classify what could be considered art. There is no way under your system to say why something is art beyond "I like it."

I'll add to that... this is why I say that for something to be art, it has to hold some kind of value with at least one person out there. But it's not physically possible to know that no other living person would hold any value whatsoever in the 'art' in question. Which is why it's not possible to say something is not art.

That same standard makes it impossible to separate "stuff" from "art". It's all "art" (at least potentially, to some hypothetical being), so there's no higher class of "art" stuff. Your standard is no standard at all; it includes everything.
thebruce wrote:

If you think about it, the fact that we can discuss something that may or may not be considered art, may make someone hold artistic value in the controversial 'art'. The very fact we're talking about the halo novels is making people interested to read them... in this case, the novelist wrote as an expression, and it's being wanted by readers, no matter how few there may be. Can we therefore say the novels are not art (or artistic) in any way?

We don't say that the Halo novels are worthless, just that they don't rise to the level of "art". They are the proverbial "chaff" of the "wheat" in literature. The Halo novels don't have to be art to be entertaining or to be worth (a little) money as books. For that matter, they have some value as historical reference for the Halo universe, just not as art.
thebruce wrote:

Quote:

And yet, we have collections of works which we seem to agree are art collections. These works must have something in common to distinguish them from beautiful (or ugly) things that are not art. What might those qualities be, would you say?

The common points that those within the group consider important in order to consider something art. As I mentioned in a previous post - just as you or I may consider something art, a group of people, or an organization may consider something to be art, based on a common set of expectations. But someone may not consider a museum very artful, and hold no value on anything within its doors. It's not art to that person. But it is to the museum. Just as a person who holds value in a specific piece may be turned away when going to a museum who deems the piece 'not art', or not good enough. So who's to say what's art and not?
Ye can't Smile

I still say we all have some common, ill-defined criteria for what we commonly call art. The tripart test earlier gives us some tools for defining what those criteria are. And while personal tastes dictate what we indiviually enjoy, it need not dictate what we collectively do or don't call art. Using a complete set of criteria, I can recognize why something is art, even if I personally don't like it. Using the same criteria, I can recognize why something else is not art, even though I love it.
thebruce wrote:

Quote:

I'm thinking of Emily Dickinson...it seems pretty easy to find the value in her work, without consulting the originally intended audience. Why is that? What specific emotions in what audience are the function of Dickinson's work?

The fact we know about her work is enough to know that it's art. The fact it's out there, and people want it, and already consider it art, shows that it has artistic value. The only way a personal expression can never be considered art (by my defintion) is if it never reaches another human eye, or at least not until every person is shown to hold no value in the piece.

You can't prove the negative. It's impossible. Since it's not possible to show that there is no person who would consider a given piece art, it is impossible, under your standard, to eliminate any object in the universe as art. Once again, that's no standard at all.
thebruce wrote:

Quote:

Quote:

I don't believe "Art" can be universally defined. It's entirely a matter of personal tastes.

Art can be universally defined. It is not purely a matter of personal taste. See? We can just go on and on like this, without ever adding anything to the discussion.

Ah, but in your wordplay, you conveniently remove "I don't believe"... Smile I don't believe "Art" can be universally defined, it is entirely a amtter of personal taste. You believe "Art" can be universally defined, and that it's not a matter of personal taste. So, help us understand how you define what art is; actually, since it is a universal definition, tell us what it is, not what you believe it to be. Smile

That doesn't mean art cannot be universally defined, it just means that you will never be convinced of the definition, however persuasive the arguments for that definition.
thebruce wrote:

Quote:

So, why technically do you consider these acts to be art? What makes them so? And, how do these acts differ from other despicable acts that you do not consider to be art?

I consider them art because they make people think.

Another criterion. Now, we're getting somewhere.
thebruce wrote:

If an expression accomplishes it's purpose, I'd consider it art.

Yet another criterion, then? Hard to wrap my head around it, but maybe it's good for something.
thebruce wrote:

If only one person in the world holds any value in what's in question, I'd consider it art. Other people may have other definitions of what they consider art. On the other hand, I can't offer a definition of what cannot be considered art. Can you?

I already did that. You're welcome to dispute the validity, but I did at least try.
thebruce wrote:

Quote:

To be sure, the face spitting was an expression of emotion. Now, why (or not) is this art? What do these acts and the consequential results have to do with personal expression and with art? Come now; you must have something better for us than, "Because, I say so."

Nay, I say a spit in the face is rude and obnoxious. I would only consider it art to me if... the purpose of the spitter was not solely an instinctual hateful act with no expressive purpose except to hate the person and not intending to display to anyone else. Someone else might have a different definition to which they'd compare it, and consider it art in some way. If that's the case, I would digress and consider the act art. Because someone else thought and focused on it, thinking about more than just the surface, and held value in it as an artful expression.

So, what could this hypothetical someone use as a frame of reference to point out the art in the act? What would be convincing to you? These are the criteria we would use to classify a work as art (or just rude and obnoxious, instead).
thebruce wrote:

Quote:

We might look to some museum collections or popular notions to help us along, but we don't depend on these popular opinions to make definitions of what art is.

exactly Smile if museums can't decide on what art is, what makes us think we'll decide here? Smile I'm offering that art cannot be applied under a "yes or no" definition. There is no "this is" or "this isn't" art. If you believe it to be art, it's art. That's it. There's no, 'if you don't believe it to be art, it's not art'.

That is just not true. There is a set of common criteria that seperates art from stuff.
thebruce wrote:

It comes down to a question really of - can we ever know if something cannot be considered art.
Quote:

I'm intrigued by this assignment of "perceived value" by an individual. What is the nature of this perceived value? How does it help identify art? How could this person convey this sense of value to another person? Would that conveyance then qualify as a sytem of defining and of identifying art?

The nature of this perceived value is what makes us human. The ability to feel, to choose, to make our own decisions based on our emotions. It helps identify art, because each person has a right to decide to for himself whether he holds value in something. They convey the sense of value of another however they wish - purchasing, responding with art, discussing, speaking, writing, however they wish. And that's precisely the system I'm talking about. If someone holds value in something as art, then it has become art to that person. No one can then say it is not art, because it is, to that person, even if it isn't to anyone else.

That argument only speaks to personal preferences, what one person likes over another, regardless of whether there is art in the piece. The "What defines art" argument goes way beyond personal preference.
thebruce wrote:

Quote:

What kind of value? I'm pretty sure air has value, and that lots of us would agree on that, but I would not call it art.

You wouldn't. But there are many who would look at the intricasies of the make-up of air... some people may look at that and see artistic value in nature itself. Air may just be a thing to most people, but to some, it's a thing of beauty. Can you then say that air is not art by that definition? It isn't to you...

I can say that art and beauty are not the same thing, but I'm quite sure we already settled that, a few pages ago. Besides, art need not be beautiful. I can also say that examining the components of air is not the same as assigning value to air, without calling it art. My point (again) is that valuable things are not necessarily artistic things. There is lots of "stuff" with commonly-held value that is not art, in any sense.
thebruce wrote:

Quote:

Are you saying that we can identify what's art by seeing if someone (anyone) will buy it? I guess, that's one way to get objective criteria...

Nope, purchasing is one form of holding value. There are many many more forms of value that are not monetary.

But, we could add purchase price to our common criteria of artistic merit? I guess I could live with that criterion, though it seems petty.
thebruce wrote:

Quote:

Oh, that's interesting. Now, how do you find value? Could you describe it, please?

Ask someone who has no money yet holds artistic value in the way someone draws graffiti on a secluded corner of an alley wall.
Deflecting the question is not the same as answering it. I asked you to describe this "value" you talk about; it's pointless to ask me to explain it.
thebruce wrote:

Quote:

Some of your examples are admiring the art of the process, not the finished product. On top of that, you're still saying that anything could be art, which means that nothing could be. I hold to the notion that there is art, and that not only can I recognize it, I can describe what makes it art. I say there is art, and consequentially that there are works that are not art

In your opinion. Are you saying that your opinion of what is art is the be all and end all of art? If you don't consider it art by your definition, does that make it not art? If not, then you've proven my point. Art is a personal definition. And once again, just because anything can be art doesn't mean nothing is art.

No, I am saying that there are certain, basic facts about the relative artistic value of anything. I have suggested a system for measuring that value. I am also saying (but why do I need to...?) that definitions are facts, not opinion. Facts can be correct or incorrect, but they cannot be opinion. You are saying that art is defined purely as a matter of personal preference. That is a fact, either correct or incorrect. We can argue about who's definition is correct, but if these definitions are mutually exclusive, we cannot both be in the right. From your examples and criteria described above, it seems that you want your definition (personal preference alone) to be correct, but that you believe there are other valid criteria involved.
thebruce wrote:

Quote:

Once again, I am not disputing the beauty of nature, nor nature's ability to touch someone in the same way as art. I'm just saying that nature can't be art.

Sounds a little contradictory... if it touches someone as art, it must be art. I might not consider it art. You might not. But they do. So I can't say it's not. It is to them, and it isn't to you.

It's only contradictory if you believe there is no way that two different stimuli can elicit the same response. I'm pretty sure you're not saying that... No... You couldn't be.
thebruce wrote:

Quote:

Quote:

I could honestly spit on a napkin and claim it to be art. Who could stop me? I've created an art piece.

No, you haven't

So you say what is art and not?

I say there is a set of common criteria that can distinguish art from stuff, regardless of my personal preference. You say that there is no criteria except personal preference.
thebruce wrote:

Quote:

Quote:

But then for it to be valued, and considered by others as worthy, or in the same league with Michaelangelo, Picasso, Gehry, Sondheim, Spielberg, or Rembrandt... well, that's opinion.

No, it isn't.

So it's fact? By what definition? Then how much value does it have? By what scale? Who made the scale? How do they know it's fact? Who made that fact? Wait, that can't be right...

I already suggested a set of criteria that would be sufficient to judge your napkin. I don't even think my criteria are the only criteria, but they would be sufficient.
thebruce wrote:

Quote:

We don't need the creator's permission or knowledge to judge the relative value of a work. What we do need is some way to qualify that judgement.

You're trying to then state one person's opinion as fact, when the issue is entirely based on individual opinion. You can qualify someone's opinion about something. If something is art to someone, it might not be to someone else.

Facts are not opinion. They are correct or incorrect. I have suggested a partial system for assigning relative value to a given piece or act. If you are correct, then no system exists (whether I or anyone else suggested it) and there is no way at all to distinguish art as a subset of stuff. If I am correct, then there is a system of criteria that would separate art from stuff, regardless of personal taste.
thebruce wrote:

So the question we need to ask is - is something that may or not be considered art (which includes everything and anything), really art? (on a factual, "this is" basis, not based on an opinion)

If you can answer that, I'll <fill in wild and crazy act here>.

I already answered that, just not to your satisfaction. That doesn't make me wrong, just unpersuasive.
thebruce wrote:

methinks Clayfoot is playing devil's advocate and trying to find ways to disagree with people Smile I wouldn't yet call it trolling Wink But as I said up top, I'm not gonna get into another huge post thread hehehe... I've stated my opinion, that's all that's needed... very interesting topic though. Smile so continue the debate...

It's only trolling if I'm not really interested in the answer or in the debate, just in eliciting heated responses. However, I admit that I have been frequently guilty of trolling on Unfiction, and it's a fair accusation to make of me.
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PostPosted: Thu Jan 27, 2005 3:33 pm
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thebruce
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Location: Kitchener, Ontario

Quote:
-snip- The requirement for something to be art is that that it is created by an artist, but that it is seen by someone that is moved by that image/sound/feel.

vector, I think this is the first time I actually declare that I 100% agree with your post Smile

I too will reply without quotes to clayfoot, and (try to) keep to short points now Smile
stuff vs art
if you choose to see everything as stuff and nothing as art, that's your choice. Art is a personal definition. If someone thinks of something as art, then, well, to them it's art. For me, that makes it art too. But it might not for you. You can't say it's not art, because someone else does. Even if the rest of the world doesn't consider it art, it's valuable to the one person as art. For me, it's therefore also art; for you, it's not. Simple
there is a difference between 'stuff' and 'art' - to you something is 'stuff', to someone else it's 'art'. That's the difference.

how do you determine value?
As you say, by the word of the observer - do they like it? do they hate it and yet hold artistic value in it? 'how much will they pay' is just one aspect of value.

aspects of art
warhol expressed, and people found artistic value in his work. If a can shoved in the corner of a desk drawer is found by someone to hold an artistic merit, to them it may be art. Expression is one aspect of art, value is another. Someone whose goal is to upset people by their expression will create art if their goal is accomplished, at least to themselves. Even so, people in the world would also see the artistic value in the expression even if they dislike the expression; there are people like that. Chances are, whatever may be considered art at any time, will have someone who holds value in it in some way. In the same way, something that happened that had no artistic goal or expression, may be considered art by someone else who holds value in it as art. Likely they'd look at how it's put together, or the events that occurred to make it 'be', and appreciate the efforts or the nature of how things work, and hold value in it, like the monitor example I said before. Assuming it's not artistic expression, just a technical purpose, someone now or in the future may look at it and admire the effort put into making it look how it did, the technical skill put into creating the electronics in the tube, and on and on...

everything is art
only if everything is considered to be art. If something is never considered to be art by anyone, there's no need to consider it art, at least until someone comes to hold artistic value in it. You could think of it as, any specific thing can be considered not art until you come across someone who holds artistic value in it. In the end, art is still a matter of majority opinion within a group, or an individual, an 'entity' of some size. Even then, it's only art or not art to that entity, not universally. ie there is no line with which to define art universally.

halo novels != art
again, your opinion. You hold no artistic value in the novels, so, well, that's your right. As it is anyone else who holds no artistic value in the novels. Many do, many are willing to own it for a price, thus the novelist's goals of expression are satisfied by the fact others hold value in it, even some considering it art.

And while personal tastes dictate what we indiviually enjoy, it need not dictate what we collectively do or don't call art.
exactly my point. Art is art to the individual, or to a collective group of people. But the individual or group of people may not consider something art either. So, how can there possibly be a universal definition of what art is? It's by popular opinion within a group of people, or yay or nay to an individual, and that's the extent of what 'is' or 'is not'.

criteria
the criteria I listed were my own criteria, for what I consider art. Dorkmaster showed that his definition of art is different than mine. There is no standard of reference from which to define art universally. So this topic can never end. Smile

There is a set of common criteria that seperates art from stuff
Give us your definition Smile

personal preference
What you're looking for is a universal definition of Art, which does not exist. The 'universal' definition of Art you're looking for would define Art for yourself and whomever agrees with you.

There is lots of "stuff" with commonly-held value that is not art, in any sense.
until someone comes along and admires it for what it took to create it, or holds value in it as art by their own definition.

I asked you to describe this "value" you talk about; it's pointless to ask me to explain it.
It's pointless to ask me to explain it as well, because you may simply disagree with the points that I use to hold value in something as art. Which is precisely my point.

your examples and criteria described above, it seems that you want your definition (personal preference alone) to be correct, but that you believe there are other valid criteria involved
I'm not giving art a definition, I'm saying anyone can define art on their own terms. But by nature, one cannot say for a fact that something is not art if someone else says it is, without a universal definition of what art is, which cannot exist. I'm not arguing my definition of art is right, because it's that - my definition of art. Others feel differently. But beyond that, I cannot say what isn't art, nor what is, universally, because that universal definition of art does not exist.

Quote:
I say there is a set of common criteria that can distinguish art from stuff, regardless of my personal preference. You say that there is no criteria except personal preference.

Precisely. You can search all your life, and I guarantee you'll find no universal definition of what art is, outside of personal preference.

art vs stuff, revisited
by your definition, you are considering now art to be equivalent to stuff because there is no universal definition of art, which you are searching for.
by my definition, stuff is stuff only until someone is found to hold artistic value in it.
Universally, stuff just is. That's the only common criteria. There is stuff. Do you hold value in it as art? Then it's art to you.

Q: is something (that is, anything) that may or not be considered art, really art, universally?
A: I already answered that, just not to your satisfaction.

Then the thread has been answered, and the question of what art can be defined as has now been answered by Clayfoot. Is that what you're saying? Smile So why are you still asking for a universal definition?

Yeah, another long post... but I won't be ashamed of this: *points finger at Clayfoot* "He's doing it too!!"
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PostPosted: Thu Jan 27, 2005 4:15 pm
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Clayfoot
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Joined: 19 Aug 2004
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Dorkmaster wrote:

Ok, well I'm going to avoid the canonical way of quoting and replying, because I do think that it does tend to make a post way too long, (although it's great to have context when tackling multiple subjects).

Okay, well I'm going to use the canonical way of quoting and replying, because it's great to have context when tackling multiple subjects. Razz
Dorkmaster wrote:

Two things, really:

1) Clayfoot, you suck. Just kidding... Laughing I know what you're saying, but I just have to disagree with you (and I know, you have to disagree with me as well) but I think I'm being perfectly clear here when I say "Art is intrinsically intentionally created as such." The only time when that doesn't come into play, is when we have no access whatsoever to the creator, in which case, then we have no way to tell if the intention was art, so then we must decide for ourselves.

Actually, I also started off by saying there had to be intention, but Phaedra shot us both down right about here.
Dorkmaster wrote:

In terms of your whole "well what about nature?", I may be going farther than ANYONE wants to get here, but you brought it up, so I submit that there was a creator of that, who was quite intentional in the artistic nature of quite a few things growing and not on this planet of ours... I will leave it at that, but it is quite simple to say it is art, but functional as well.

If we allow an intentional creator into the discussion, we have the same dilemma as theBruce proposed: Everything was created on purpose by someone, even if it goes back to a creator who intentionally created you, and you consequentially created something unintentionally. If there's intentionality behind everything, then there's nothing to separate art from stuff. That's why we separate nature from the intentionality criterion.
Dorkmaster wrote:

2) Secondly, I think it's important to point out that skill is the measure of the value of a piece.

I'm so glad you agree! I said awhile back that virtuosity (skill) is a great way to judge art. As I said, I think there are also other criteria needed, since a highly skilled product might not be original or risky enough to rise to the level of art.
Dorkmaster wrote:

I just think that either we have a definition for art, and it has to have some limitation, or like thebruce said (paraphrased): then there is no firm boundary of where art is and isn't present. Because one person could always perceive something as art, then it must be, well then EVERYTHING would be art. And then there's not really a need to define art, cuz it's literally everywhere...

I couldn't have said it better, myself. Really. Very Happy
Dorkmaster wrote:

But I disagree with that notion. I think there has to be a committed action to create art. I think there needs to be intentionality. There needs to be a purpose, even if that purpose is to make someone look at something differently, as in Warhol, or Picasso for very much the same reason.

Intentional action definitely helps, but is it required? Can we imagine at least one piece we would definitively qualify as art that was not created with the intention you describe? If there is such a piece, then intention is not a useful standard. I want to agree with you on this, but I feel sure we could find such a piece. Of course, it may be that my own tripart test implicitly requires intention. Does it? That would be great!
Dorkmaster wrote:

One other point that people brought up re: Emily Dickinson(so there's three points... shoot me): There WAS INTENTIONALITY THERE!!! Art doesn't have to have the purpose of being public. But it was still created with an artistic intent. Poetry is intrinsically artistic. Thesis papers typically are not. So if Emily Dickenson wrote a technical manual on the virtue of hardwood floors, I would probably say that despite the public raving about the value or worth of the manual, that it was still not art. But since she wrote in poetic form, then YES it is art.

Bleh. I withdraw Dickinson as an example, for your reasons and others that I hope no one will else will use to embarass me.

I will point out that while, indeed, "Poetry is intrinsically artistic", not all writing intended to be poetry is poetry.
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PostPosted: Thu Jan 27, 2005 4:16 pm
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