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 Forum index » Archive » Archive: The Haunted Apiary (Let Op!) » The Haunted Apiary (Let Op!): Questions/Meta
possibly a dumb question with an obvious answer...
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Clayfoot
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Joined: 19 Aug 2004
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Location: Warner Robins, Georgia, USA

hmrpita wrote:
Clayfoot wrote:
hmrpita wrote:

Following is the quotation section of the post. Just because I am posting these does not mean I agree with all of them.
I don't get it. Why would you offer these quotations, if you don't agree with them? How did you select these particular quotations? What ties them together? You seem to be simultaenously making an argument from authority and disclaiming any authority to make an argument.

Or maybe I am just goofing with you. Razz
I don't think beauty=art.
Drat! I'm sure everyone else on this thread saw what you were doing before I did.
hmrpita wrote:

The quotations indicate that everyone has a different opinion. And opinion is all it is. If finding a universal definition for Art is your mission, then good luck to you.
I don't think I belong here.
As one of the few people following this thread who has studied the subject formally, you could only be excluded for being overqualified.
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PostPosted: Sun Feb 06, 2005 9:17 pm
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thebruce
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The Harpy eagle example is faulty, because the proofs don't both require knowledge of all possibilities - one claims the eagle is extinct, one says it is not. To claim it's extinct, you have to prove that none exist - near impossible task, if not impossible. To claim it's not, all you need to find is one. Finding a universal definition is not the same - you can find a definition, but you have to prove that it's universal - that's not the same as finding *1* eagle. You can find *1* definition, but you have to know that it's the same for all people that currently and ever existed. Neither can one say to an end that no universal definition exists, as one cannot say that one does exist. The cases of "finding a universal definition of art" vs "finding a single eagle" do not parallel.

And please, I have very respectfully avoided pointing out your grammatical and typing errors, knowing the points you're getting across, and yet you choose to point out errors of mine, so that what - you can attempt to lower my impression to others, or reputation? Please respect me as I've respected you. "How so?" is a valid statement. "How does your claim so exist?" Howso, Howsoever, and "how so" are all understood to mean the same thing, even if miniscule details differ... this isn't a battle of grammatical intellect or keyboard prowess.

So, the point is - what you are looking for is a universal definition of what specific examples can fall under the umbrella of 'art'. You aren't looking to describe an emotion. Sadness is known to have a common attribute throughout humanity - we know what sadness is because it's inbuilt to humanity - and even then, what makes some sad, confuses others as to why, and vice versa. Sadness is very good parallel to art in that sense, because sadness is much more definable, since it's a natural emotion that's fairly constant across humanity. Art is nowhere near that defined and simplistic, per se. Art has a much wider range of being than sadness... you might say art encompasses sadness in many cases.

I'm just going to lay it out here...
You are looking for a universal definition of art - what you believe is inbuilt to humanity - helping us know by nature, what is considered art, to the same degree that we for example, know what sadness is. In order to know that definition, we need to have a knowledge of what is common across all cultures and peoples of our world, and through documented history.
You say we know by nature what art is. I agree. Art, in its emotional/cultural connection, is universal. But in order to define a specific example as 'art', so that all people, and assumedly, all people who've existed, will also all agree that it's art, there needs to be a universally agreed upon definition of what defines any specific example as art -- not a universal definition of the act of considering something art... I'm not sure how to better articulate it. But you're conflating a definition of what is and isn't an artistic work, vs the emotional aspect of the fact that all humanity knows what 'art' is.

What I'm saying is that 'art' itself is known and is universal, but the actual definition by which we can define specific examples of what is art and what is not art, agreeable to all people through all time (ie, universal), will take an unknowable amount time, if ever...

re: beautiful landscape not being art

You're claiming to say that, if universal, nature can never be considered art, and anyone anywhere who considers it art is -wrong-. How can you say that? I would very much consider a beautiful landscape art. If a photographer takes a snapshot of it, that snapshot I would consider art. As for nature itself being art, well that, as you say, entirely depends on whether you consider God an artist, or value the beauty in chaos, or value some natural process if you don't believe in God... and please don't bring up the issue of a definition of 'value' again... if you value something, you need to define what you mean by value. I explained what I consider valuable in my eyes as art. When I say 'artistic value', you need to ask whoever is considering something art, not me, what they consider artistic in what they call art. This is why the specific definition of art, by example, is entirely personal, whereas the fact that all of humanity has the common acceptance that art exists is universal. But that's as far as 'universal' goes.

On the largest scale, art exists. Therefore art is universal. Any narrower of a definition, and you're already bound to find disagreement, I believe. As you search for how deep that common definition may go, all you can say is that 'so far, the agreed definition of art that I've found is...' but you can't say 'this is the universal definition of art...' the first is a statement of fact, the second expands your search to a universal assumption. Such as 'innocent until proven guilty'. Except there, innocent is assumed knowing full well that it may be false - guilty parties have been released as innocent, if the defense is greater than the prosecution. Art is an elusive party. Is it art or is it not? In this case, one can't state for a fact "this is art", because it very well may not be; nor can one state for a fact that "this is not art", because it very well may be. What you are looking for is a definition that is more absolute than a court ruling, which is a ruling by limited human judgement. What you are looking for is a definition that all courts in the world and throughout human existence, would agree unanimously is a valid definition. ie, if you take it to all courts, never will one jury member, judge, or even courtroom guest, voice an opposing opinion.

Now, if you believe that art is majority rule, then that whole argument gets thrown out the window. Art is no longer a universal definition, it's a 'generally agreed' upon definition. Therefore one who goes against the flow therefore becomes "wrong".

My challenge is simply for you to find that universal definition. We all know art exists, therefore art is universal. But the definition of what is art universally, is here what is being discussed. And that, I say, is something you'll never be able to find out.

We all agree art exists. We all agree art is universal, because it exists across all cultures in some form.
We do not agree that there is a universal definition by which specific examples can be compared in order to determine, universally, that said example is or is not art.
That is your mission, and as hmrpita said, I wish you the best of luck! Razz
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PostPosted: Sun Feb 06, 2005 10:55 pm
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Clayfoot
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Nightmare Tony wrote:
I do consider beauty to be art.
What? Are you baiting me too, now? Okay, I'll play along. --But, if you're just winding me up, I'll give you such a lump! /me shakes fist.

You know very well that art and beauty are different. For one thing, lots of art just plain isn't beautiful. Some of it is downright repulsive. For another, we're at least stuck with the concept of art as a product of creative effort, just because we're speaking a descendant of Latin, and that's what the Romans meant when they said "art". If we simply separate natural beauty from created beauty, it's easy to see which set falls into the "art" column.
Nightmare Tony wrote:

Consider that if you do not consider nature to be artwork, then why would a photograph or a painting of nature be sold or considered a work of art?

and PLEASE do not go off about camera angles or such. That is merely the interpretative of the one capturing the artistic in a recording phase.
Yeah, you're right: it is merely the interpretation and selection of the one, but that's all it takes. It's the arranging and the selecting that make it art. It's that desire to capture the moment. The scene is itself is natural beauty, but the particular scene that the person captures is art.
Nightmare Tony wrote:
and Clayfoot, I dont know if you do, but some would indeed consider your obsessional desire to deconstruct everyone in sight to be art. I do not myself, but as I said, others might.
Ah. An ad hominem attack on my character. /me nods. So, either you think I'm right, but you don't like my approach, or else you think I'm wrong, but you can't think of a good counter argument.
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PostPosted: Mon Feb 07, 2005 12:04 am
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Nightmare Tony
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You have me all wrong, Clayfoot. I do not consider my statement to be baiting of you (it's not in my genes to play those kind of games). I was merely stating an observation concerning art and that uyou may consider your constant deconstructionism as art.

You have made a faulty rejoinder since I *DID* specify that the photographic or recording angle is not a valid consensus as to nature as art. That is merely the intetrpretative eye of the photographer.

Art being beautiful is a purely subjective thing. We have discussed THAT point to death as well. Not a valid point there. I must ask you to please stop attempting to bring up that point again. They say that beauty is in the eye of the beholder. A true statement there.

I had stated before about Frank Zappa's interpretation of art mentioned in one of his books. It is basicalyl drawing a frame around it and calling it art. If you attach a microhpone to your throat and drink carrot juice and record the sounds and call it art, then it is art. Otherwise its just someone gargling carrot juice.
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PostPosted: Mon Feb 07, 2005 12:58 pm
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Dorkmaster
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First, a Pre-emptive clause: I have not read all of Nightmare Tony's posts on this subject.

Now, my thoughts:

I tend to wholeheartedly agree with Nightmare Tony's last posting, where he states the "Zappa method" of defining art...

The only interjection I would make is that the intention is what makes this work...

In the example of the gargler of carrot juice... what made that art? The microphone! And why would you have a microphone if you had no intention of broadcast or recording? And it's quite difficult to broadcast or record completely unintentionally. Therefore, the intention was to record or broadcast, and that's what makes it different from some guy gargling carrot juice! There was an intentional shift in the action to make it something "set apart" from the normal... does the action/piece have to be ABnormal then to function as art, NO! (But it could be!) It just has to be taken away from the normal context and set aside, in a manner that calls attention to itself.

The microphone draws attention away from the normalcy of the situation. Yes, gargling carrot juice is a bit abnormal, but say it was gargling water alone... but the "creator" of the "piece" wanted to record it... that simple action of recording makes it art, instead of someone waking up... They may never intend for someone else to view the "piece", to hear the recording... they may not think it is "pleasant" or they may... They may want the situation to seem completely "normal" in its presentation... however, the fact that it would be presented... that it would be set aside in a manner that takes it out of context intentionally, makes it art.

(I know I'm gonna get quoted and ripped apart here, so let it fly)

But in short (for those who wish to quote something easier):
1 - Art must be intentional (either in its creation, or in its modification to become such)
2 - Art must be "set apart" from the ordinary (but could be completely ordinary in and of itself)
3 - Art's beauty and value are completely subjective.
4 - Art can be, but doesn't have to be, public to be called art.
5 - Anyone who creates art (by abiding by the previous 4 rules) is an artist.
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PostPosted: Mon Feb 07, 2005 4:37 pm
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water10
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water10 wrote:
Quote:
We, on the other hand, want to define art more specifically

We? I think most people gave up already! Except you ... Laughing

The only conclusion on this thread is that I was SOOOOOO wrong .... Laughing
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PostPosted: Mon Feb 07, 2005 4:58 pm
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Nightmare Tony
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Dorkmaster: if I remember correctly, Zappa also describes in there that his define is putting a frame around it to call it art. The microphone recording it could amplify or record or be in front of a live audience. so the microhpone is not necessary.

Because I view nature, I define it as art which is my own subjective. Especially where I live. about 400 feet behind my house is a hill and behind THAT is a couple of thousand of acres of unspoiled forest preserves. So while nature over here is commonplace, it is also a thing of beauty and thereby artistic. If you took a simple photograph without even setting up for a shot, you could do an art gallery gig based on point and shoots alone.

From beautiful patterns of a snowflake to the majesty of the redwoods, we find beauty and grandeur and artistic value wherever we seek. From the lights at night of the metropolis to the interstate roads fading off into the horizon, there is unintentional art. The rollercoaster structures I love so much are the artistic dream of building architects, for their majesty, form and balance.

Art simple IS.
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PostPosted: Tue Feb 08, 2005 4:35 am
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Dorkmaster
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Tony, the only point I wish to make is this: (cuz again, I don't want to get into another deep topic of theology as far as "nature being art" and my opinion is that you cannot separate the two, so agreed or not...)

What makes it art is the frame, like you said... Therefore, someone is taking something that may very well be beautiful in itself, but not art, until the "artist" takes that frame and makes it so. There is an intentional "click" that shifts something from ordinary to artistic. Taking a point and shoot of an already beautiful forest makes the ordinary Art, because you've "framed it", with the intention of making that moment stand out. That piece is now "set".

And just to be clear, the microphone isn't necessary for the example you gave to make it art because it amplifies or records, specifically, but more so because it does take that ordinary action and "set it apart" by recording or amplifying, or whatever the microphone is doing... The point is that you wouldn't put a microphone there unless you wanted to draw attention to the action you are using the mic for, right? Therefore intentional "separation" from the ordinary, and TA-DA! Art.

And since I see the argument coming, I once more state that the piece of art doesn't have to be public! It just has to not be "the ordinary state of things."

my only criteria for art (until proven otherwise) are as such:

1) Is it intentional?

2) Does it amplify or set apart something from the ordinary world?

3) Is there an artist behind its creation? (More to the point, does that creator consider itself an artist in respect to that specific piece?)

Pretty much, if I see yes to those three questions, then I say it is art. And if it doesn't say yes to any of those? Then I really have to have some huge or amazingly interesting compensating factors to give it a chance as art.

Again, I know this is taking something typically seen as "fluid" and giving it "structure"... like putting a straw in Jell-O and calling it "solid" Laughing So people will disagree with me... but if there are rules to art, (and I believe that there are) then I see no problem with these being those defining set of rules. (Of course, I'm not a good speaker or writer, so I'm sure they could be written more elegantly.)
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PostPosted: Tue Feb 08, 2005 3:42 pm
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Clayfoot
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thebruce wrote:

The Harpy eagle example is faulty, because the proofs don't both require knowledge of all possibilities - one claims the eagle is extinct, one says it is not. To claim it's extinct, you have to prove that none exist - near impossible task, if not impossible. To claim it's not, all you need to find is one. Finding a universal definition is not the same - you can find a definition, but you have to prove that it's universal - that's not the same as finding *1* eagle. You can find *1* definition, but you have to know that it's the same for all people that currently and ever existed. Neither can one say to an end that no universal definition exists, as one cannot say that one does exist. The cases of "finding a universal definition of art" vs "finding a single eagle" do not parallel.

That's an interesting objection. Can anyone out there come up with an example of a proof outside of a bounded universive (i.e., not mathematics) that is satisfied only by examining all of the possibilities?
Meanwhile back at the ranch...
Let's call the number of Harpy Eagles (before they were found) "H". H can be zero or greater than zero.
The proponents of hypothesis A say the Harpy Eagle is extinct: H = 0.
The proponents of hypothesis B say the Harpy Eagle is still alive: H > 0.
To prove A, the proponents could exhaustively monitor all of the habitat of the eagles. No wonder radio tagging is so popular... In practice, A's proponents can prove A by surveying the eagle's habitat at regular intervals, so that they can conclude with confidence that A is true. Alternatively, A's proponents can show evidence that the eagle cannot exist, such as total destruction of habitat, zero sightings in known nesting areas during nesting season, etc. This is the method that probably got the eagle on the extinct list in the first place.
To prove B, the proponents must find 1 harpy eagle, and even a chance sighting is sufficient proof. In practice, B's proponents can prove B with circumstantial evidence that could only be attributed to a Harpy Eagle: an egg, fresh poop, or a currently tended nest, for example.

Let's call the number of criteria in a universal definition of art "U". U can be zero or greater than zero.
The proponents of hypothesis A say that there are no criteria that would fit in a universal definition, and hence there is no universal definition: U = 0.
The proponents of hypothesis B say that there is at least one criteria that would fit in a universal definition, an hence there is a universal definition: U > 0.
To prove A, the proponents could exhaustively prove that every possible criterion of art cannot be part of a universal definition. In practice, A's proponents can prove A by examining a number of likely candidate criteria and showing that these likely crieria do not fit into a universal definition, and hence any less likely candidate criteria will likely also prove unusable. Alternatively, A's proponents could show that there could not possibly be any criteria which would be part of a universal definition. What A's proponent cannot do, logically, is conclude that A must be true, because of a lack of evidence. That's a logical fallacy called an "appeal to ignorance". It means that A's proponents have drawn a conclusion on the basis of a lack of evidence for (or against) a proposition.
To conclusively prove B, the proponents must find one at least one criterion that would fit in a universal definition of art. B's proponents need not find all of the criteria to prove B, just as B's proponents, above, need not find all of the Harpy Eagles to prove their hypothesis. In practice, B's proponents can prove B with circumstantial evidence that such criteria must exist: a common, universal concept of art across all cultures, for example.
thebruce wrote:

And please, I have very respectfully avoided pointing out your grammatical and typing errors, knowing the points you're getting across, and yet you choose to point out errors of mine, so that what - you can attempt to lower my impression to others, or reputation? Please respect me as I've respected you. "How so?" is a valid statement. "How does your claim so exist?" Howso, Howsoever, and "how so" are all understood to mean the same thing, even if miniscule details differ... this isn't a battle of grammatical intellect or keyboard prowess.

Okay, if I was over the top on the errors, I apologize. Allow me to point out that,
"[url=http://dictionary.reference.com/search?q=howso&db=*]howso[/url]" really is short for "howsoever",
"howsoever" means "To whatever degree or extent" or "By whatever means", and
"how so" is an idiom, which means "explain how".
Since all that you gave me was "Howso?", I simply assumed that you meant it the way you wrote it, and answered it that way the first time.
thebruce wrote:

So, the point is - what you are looking for is a universal definition of what specific examples can fall under the umbrella of 'art'. You aren't looking to describe an emotion. Sadness is known to have a common attribute throughout humanity - we know what sadness is because it's inbuilt to humanity - and even then, what makes some sad, confuses others as to why, and vice versa. Sadness is very good parallel to art in that sense, because sadness is much more definable, since it's a natural emotion that's fairly constant across humanity. Art is nowhere near that defined and simplistic, per se. Art has a much wider range of being than sadness... you might say art encompasses sadness in many cases.

I maintain that art is an innate human quality, just as sadness is. In fact, I'm delighted that the analogy works at least to the extent you describe above. I'm not quite sure how to address your issues of simplicity and range... Let's try this: Instead of using the definition of sadness, let us allow that humans have an inborn definition of all human emotions that everyone shares --a universal definition of emotion. Of course, everyone will feel these emotions for different reasons, but everyone carries around the same set of emotions. For that matter, some basic events and circumstances cause predictable emotional responses in everyone. For example, loss of a loved one or imminent danger cause emotions that are easy to predict. Similarly, I would expect that there are basic conditions that define art for humanity, apart from the individual differences that make artworks appeal to one individual, but not another.
thebruce wrote:

You are looking for a universal definition of art - what you believe is inbuilt to humanity - helping us know by nature, what is considered art, to the same degree that we for example, know what sadness is. In order to know that definition, we need to have a knowledge of what is common across all cultures and peoples of our world, and through documented history.

Knowledge across all time and cultures is no more important for understanding art than it is for understanding emotion, and for just the reason you say.
thebruce wrote:

You say we know by nature what art is. I agree. Art, in its emotional/cultural connection, is universal. But in order to define a specific example as 'art', so that all people, and assumedly, all people who've existed, will also all agree that it's art, there needs to be a universally agreed upon definition of what defines any specific example as art -- not a universal definition of the act of considering something art... I'm not sure how to better articulate it. But you're conflating a definition of what is and isn't an artistic work, vs the emotional aspect of the fact that all humanity knows what 'art' is.

Actually, I'm saying that the appreciation of art is fairly innate, and that all that really prevents us from recognizing any given piece as art (or not) is the piece's context. We know what art is, but we don't always know everything we need to know about a given piece. Without being crass, allow me to draw on Phaedra's car as an example. A person that knew nothing of automobiles would understand immediately that Phaedra was sad about losing her car, and maybe even that it had to do with loss. What that person would lack is an understanding of why losing your car would make someone sad. With sufficient knowledge of cars in general and what that car meant to Phaedra in particular, it would be easy to understand why the loss of Phaedra's car would make her sad.
In the same way, we need sufficient knowledge of a piece to be able to use that innate sense of art. I think that is a big part of the reason for art "appreciation" class. Those classes expand understanding and help people establish context when they see unfamiliar artwork later. I think these art appreciation classes parallel sensitivity training classes and group psychotherapy. In such classes and sessions, people learn (among other things) to recognize the context that causes certain emotions in others. If we all share the same emotions and know what they mean, then why would we ever need training? We need it to establish context for recognition of emotions. Why do we need art appreciation classes? To establish context for the sense of art that we all have. If I conflated the inate sense of what art is with what would separate artistic from nonartistic work before, I hope that explanation clarifies the difference.
thebruce wrote:

What I'm saying is that 'art' itself is known and is universal, but the actual definition by which we can define specific examples of what is art and what is not art, agreeable to all people through all time (ie, universal), will take an unknowable amount time, if ever...

I don't really see a universal definition as requiring unanimous agreement across time. Are there any other definitions that require unanimous agreement to be valid? Given the nature of human beings in general, is it even possible that unanimous agreement could be reached on any proposition at all? The flat-earthers convince me that it isn't. I would settle for a definition of art that applies to everyone universally (like the roundness of Earth), whether they believe it or not.
thebruce wrote:

re: beautiful landscape not being art

You're claiming to say that, if universal, nature can never be considered art, and anyone anywhere who considers it art is -wrong-. How can you say that? I would very much consider a beautiful landscape art. If a photographer takes a snapshot of it, that snapshot I would consider art. As for nature itself being art, well that, as you say, entirely depends on whether you consider God an artist, or value the beauty in chaos, or value some natural process if you don't believe in God...

Landscapes can be beautiful (or not). No argument here. When someone captures that landscape from a particular viewpoint, even in memory, that landscape starts to become art. Those 3 criteria that I threw out so long ago all have one thing in common: creative effort. There's no creative effort (by humans) in nature. There can (and is) creative effort in selection and representation of beautiful scenes, but it's not art before that. It's not nature itself that is art, it is that selection or recognition of the beautiful scene.
The reason I posted a spoiler bracket about God and art earlier is because we don't really consider God's works in the same way. Since God is this good, omnipotent being that created the universe and everything in it, then everything in the universerve is, in a sense, perfect and made according to God's plan. And since it's all perfect and comes from God's creative effort, it's all art, even the creative efforts of humans. Essentially, unless we are going to judge God's works from the perspective of our own imperfect knowledge, then we have to accept that everything (i.e., stuff) is art, because everything came from God in one form or another. Since we already consider "stuff" and "art" to be different, we have already made that separation between God's art (stuff and nature) and man's art. Those who see a beautiful landscape and call it art are really "making" art (or expending creative effort, at least) inside their own memories; they just don't realize that's what's going on. This creative effort is such a natural part of life, it must really seem that it's nature itself that is the art.
thebruce wrote:

and please don't bring up the issue of a definition of 'value' again... if you value something, you need to define what you mean by value. I explained what I consider valuable in my eyes as art. When I say 'artistic value', you need to ask whoever is considering something art, not me, what they consider artistic in what they call art. This is why the specific definition of art, by example, is entirely personal, whereas the fact that all of humanity has the common acceptance that art exists is universal. But that's as far as 'universal' goes.

Value just expresses the concept of worth in general. "Artistic value" (without more clarification) still just expresses the concept of worth in general. It still seems like you're trying to avoid saying that artistic value is the same as personal taste. Personal taste can be defined as assigment of relative value to various things, but personal taste is not the same thing as art.
thebruce wrote:

On the largest scale, art exists. Therefore art is universal. Any narrower of a definition, and you're already bound to find disagreement, I believe. As you search for how deep that common definition may go, all you can say is that 'so far, the agreed definition of art that I've found is...' but you can't say 'this is the universal definition of art...' the first is a statement of fact, the second expands your search to a universal assumption.

I agree to a point. I don't think a universal definition of art needs unanimous agreement, especially since no other universal definition seems to require unanimous agreement.
thebruce wrote:

Such as 'innocent until proven guilty'. Except there, innocent is assumed knowing full well that it may be false - guilty parties have been released as innocent, if the defense is greater than the prosecution. Art is an elusive party. Is it art or is it not? In this case, one can't state for a fact "this is art", because it very well may not be; nor can one state for a fact that "this is not art", because it very well may be. What you are looking for is a definition that is more absolute than a court ruling, which is a ruling by limited human judgement. What you are looking for is a definition that all courts in the world and throughout human existence, would agree unanimously is a valid definition. ie, if you take it to all courts, never will one jury member, judge, or even courtroom guest, voice an opposing opinion.

I'm calling a red herring on this one. "Presumed innocence" is used in criminal trials, because we as a society want to protect the innocent from unjust penalty, even if some guilty go unpunished. It doesn't apply to this argument, because no one suffers any harm, whether art is proven to have a universal definition or not.
thebruce wrote:

Now, if you believe that art is majority rule, then that whole argument gets thrown out the window. Art is no longer a universal definition, it's a 'generally agreed' upon definition. Therefore one who goes against the flow therefore becomes "wrong".

I don't say that the definition of art is by majority agreement, any more that the shape of the Earth is governed by prevailing opinion. Universal definitions don't depend on unanimous or even majority opinion, they depend on universal applicability.
thebruce wrote:

My challenge is simply for you to find that universal definition. We all know art exists, therefore art is universal. But the definition of what is art universally, is here what is being discussed. And that, I say, is something you'll never be able to find out.

Here's the thing: I know that part of it is creative effort. That's just not sufficient alone for a definition. "Creative effort" doesn't go far enough in separating stuff from art, but no definition of art would be meaningful without "creative effort." Still, never is an awfully long time, and how many discoveries must have seemed endless before the breakthrough? Perhaps, someone else already has it all worked out for me, and I'm just not privy to their wisdom. Perhaps, we ourselves could work it out, if we could only agree that it's at least possible for such a definition to exist.
thebruce wrote:

We all agree art exists. We all agree art is universal, because it exists across all cultures in some form.
We do not agree that there is a universal definition by which specific examples can be compared in order to determine, universally, that said example is or is not art.

Well said.
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PostPosted: Wed Feb 09, 2005 12:47 am
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Clayfoot
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Nightmare Tony wrote:
You have made a faulty rejoinder since I *DID* specify that the photographic or recording angle is not a valid consensus as to nature as art. That is merely the intetrpretative eye of the photographer.
What's this about "not a valid consensus as to nature as art"? That's an interesting fact to throw out. Can you support it, or did you just make it up and hope no one would ask? Until the twentieth century, photography itself was not widely accepted as art, no matter the subject. It's that evidence of creative input (selection of view, lighting, and shot) that makes photography art.
BTW, the hyperlink I inserted supports me on this point. Unless you have some evidence to support your accusation, I would humbly expect you to withdraw your "faulty rejoinder" accusation.
Nightmare Tony wrote:
Art being beautiful is a purely subjective thing. We have discussed THAT point to death as well. Not a valid point there. I must ask you to please stop attempting to bring up that point again. They say that beauty is in the eye of the beholder. A true statement there.
Actually, that's your point: "I do consider beauty to be art". My point was that not all is art is beautiful; some art appeals to the senses for reasons other than beauty. Since I can't improve on it, I'll just quote the Wiki page directly:
wikipedia wrote:
The composer and critic Robert Schumann distinguished between two kinds of beauty, natural beauty and poetic beauty: the former being found in the contemplation of nature, the latter in man's conscious, creative intervention into nature. Schumann indicated that in music, or other art, both kinds of beauty appear, but the former is only sensual delight, while the latter begins where the former leaves off.

A common theory says that beauty is the appearance of things and people that are good. This has many supporting examples. Most people judge physically attractive human beings to be good, both physically and on deeper levels.

"Beauty as goodness" still has whole classes of significant counterexamples with no agreed solution. These include such things as a glacier, or a ruggedly dry desert mountain range. Many people find beauty in hostile nature, but this seems bad, or at least unrelated to any sense of goodness. Another type of counterexample are comic or sarcastic works of art, which can be good, but are rarely beautiful.

It is well known that people's skills develop and change their sense of beauty. Carpenters may view an out-of-true building as ugly, and many master carpenters can see out-of-true angles as small as half a degree. Many musicians can likewise hear as dissonant a tone that's high or low by as little as two percent of the distance to the next note. Most people have similar aesthetics about the work or hobbies they've mastered.
It may well be that you personally enjoy only art that is beautiful, but I certainly hope that your tastes are not so limited.
Nightmare Tony wrote:
I had stated before about Frank Zappa's interpretation of art mentioned in one of his books. It is basicalyl drawing a frame around it and calling it art. If you attach a microhpone to your throat and drink carrot juice and record the sounds and call it art, then it is art. Otherwise its just someone gargling carrot juice.
Here's that quote:
Frank Zappa wrote:
The most important thing in art is The Frame. For painting: literally; for other arts: figuratively--because, with this humble appliance, you can't know where The Art stops and The Real World begins.
You have to put a 'box' around it because otherwise, what is that s--- on the wall?
If John Cage, for instance, says, "I'm putting a contact microphone on my throat, and I'm going to drint carrot juice, and that's my composition," then his gurgling qualifies as his composition because he put a frame around it and said so. "Take it or leave it, I now will this to be music." After that it's a matter of taste. Without the frame-as-announced, it's a guy swallowing carrot juice.
What's interesting about that quote is that it argues against nature-as-art, because nature has no frame and no boundary. When someone sets the boundary, that's when the composition is made. Of course, Frank Zappa also wrote, "...what the f--- do I know about art?" So, maybe he's not someone to quote too extensively on this topic.
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PostPosted: Wed Feb 09, 2005 1:28 pm
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Dorkmaster wrote:

1 - Art must be intentional (either in its creation, or in its modification to become such)
2 - Art must be "set apart" from the ordinary (but could be completely ordinary in and of itself)
3 - Art's beauty and value are completely subjective.
4 - Art can be, but doesn't have to be, public to be called art.
5 - Anyone who creates art (by abiding by the previous 4 rules) is an artist.

Interesting. Tell us more. Expand on these points further, please. If you can, justify why these criteria and not others.

Dorkmaster wrote:
What makes it art is the frame, like you said... Therefore, someone is taking something that may very well be beautiful in itself, but not art, until the "artist" takes that frame and makes it so. There is an intentional "click" that shifts something from ordinary to artistic. Taking a point and shoot of an already beautiful forest makes the ordinary Art, because you've "framed it", with the intention of making that moment stand out. That piece is now "set".

Hear, hear. Listen to the man...

By the way, Zappa doesn't necessarily say that "the frame" makes a composition into art, he just says you at least need that context clue to make a judgement. On the next page (after the one I quoted earlier), he gets into what music is, and how most people can't be bothered to recognize music beyond what's familiar to them. To me, that says that Zappa believes that music has a fundamental quality that makes it music, but most people can't be bothered to learn to appreciate it.
Dorkmaster wrote:

Therefore intentional "separation" from the ordinary, and TA-DA! Art.

And since I see the argument coming, I once more state that the piece of art doesn't have to be public! It just has to not be "the ordinary state of things."

my only criteria for art (until proven otherwise) are as such:

1) Is it intentional?

2) Does it amplify or set apart something from the ordinary world?

3) Is there an artist behind its creation? (More to the point, does that creator consider itself an artist in respect to that specific piece?)

Interesting. You may be onto something here. I would have said "a product of creative effort" instead of "intentional", because I think art often starts as a more absent-minded effort. Number 2 sounds marvelously close to a requirement for originality. I'm not sure what Number 3 means. I suspect that 'artist' is a label that even the creator assigns to herself after the first piece. I can imagine a first time creator saying, "Wow, that poem I just wrote is pretty good; I must be a poet." Like I said earlier, I think the creative process is often much more absent-minded. I think the creator is much more likely to be driven by a desire to to render an idea as perfectly as it is captured in her head, rather than a goal-driven intention to produce a work in a given medium.
Dorkmaster wrote:

Pretty much, if I see yes to those three questions, then I say it is art. And if it doesn't say yes to any of those? Then I really have to have some huge or amazingly interesting compensating factors to give it a chance as art.

Yes, I see what you're saying. For something that didn't hit immediately on these criteria, you would need some additional education on the work's context to judge whether it is art. I believe you might be right about that.
Dorkmaster wrote:

Again, I know this is taking something typically seen as "fluid" and giving it "structure"... like putting a straw in Jell-O and calling it "solid" Laughing So people will disagree with me... but if there are rules to art, (and I believe that there are) then I see no problem with these being those defining set of rules. (Of course, I'm not a good speaker or writer, so I'm sure they could be written more elegantly.)
You have written nothing for which you need to apologize.
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PostPosted: Wed Feb 09, 2005 2:02 pm
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Nightmare Tony wrote:
Dorkmaster: if I remember correctly, Zappa also describes in there that his define is putting a frame around it to call it art. The microphone recording it could amplify or record or be in front of a live audience. so the microhpone is not necessary.

Read it again. The frame is what gives you the opportunity to judge it as art. The frame does not make it art, it only makes it a composition. You are correct that the microphone is not required to make it a composition, but in this example, the microphone is what establishes the frame. Without that framing context, there's no composition, and no chance to judge it as art.
Nightmare Tony wrote:

Because I view nature, I define it as art which is my own subjective.

You may hold fervently to whatever nonsensical definitions you wish, but that does not make them correct definitions. Instead of art, the term you should be using here is "natural beauty."
Nightmare Tony wrote:

If you took a simple photograph without even setting up for a shot, you could do an art gallery gig based on point and shoots alone.

...and as soon as you decided where to point the camera, you would have established the frame and expended some creative effort. In the gallery, the finished products would speak to your creativity in selecting the photographic subjects.
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PostPosted: Wed Feb 09, 2005 2:22 pm
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aliendial
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Joined: 29 Sep 2002
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Location: Far Far Away. Nowhere Near You. Really.

Gah! If we can't have word limits on posts, at least PAGE limits! That's the ticket...
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PostPosted: Fri Feb 11, 2005 7:11 pm
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hmrpita
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aliendial wrote:
Gah! If we can't have word limits on posts, at least PAGE limits! That's the ticket...

Bahahahahaha!

PostPosted: Sat Feb 12, 2005 12:08 am
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ariock
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Joined: 11 Aug 2004
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The inverse relationship of post length to number of posts

Lim Lpost->0 Num posts =Infinity

Lim Numposts->infinity Rank thebruce,Clayfoot =Supreme Being

In other words,
as post length approaches Zero, the Number of Posts reaches infinity
as number of posts approaches infinity, Rank of thebruce and Clayfoot reaches Supreme Being

Wink Laughing
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