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 Forum index » Archive » Archive: Perplex City » PXC: General/Updates
[UPDATE] Scarlett Kite - June 30th - An article of mine
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Jinja87
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Joined: 17 May 2005
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[UPDATE] Scarlett Kite - June 30th - An article of mine

Quote:
OK, so some of you guys asked a while ago if I could post up some of my articles from The Column here. To be honest, I didn't want to because I didn't think they were really good enough yet.... At least, not to share with people from another world!

But, Brede's just given me a new assignment (I think he's still impressed that I've been interviewed on the radio Smile) and I'm really quite proud of what I've done so far, so I thought I'd let you see! It's going to be a regular short article on Perplex City Places, reminding the readers about all the cool stuff there is to do right here in the city, which is so easy to forget when you live somewhere, you know? Everyone's all about "rural charms" and "small town life" but this city's amazing! So, here goes, my first effort, to be published next week so you get a sneak preview:

Making the point
by Scarlett Kiteway

Ascendancy Point might just seem like another landmark on the horizon to many Perplex City residents. With its reputation for high-price accommodation and chic, exclusive boutiques, many people feel that it's not just the tallest building in the city, it's completely out of reach. But Ascendancy Point has a huge amount to offer the budget-conscious Perplexian; even as a student, I was able to find plenty to do and enjoy.

I started my day in the Arboretum, where the friendly staff were glad to explain their work and introduce me to some of the more exotic specimens, including various carnivorous plants which must be hand-fed. From there, I took the elevator up to the 160th floor - the apartments in the 160s are in the most expensive price bracket, and the other floors are only accessible to those who live there. But on the 160th floor is the Point's show-apartment - for those who have Lecks to burn, or just want to see the high life. The five-bedroom apartment stretches across three floors, with an open-air terrace and garden protected by high-tech buffering devices which turn the powerful winds into a gentle breeze.

The Point's famous restaurants can certainly be pricey but the Red Hot bakery offers an affordable lunch - filled rolls for only 20 Lecks. I ate mine in the waterfall-atrium on the 40th floor, along with dozens of other Point-residents. The atrium stretches five floors up; its stark architecture may not be to everyone's taste, but I found the arrangement of black and white pebbles and granite blocks to be surprisingly relaxing. The atrium is also home to a selection of black-and-white themed games - Chess, Chequers and Go, so it's the ideal place to people-watch, and perhaps even get talking to some of the players.

After lunch, I decided to take in a movie on one of the big screens on floor 78 - the screens show a variety of classics, rather than modern movies. I plumped for the '59 version of "Absalom and Tavent" with the classic cast including screen-idol Isiah Wright. It was certainly an improvement on the recent disappointing theatre performance of the play. Entry to the screens is absolutely free during the day, as are many other attractions in the Point. In fact, there was so much to do that I ran out of time before I ran out of choice - watch this space for further suggestions of days out in Ascendancy Point!


So... what do you think? Is it OK?


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PostPosted: Thu Jun 30, 2005 8:15 am
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RobPal
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This could possibly be the most informative entry Scarlett has ever blogged! A nice little map of A. Point that could prove very useful in the future of the game.

Finally she comes through Very Happy
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PostPosted: Thu Jun 30, 2005 9:38 am
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Seej
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It might be more helpful in terms of narrowing down where The Advisor lives if she'd said which floors the Arboretum and bakery are on. She mentions the location of everything other than the landmarks we want the location of!

PostPosted: Thu Jun 30, 2005 10:05 am
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Daffy889
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Quote:
After lunch, I decided to take in a movie on one of the big screens on floor 78 - the screens show a variety of classics, rather than modern movies. I plumped for the '59 version of "Absalom and Tavent" with the classic cast including screen-idol Isiah Wright.


Is she talking in Earth years here? Or has their technology advanced so quickly that a 9 year old film can be called a "classic"?
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PostPosted: Thu Jun 30, 2005 12:14 pm
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ariadne_ac
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Quote:
After lunch, I decided to take in a movie on one of the big screens on floor 78 - the screens show a variety of classics, rather than modern movies. I plumped for the '59 version of "Absalom and Tavent" with the classic cast including screen-idol Isiah Wright.


I looked up these words for their definitions:

Absalom: in the Bible, is the third son of David, king of Israel. He was deemed the handsomest man in the kingdom. He was noted for his personal beauty and for the extra-ordinary profusion of the hair of his head. He murdered his half-brother Amnon, took the throne from his foather, and was killed by Joab

Tavent: a community in Indre-et-Loire (west-central France). It has an INSEE code of 37255 and a postal code of 37220. (I got this info from wiki)

If this means anything...?
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PostPosted: Thu Jun 30, 2005 1:14 pm
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Daffy889
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I assumed that Absalom and Tavent were the names of characters in the story.

Also, the theatrical performance of the show was reviewed in the Sentinel earlier in the year. Doesn't give us much insight into what the show is about, though.
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PostPosted: Thu Jun 30, 2005 1:45 pm
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Leeravitz
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The actual *film* it puts me in mind of is the infamous (to some folks) 'Samson and Delilah', which is generally considered to be one of the cheesiest films placed on celluloid (you know, 'Plan 9 from Outer Space' territory) - so bad it's good (if you like that sort of thing). I can't remember when that was filmed exactly, but it would have been the late '50's, I think...which was why the comparison suggested itself in the first place...

But I agree - if something along those lines was in the writer's mind when they were coming up with the reference, then it sounds like a slip - up. A film made in '59 on earth might be a bona fide classic by now (say, a Hitchcock) but in Perplexian terms it really is only a few years ago. And, you know, you might be able to say that Casablanca is a 'classic' but would you say the same thing about The Usual Suspects. Maybe it's a valid use of terminology, but I agree, it's a little bit odd...
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PostPosted: Thu Jun 30, 2005 2:05 pm
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Axys Denyed
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Leeravitz wrote:
And, you know, you might be able to say that Casablanca is a 'classic' but would you say the same thing about The Usual Suspects.


But The Usual Suspects is a classic Very Happy
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PostPosted: Thu Jun 30, 2005 2:08 pm
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Leeravitz
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Actually, just reading the blog back, the *real* sticking point is not so much that Scarlett mentions a 'classic cast' - I mean the 'classic' version of Star Wars is hardly *that* ancient, for example, but that she explicitly refers to the screens showing 'classic' rather than 'modern' movies. That appears to imply that these movies can't have been made particularly recently, even taking a fairly wide definition of 'classic' - surely anything in the last decade - 15 years is pretty 'modern'.

We have no problem hypothesising that Perplexian movie making may have existed for longer than it has done in our world - after all, their tech. may have been capable of creating pictures well before ours was...but '59 is by no stretch of the imagination a long time ago. Unless it stands for 159, of course! (I'm assuming it's not 59, as then there'd be no need for abbreviation!).
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PostPosted: Thu Jun 30, 2005 2:11 pm
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Daffy889
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Actually, looking back at the timeline, it could be 159. The good old S. Marchant quote from 148 says "I shall not put stock in images lit up before me", suggesting some form of projected image (since a photograph wouldn't be 'lit up') was available at the time. Maybe that was a reference to the early film industry in PPC?

Of course, that leads to the question of why the year has been abbreviated, since this is usually only done to dates within the last 100 years to avoid confusion.
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PostPosted: Thu Jun 30, 2005 2:49 pm
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Mosestrotsky
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One option I was thinking and I am sure a few others that if Scarlett gets to do this as a regular feature then perhaps we can make suggestions for locations?

If so where would folks want to look up next?

Old Town?
Newguard Ruins?
Mobius Strip?

PostPosted: Fri Jul 01, 2005 10:55 am
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kayellehear
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That would be great but for the moment and for next few articles she's definitely sticking to places of interest in A.Point:


Quote:
In fact, there was so much to do that I ran out of time before I ran out of choice - watch this space for further suggestions of days out in Ascendancy Point!


... which is obviously helpful for us...
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PostPosted: Fri Jul 01, 2005 12:11 pm
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Jaeneas office
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I assumed that 'Absalom and Tavent' was originally a Perplexian version of a Shakespearian play and that the 'classic' film version would be one of several films made of the play.

Much like 'Henry V', the classic film version being the Laurence Olivier 1944 and the not so classic being the Kenneth Branagh 1989. 'Classic' not implying that the 1944 version is necessarily better, just older.

So do Perplexians watch films of real people or are they animations? After all the only photograph of a real face is in the Ceretin ad which sometimes appears on the Sentinel web pages. All other references are drawn. Did something happen which put them off realistic representations of themselves? Or did they just get lots of crayons for Christmas?

Ta Ra

PostPosted: Fri Jul 01, 2005 12:21 pm
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Leeravitz
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In - game, they've made it sound like using line drawings is a bit of a current fad, because photography is aesthetically old - hat in Perplex City.

Out - of - game, I guess it depends. You might be positive about it and say that it gives the View from Earth writers a nice reward for their hard work; that it makes the Perplexian websites stand out when all around them on the web tends to be high - tech, digitalised and (perhaps for this reason) somewhat soulless; that it gives more 'character' to the imagined world than it might otherwise have.

Or you put on your cynical hat and declare that MC need to give their artist - in - residence something to do on a regular basis...

Take your pick...
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PostPosted: Fri Jul 01, 2005 12:32 pm
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BrianEnigma
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Leeravitz wrote:
Out - of - game, I guess it depends. You might be positive about it and say that it gives the View from Earth writers a nice reward for their hard work; that it makes the Perplexian websites stand out when all around them on the web tends to be high - tech, digitalised and (perhaps for this reason) somewhat soulless; that it gives more 'character' to the imagined world than it might otherwise have.

You can also say (out-of-game) that it is cheaper to pay one artist than it is to pay a dozen actors/models and it is more flexible and unique than using stock photography.
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PostPosted: Fri Jul 01, 2005 1:36 pm
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