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 Forum index » Archive » Archive: Ephemeral » ARG: Year Zero
[SPEC] Numbers above verses on Greater Good
Moderators: BrianEnigma, chippy, konamouse, ndemeter
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cyberpunk
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[SPEC] Numbers above verses on Greater Good
Does this mean anything to anyone?

Now I find Year Zero facinating as hell...but I think I learned about it a bit too late now, so this is just something I was abstractly thinking about just now:

I've been out of the circle so long I don't know if ppl already know this, or if this is just meaningless, but I noticed on The Greater Good there are numbers above each verse. Listening to the song, I thought "well, what if the order the verses play in has something to do with the sequence of numbers?" So is this useful at all or what? If it is, ill go ahead and chart out the sequence...but if not I won't waste my time.

[edit - clarified the topic in the subject based on what was in the context of the post - kona]

PostPosted: Sun May 20, 2007 3:49 pm
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ylbissop
Greenhorn


Joined: 10 May 2007
Posts: 9

leave it to a cyberpunk! yea! I haven't heard anything about this and lest you think it's too late to play.

1. you can start anywhere there is no such thing as too late.
2. trent mentioned in an interview that they where surprised at how the hard stuff people picked up on and some of what they thought where simple puzzles we had missed.
hey it's possible that you just broke the key to get this thing off on a roll again who knows why we haven't seen anything for a while.

perhaps everyone playing now is thinking too micro and not meta enough.

PostPosted: Sun May 20, 2007 9:10 pm
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cyberpunk
Guest


haha alright! Now there are two methods to this:
1. Write down the code in the manner that the song is played....including how many times the verse is repeated.
or
2. Write the code just in the order the verses appear. [I'm leery about this because after long pauses in the song he will repeat the verse again...making me wonder if it's meant to be the same number twice.

SO, I will simply write the code in the order they appear, and maybe use the other method as a second resort:

141[1]21 (the number in brackets is when he goes back into the verse from the bridge like i said before)

If I were to use the other way this code would get MUCH longer.

Last thing to point out....maybe my ears are bad but not once in that song do I hear verses 3 or 5? Hope someone can make something of this!

PostPosted: Sun May 20, 2007 9:54 pm
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ylbissop
Greenhorn


Joined: 10 May 2007
Posts: 9


I hope your happy my brain is melting

so heres my take on this the more complicated way
[ ]= vocals overlap like in a round
( )= the verse is not complete

1
(1)
4
4
1 [4]
(1)
1
1
2
2[1]
2[1]
2[1]
2[1]
(2)[1]
1
1
1
1
(1)

the lyrics i am hearing are:

breathe us in
slowly
slowly

breathe us in
slowly

everything you do
everywhere you go
anything we want
anything

everything you do
everywhere you go
anything we want
anything

breathe [everything you do everywhere you go ]
us in [anything we want anything]
slowly [everything you do everywhere you go ]
slowly [anything we want]
breathe




breathe us in
slowly
slowly

breathe us in
slowly
slowly



persuasion
coercion
salvation
assimilation

persuasion [breathe]
coercion [us in]
salvation [slowly]
assimilation [slowly]

persuasion [breathe]
coercion [us in]
salvation [slowly]
assimilation [slowly]

persuasion [breathe]
coercion [us in]
salvation [slowly]
assimilation [slowly]

persuasion [breathe]
coercion [us in]
salvation [slowly]
assimilation [slowly]

persuasion [breathe]
coercion [us in]
salvation [slowly]
slowly

breathe
us in
slowly
slowly

breathe
us in
slowly
slowly

breathe
us in
slowly
slowly

breathe
us in
slowly
slowly

breathe
us in
slowly


and my point of view has been quietly removed. I've been assimilated! must wake up...
anybody see any patterns?

PostPosted: Sun May 27, 2007 9:04 am
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kilo_self[DECAY]
Kilroy

Joined: 30 May 2007
Posts: 1

where is verse 3?

i noticed there is no verse 3

verse 3

welcome to your new point of view
we have disappeared into you

PostPosted: Wed May 30, 2007 3:37 pm
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VMVash
Decorated


Joined: 15 Feb 2005
Posts: 246

is there some connection with the songs "The Good Soldier", "The Greater Good", and "The Great Destroyer"?

The last verse of the good soldier is not sung... "no one's even sure what we're fighting for or who we even are anymore I feel so far away"

could that be referring to the hammer and the complacency paripin brings? maybe those are just shots in the dark but I think it's worth looking into.
_________________
"In Canada it's legal to 'sell the kids for food" - 4dswisscheese

PostPosted: Thu Jun 07, 2007 4:53 pm
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ylbissop
Greenhorn


Joined: 10 May 2007
Posts: 9

never thought about a possible connection there i also noticed when you wrote that the song titles contain good <greater <great

PostPosted: Mon Jun 11, 2007 4:18 am
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VMVash
Decorated


Joined: 15 Feb 2005
Posts: 246

I have been looking at the album as a story. Bitts and peaces of peoples' lives that come together to represent this world.

"Hyperpower!" is to set the mood of the world being a harsh place.

"The Beginning of the end" says how hopeless everything is and how people are trying to destroy eachother to get gain.

"Survivalism" the ones smart enough form groups to survive the system and fight back.

"The good soldier" one person from a group of rebels doubting who he is in a war he doesn't understand.

"Vessel" I'm alittle at a loss of words... i don't know but my best guess would be a test subject for eather creating a more powerfull soldier or a new way to passify the masses. This subject dies.

"Me, I'm not" possably one of the survivers of the testing living the side effects or the correct ones.

"Capital G" The Rich and greedy who are telling the less fortunite to suck it up and stop blaming everyone else for their problems.

"My Violent heart" Those who have been battle hardend and are reimpowerd by their heartlessness.

"The Warning" the presince and the message sent or rather "felt" from within.

"God given" The raticals who set themselves abouve those who aren't of their faith. Maybe the First church of Plaino.

"Meet your master" Posably the First church of Plaino executing or inslaving those who they blame for the failures of society.

"The greater good" The brainwashing of those the fcop have captured. (im making those last 3 as i go)

"The great destroyer" The destroyer of humanity fearing being descoverd.

"Another version of the truth" the somber tune representing the descovery of the truth covered up by the government.

"In this twilight" http://youtube.com/watch?v=OYkDw7HNaSw i think this sums it up beautifully...if not brutaly.

"Zero-sum" the judgement day. A song of the regrets of the world.

There are many words omitted from the songs and lyrics, also on the site the song title for zero-sum is Zerio-Sum... I'm unsure of it though.
_________________
"In Canada it's legal to 'sell the kids for food" - 4dswisscheese

PostPosted: Wed Jun 13, 2007 9:38 pm
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CSfreestyle
Boot

Joined: 15 Feb 2007
Posts: 21

VMVash wrote:
"The great destroyer" The destroyer of humanity fearing being descoverd.


I'm with you on these summaries for the most part - The Great Destroyer being my main exception (with the possibility that you and I interpret it the same way, and I've just misunderstood your description).

"The destroyer of humanity" would seem to refer to a greater being, specifically The Presence, being the narrative voice of the song. As in "this is a force/power (and not in the political sense of the word) that knowingly destroys humanity." However, I concede another possible interpretation of your word choice is that this is a single person acting (either a figurehead/leader of the future-America that brings about the end of the world) or a "freedom fighter" whose actions prompt a response from said figurehead that lead to the same outcome.

Personally, I think this song resembles the soliloquy of a delusional member of the resistance's violent-sect. I base this particular perspective upon the word choice, or narrative voice of the song. In short, it's accusatory, it's commanding, it's informal (e.g. briefly profane), and has an undertone of paranoia.

This song was one of my least favorites when I first bought the album (the vocal break right before the instrumental portion was just a little too Bon Jovi for my tastes as a NIN fan of the last 12+ years or so. Wink ) However, it's grown on me considerably because of the lyrics. This song sounds to me like what a self-empowered/sociopathic freedom-fighter/terrorist would think to him/herself or say to a co-conspirator before embarking on a mission of massive proportions and/or suicidal conclusion. Absolutely chilling in the current global climate.

But that's the whole point, isn't it?

Respect,

G...

PostPosted: Fri Jun 15, 2007 1:13 am
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VMVash
Decorated


Joined: 15 Feb 2005
Posts: 246

CSfreestyle wrote:
VMVash wrote:
"The great destroyer" The destroyer of humanity fearing being descoverd.


I'm with you on these summaries for the most part - The Great Destroyer being my main exception (with the possibility that you and I interpret it the same way, and I've just misunderstood your description).

"The destroyer of humanity" would seem to refer to a greater being, specifically The Presence, being the narrative voice of the song. As in "this is a force/power (and not in the political sense of the word) that knowingly destroys humanity." However, I concede another possible interpretation of your word choice is that this is a single person acting (either a figurehead/leader of the future-America that brings about the end of the world) or a "freedom fighter" whose actions prompt a response from said figurehead that lead to the same outcome.

Personally, I think this song resembles the soliloquy of a delusional member of the resistance's violent-sect. I base this particular perspective upon the word choice, or narrative voice of the song. In short, it's accusatory, it's commanding, it's informal (e.g. briefly profane), and has an undertone of paranoia.

This song was one of my least favorites when I first bought the album (the vocal break right before the instrumental portion was just a little too Bon Jovi for my tastes as a NIN fan of the last 12+ years or so. Wink ) However, it's grown on me considerably because of the lyrics. This song sounds to me like what a self-empowered/sociopathic freedom-fighter/terrorist would think to him/herself or say to a co-conspirator before embarking on a mission of massive proportions and/or suicidal conclusion. Absolutely chilling in the current global climate.

But that's the whole point, isn't it?

Respect,

G...



that is what I meant. thanks for clarifying me though. If you ever saw the movie "The sum of all fears", that is what I would imagine the terrorist group would go about said uber destruction.( btw where has ubercado been... not to imply hes about doing anything like this... its just the phrase "said uber destruction" reminded me of him.) If you want a visual of what that destruction might be like, click the link in the "in this twilight" description/interpretation.
_________________
"In Canada it's legal to 'sell the kids for food" - 4dswisscheese

PostPosted: Tue Jun 19, 2007 7:17 pm
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x
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I have a slightly different interpretation of this.

He says... I hope they cannot see, This potential living inside of me... to murder everything.

Thats not terrorism, Terrorism has a point usually. They kill the people that are opposing them. But... he says Murder EVERYTHING.

More like a Virus would. At times this album tells us to save the world, to turn back while we still can. ... at other times it says things like "Can we make it go faster?" ... implying the approach to the end of the world.

Its possible that there are players in this game that wish nothing more than to push us quickly towards that consequence. Its possible that some of the players have the intention of ending the human race.

Again thats not standard terrorism, thats genocide. ... It may be that they want to send some hidden message, or disease, or some dangerous thought, Hell even a hidden sound in the music that gave anyone listening cancer, anything that will push the world to the end.

To me i hear a scared character... Terrified that somone can see, or knows its thoughts. That somehow this character could be stopped, and desperatly believes that murdering everyone is the only right solution to ... saving his world.

Is it possible that this character isnt human?

PostPosted: Wed Jun 20, 2007 3:33 pm
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X
Guest


Another possibility... It might be that this is a character with the Red Horse Virus. Possibly an Immune Carrier of the Virus. He might know and have plans to use this limitless potential "living" inside of him.

A person carrying this virus who was immune... could infect anyone he came in contact with, and thusly the people they were in contact with. It could spread very fast.

I would consider this person a Great Destroyer, IF he slipped under the radar... also why he could be so concerned with people finding out.

PostPosted: Wed Jun 20, 2007 3:51 pm
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x
Guest


Has anyone done any waveform analysis of any of the songs?

I assume some of this has been done. I was looking at the simple
waveform visualization in WMP playing some songs produces some
odd looking waveforms, and some blips that look suspicious.

The first song Hyperpower seems to have an odd angled waveform that plays over and over. It looks like it has a signal on an odd angled wave. Might be hidden info.

Also the Vessel, during the beginning there is a odd waveform, and it blips to a flat signal for a brief second, twice right near the beginning, possibly more hidden info.

Im kinda wondering if anyone has done this kind of wave analysis. I dont have the equipment, and i havent used it since school. Maybe somone else in college studying waveforms and encryption schemes, can take a slow look at some of these forms and see if anything appears to be hidden.

If this has been done, Trout me, i searched the site. Didnt find anything on this. Also checked ninwiki.

PostPosted: Tue Jun 26, 2007 2:42 pm
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x
Guest


Is it just me or does most of this album sound like data? ... Almost every song has some digital sample that sounds like a phone ring, or a modem, or static, ... most of the album has sounds that are typically places information is hidden.

Like a phone ring for example... usually between rings there is a hidden signal that we never hear that gives off Caller ID signals. Ive heard a phone ring in one of the songs. Ive heard modem sounds. ... and ive heard tons of static.

We all have seen the Signal found in the Warning. Looks like the presence.

Now ive seen other stuff that was hidden in the tracks. Is there a place specifically working on waveform breakdowns on each song? Analyzing each blip, tone and signal in the music?

PostPosted: Tue Jun 26, 2007 2:51 pm
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Lazy Coward
Guest


In This Twilight Video and various tidbits
Image at 54/55

There's a clip of video in the "In this Twilight" video someone posted earlier in the thread, it's at 00:54, and it has a STUNNING similarity to the image on Another Version of the Truth. And we have a code sequence, but we're missing either the ciphertext or the key, perhaps the bracketed numbers of choral verses is the key to the sequential code of the verses? Or maybe I'm too paranoid because it's Reznor at the helm of this one. And capital G I think is Gil, who instead of being a rich man, is a poor man who is taking action against the rich people, but is still taking accountability instead of complaining. I get this from exterminal.net, one of the inmate exhibits.

PostPosted: Thu Jul 12, 2007 1:07 am
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