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 Forum index » Archive » Archive: Cloverfield (1-18-08) » Cloverfield: General / Updates
[SPEC]Pics in Lil's Myspace
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Euchre
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Joined: 29 Aug 2007
Posts: 3342

As is so often the case with humans, we tend to dig too deep into details whilst losing the bigger, often more simplistic and accurate picture. In this case the picture is literal of course...

The edges of Lil in the image are not too incredibly jagged when examined closely, but that's not a guarantee that it's not a composite. The image I'm hoping to post somehow would bear that out. By using feathering of the pixels, the piece laid in doesn't need to have sharp edges. When such an effort is taken to blend things, the next place to look for clues of an object being in the original setting is to draw yourself back to a grander perspective and look at the thing most often incorrect in such forgeries:
Lighting

Look at Lil's face and coat. She's being illuminated from the front, quite strongly. Behind her we see a fairly overcast day, but still plenty bright and with the apparent lumination source behind her or to her right. As bright as that background is, having such a strong contrasting illumination of Lil's front means either a VERY strong (professional grade) flash, or a seperate light. The bridge wall behind her shows very little artifact of any such strong lighting, and isn't necessarily that well matched to the lighting of the background. This all points to a very peculiar lighting profile, or a composite image. What casual tourist carries a super strong pro-grade flash or sets up a stand light to take a quick picture like that?
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Any sufficiently plausible fiction is indistinguishable from reality.
Any sufficiently twisted reality is indistinguishable from fiction.
Welcome to the new world of entertainment.
©Euchre 2007


PostPosted: Sun Oct 14, 2007 2:49 pm
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Hurley
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Euchre wrote:
As is so often the case with humans, we tend to dig too deep into details whilst losing the bigger, often more simplistic and accurate picture. In this case the picture is literal of course...

The edges of Lil in the image are not too incredibly jagged when examined closely, but that's not a guarantee that it's not a composite. The image I'm hoping to post somehow would bear that out. By using feathering of the pixels, the piece laid in doesn't need to have sharp edges. When such an effort is taken to blend things, the next place to look for clues of an object being in the original setting is to draw yourself back to a grander perspective and look at the thing most often incorrect in such forgeries:
Lighting

Look at Lil's face and coat. She's being illuminated from the front, quite strongly. Behind her we see a fairly overcast day, but still plenty bright and with the apparent lumination source behind her or to her right. As bright as that background is, having such a strong contrasting illumination of Lil's front means either a VERY strong (professional grade) flash, or a seperate light. The bridge wall behind her shows very little artifact of any such strong lighting, and isn't necessarily that well matched to the lighting of the background. This all points to a very peculiar lighting profile, or a composite image. What casual tourist carries a super strong pro-grade flash or sets up a stand light to take a quick picture like that?


Not trying to coat-tail, but that's what i was hoping you were going to say. The foreground image is so clear and well lit, and yet the backdrop seems gray and grainy, with little or no ambient light.

PostPosted: Sun Oct 14, 2007 3:05 pm
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brettoniasam
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I'd almost point to Jamie's background in professional photography, but it's *Beth McIntyre* who clearly states in the comment that it was SHE who took the photo of Lil. So I doubt Beth would have a pro's camera.

And about the suspension bridge --- rather than Alaska or Sandefjord, then, I'll refer back to Toronto (Lil's hometown)....anybody know if there's any place in Toronto that looks like that?

PostPosted: Sun Oct 14, 2007 8:15 pm
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Euchre
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Joined: 29 Aug 2007
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And finally, I get to show you...
The monster!

So here's my example of grafting one thing into another background. You'll notice the edges don't look too bad, but the difference in lighting in this case is quite exaggerated.
1_18_08_posterlilsmall.jpg
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1_18_08_posterlilsmall.jpg

_________________
Any sufficiently plausible fiction is indistinguishable from reality.
Any sufficiently twisted reality is indistinguishable from fiction.
Welcome to the new world of entertainment.
©Euchre 2007


PostPosted: Mon Oct 15, 2007 12:53 am
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Melampus
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I posted a similar thing on the myspace thread, but it's much more 'on point' here...

Someone way back when identified that bridge as being in an Asian city, but I can't remember the details, and I can't find the post. Anyone?

Also, Since the photo has clearly been doctored, doesn't that mean this is most decidedly related to a puzzle? Why else would they both screwing with a picture?

EDIT: Laughing Great example of photo-doctoring, Euchre. Laughing

EDIT: I read your comment on the myspace post, Euchre - my point is: if the pictures are just myspace 'scenery' then it doesn't matter AT ALL what they contain. There's no reason in the world to edit them - as long as they are pictures of the myspace characters (i.e., the actors), then who cares where the pics are taken? I just can't imagine why they'd go to the trouble. Even if it's no real 'trouble' ... still, why bother?

PostPosted: Mon Oct 15, 2007 12:56 am
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Hurley
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Guys,
Is it at all possible that there are other doctored photos in other sets, and some of the scenes were actually right to begin with. But they have taken the correct person from one scene, and superimposed them in another. Sort of like those old kid's korner things, find the difference in the pictures, and you find the clues.

PostPosted: Mon Oct 15, 2007 1:07 am
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MrToasty
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Melampus wrote:
Someone way back when identified that bridge as being in an Asian city, but I can't remember the details, and I can't find the post. Anyone?

It took a bit but I found the post. The picture was taken in Budapest apparently:
http://forums.unfiction.com/forums/viewtopic.php?t=20379&start=254

PostPosted: Mon Oct 15, 2007 1:28 am
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Euchre
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Melampus wrote:
IEDIT: I read your comment on the myspace post, Euchre - my point is: if the pictures are just myspace 'scenery' then it doesn't matter AT ALL what they contain. There's no reason in the world to edit them - as long as they are pictures of the myspace characters (i.e., the actors), then who cares where the pics are taken? I just can't imagine why they'd go to the trouble. Even if it's no real 'trouble' ... still, why bother?

Ah, but I disagree.
Ever been to DisneyWorld? In the Magic Kingdom park, do the rides all sit in generic, nondescript warehouse sized buildings? Nope, because the ambience is an important part of making it all believable. Walt really concerned himself with a real richness of detail in his work. Even in his animated movies he was trend setting by creating very rich backgrounds where others might have just made the usual crude 'cartoonish' backgrounds. That's why when people saw Walt's work, they were amazed. This is a lesson not lost on all sorts of entertainment since Walt dedicated himself to including such detail.

Of course some images may need no real editing. I think some of the pics of a certain female with a LOT of different guys didn't have to be so carefully designed.

I think the main thing here is that just because something has been made to give a sense of full depth in proper context doesn't mean it's got to be a clue to something greater. This is built more as viral marketing than what most here are used to as a puzzle rich ARG. Our 'clues' have been much more overt, and such detail work has been to render a rich landscape.
_________________
Any sufficiently plausible fiction is indistinguishable from reality.
Any sufficiently twisted reality is indistinguishable from fiction.
Welcome to the new world of entertainment.
©Euchre 2007


PostPosted: Mon Oct 15, 2007 1:35 am
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Melampus
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Many thanks, Mr. Toasty. So, here's what was posted (it was a "Guest", so...?):

Quote:
The dark building on the left is the Budapest Marriott. The hill on the right is Gellért Hill. The picture itself is taken from the Széchenyi Chain Bridge. The bridge in the background is the Erzsébet Bridge.


I suppose that they may have told Jessica Lucas (aka "Lily Ford") to bring in international photos, and she didn't have any, so they doctored this up just to flesh out her character; but, so far, Lily's character seems to just be activist/democrat/Hawk's girlfriend, but not really jet-set, world-traveler, so it still seems unnecessary to me. I mean, she might be, but they haven't told us that yet. And, I hear what you're saying, Euchre, but it still seems to me that they could have easily accomplished all the background context you're talking about without doctoring photos. And, they had to count on us figuring out that it was tampered with. Also, Beth commented that she took that picture - that's a piece of info. about their interactions, and it relates to a doctored photo. It's fishy... or, at least, smelly, in a vague smelly way. It smells. Shifty Eyes

"So, back we go to these questions..."
- Johnny Caspar, Miller's Crossing

I keep harping on this b/c when I was looking for themes among the myspace pics, Lily's was one of the people that seemed to have a pretty definite theme; namely, potentially identifiable places (i.e., each pic of her is in some public place that's not specifically named, but could prob. be identified by someone who'd been there). And, now, we find that one of those pics was doctored to place her in a specific place. Whatever else, you've got to admit that they went out of their way to put her on that bridge. Why? Hurm...

Btw, and FWIW, the themes that I found were:

Rob - colors
Hawk - shirts
Lena - face/appearance changes
Lily - public/potentially identifiable places
Beth - people holding things (but for the one pic w/3 straws, strongly reminiscent of slusho & Flavor-bots page)
Jamie - drunk, party-girl (?)
Hud - ?

PostPosted: Mon Oct 15, 2007 1:54 am
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MrToasty
I Have 100 Cats and Smell of Wee


Joined: 03 Aug 2004
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Let me see if I can pose some possible explanations for the anomalies being seen in this image. Again, these are just my opinions/observations, so take 'em or leave 'em. I'm no expert, but I've screwed up my share of pictures with a point-and-shoot.

FLASH
First, yes I would say a flash was used in this picture given the lighting on her. Although the ambient light would appear to have been sufficient, nothing says the flash was set to AUTO. Leave the flash set to ON, screw up the exposure settings, and/or take the picture too close to the subject and you can easily get the bright overexposure of her face we see here. Another effect you get when using a flash and no fill is that people begin to look rather flat.

LILY vs. BACKGROUND
Lily does seem to pop out from the background due to the difference in lighting. If this picture were taken at night, no one would question it. The reason this looks odd and that there is the difference is that while Lily in the foreground is lit by the flash, everything in the background is sufficiently far away that the flash has NO effect on their lighting.

LILY vs RAILING
Lily's face is a smooth round surface that is most likely at least a little oily. Round shiny things have coherent specular reflections - here it is her cheeks and forehead and they reflect the light back at the camera. The railing on the other hand appears to be relatively flat and made of say concrete or rough granite. It is not smooth, more like the texture of sandpaper. It does not exhibit specular highlights, but rather acts as a light diffuser. Light hits the surface and scatters in all directions. Add to that the fact that even if the surface was reflective, you would not see a hot spot reflected from the flash unless the surface was perpendicular to the viewing angle of the camera.

SHADOWS
One thing that hasn't been mentioned but I think is another reason this looks odd is the lack of shadows. If she were casting a shadow on the bridge it would probably look less unusual. But, it is very overcast so there are few or no shadows. Any shadow she may have been casting would have been faint and blown away by the flash. Shadows cast by the flash itself are behind the subject.

SO?
I could go on, but this is already more than I care to write. Does it look odd. Sure. Could I be wrong. Absolutely! Does it matter? I don't think so. I'm of the opinion that any pictures that don't have at least two of the cast in them were merely supplied by the actors themselves to help fill out the MySpace pages. It would look a bit odd if all of their pictures included other cast. It's also easier and cheaper to have them supply random pictures of themselves than take new ones. Different locales and seasons in the images helps as well. Could these still be clues? Anything's possible.

PostPosted: Mon Oct 15, 2007 2:10 am
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Finch
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Joined: 02 Oct 2007
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My 2 cents

If you zoom in around the fur on her hood you notice the hairs fade to lighter, very fine fibers. I don't see any obvious "cuts" on any of them. It is ungodly difficult to isolate a lighter, whispier fiber like that in a picture. Personaly I wouldn't want to touch it without a high contrasting back drop but then I think we'd be dealing with a much higher resolution photo if that were the case.

The fibers become a barely visible blur. Personaly if I were the one photoshoping this I'd have to create an inner shadow on the fibers to negate any halo-ing effect caused by whatever background/backdrop was used but this would make the fibers to be more pronounced especially near their tips. Which is not the case in this photo.

So either we are looking at one hell of a photoshop job or this thing isn't altered.

My third cent- I don't think it matters either way.

PostPosted: Mon Oct 15, 2007 3:05 am
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FTTM
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Surely a film company that's capable of producing the trailer with 'wobbly-cam' cgi matting all over the place with no obvious artifacts or matt lines probably has something a bit more sophisticated than Photoshop...

PostPosted: Mon Oct 15, 2007 5:17 am
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Finch
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FTTM wrote:
Surely a film company that's capable of producing the trailer with 'wobbly-cam' cgi matting all over the place with no obvious artifacts or matt lines probably has something a bit more sophisticated than Photoshop...


Such as what? Note that I said Photoshop not Paintshop.

{EDIT- also note that I mean Photoshop CS3 when I mention photoshop. Not Photoshop Elements.

PostPosted: Mon Oct 15, 2007 5:44 am
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brettoniasam
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TY, Mr. Toasty, for digging up the post about Budapest -- spot on! Looking at other photos of Budapest online, it's *definitely* where Lil and Beth visited.

(Strange that the info was supplied by a one-timer "Guest" -- either a particularly helpful Hungarian, or maybe a PM who knew there wasn't a chance in hell we'd figure out that location...? Question )

Anyway...as to whether or not the pics are significant: my own feeling is that any picture that has IG comments from the Slusho 7 is being referenced purposefully -- i.e., the comments are flags from the PMs saying "LOOK HERE! ANOTHER CLUE!" I don't see any other reason to include Slusho 7 comments other than character development -- and how could "Lil and Beth visited Budapest last winter" be classified as character development?

So yeah...I think there's something in the pic that's important. I'm just not exactly sure WHAT, yet.

PostPosted: Mon Oct 15, 2007 9:12 am
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Euchre
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I see that the picture is indeed in Budapest. Her location on the bridge is apparently right on the bridge's tower, where there are masonry rails (the rest are metal). I also notice the slight turbulence in the water that confirms this.

As to her lighting, you'll notice the 'shine' off her hair and even her coat. Those are rougher surfaces. Whatever flash they used, it's VERY bright in contrast to her surroundings.

Selecting her out of another image with that furry hood is not so hard as it may seem - as evidenced by my own quick edit job above. If you look around her hood you'll see the fur part is fairly soft blend with the background. This is a matter of using feathering when selecting what you copy from another image, which yields translucent (partially transparent) pixels. Those allow the background to come through in a way that makes it look natural. I used the 'magic wand' selection tool, and worked only a little with the tolerance to get the selection around the furry hood right.

As to the question of the quality of software and Photoshop being in question, I use Photoshop 6 (yes, that's a bit older) and Photoshop Elements 2.0. Something most people don't know is that Photoshop Elements uses the exact same rendering engine as it's full Photoshop concurrent version, the tools and interface are just simplified. Photoshop products are basically the benchmarks in image editing software, and indeed the professional world uses this as one of it's best tools. The user's skills determine the quality of results, the software is up to the job.

I think the image could be a single image, but it's peculiarities make it just as likely to be a graft. I don't think it makes a grand clue either way, but quite the odd curiousity. Wonder what is so exciting for Lil and Beth in Budapest, Hungary? Did they go for the goulash?
_________________
Any sufficiently plausible fiction is indistinguishable from reality.
Any sufficiently twisted reality is indistinguishable from fiction.
Welcome to the new world of entertainment.
©Euchre 2007


PostPosted: Mon Oct 15, 2007 9:14 am
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