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 Forum index » Archive » Archive: Cloverfield (1-18-08) » Cloverfield: General / Updates
[META] Cloverfield as an cultural/artistic response to 9/11
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rose
...and then Magic happens


Joined: 26 Nov 2003
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[META] Cloverfield as an cultural/artistic response to 9/11

You know the theory that says those original Japanese Godzilla and other monster movies were a creative expression dealing with the destruction of Japan by the atomic bomb? I think some of Japanese art is still based on those events. So I'm thinking that now we are going to see more movies that deal with the destruction of Manhattan, only the destruction isn't caused by people, by human enemies, but by crazy monsters that are beyond our control.

I think that Cloverfield reflects this dark psychology whether or not it was consciously designed with the idea of 9/11 in mind.

What do you guys think?

edit to change title ~rose (heh)
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PostPosted: Wed Nov 21, 2007 7:09 pm
Last edited by rose on Thu Nov 22, 2007 10:02 am; edited 1 time in total
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Aurigan
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I think it might be pointless to speculate on what's going on inside Abram's head. Besides, 9/11 is still a sore subject.

NYC is always a good place for a monster movie.

PostPosted: Wed Nov 21, 2007 7:12 pm
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A.J.
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Doesn't NYC get enough credit for being destroyed in a lot of movies

PostPosted: Wed Nov 21, 2007 7:24 pm
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SHNIPE
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they did a monster movie in LA and it was boring Very Happy

PostPosted: Wed Nov 21, 2007 7:28 pm
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Chrizzy
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With all of its buildings and people, I think New York provides the perfect claustrophobic feel.

PostPosted: Wed Nov 21, 2007 7:33 pm
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I'M HUGE!
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SHNIPE wrote:
they did a monster movie in LA and it was boring Very Happy

which movie was that? Confused
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An anagram for JJ Abrams is Cloverfield. Shocked


PostPosted: Wed Nov 21, 2007 7:33 pm
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W-Three
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The good thing about NYC is that a) Its the city that 'never sleeps' so there are always people awake when the monster shows up and b) its got lots of landmarks and tall buildings to destroy.

Although at least in L.A they would have a reason for famous actors to be in it. You know, in between one of their movies. "Oh my god a monster! Who will help us?" "Dont worry lady. Actors Guild away!"

But seriously I dont think its an artistic response to 9/11, I think its just JJ wanted a monster movie, and NYC is the typical place.

PostPosted: Wed Nov 21, 2007 7:36 pm
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SHNIPE
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I'M HUGE! wrote:
SHNIPE wrote:
they did a monster movie in LA and it was boring Very Happy

which movie was that? Confused


Dragon Wars

PostPosted: Wed Nov 21, 2007 7:53 pm
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nooneimportant77
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how about, no.

PostPosted: Wed Nov 21, 2007 7:56 pm
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SlushoLover
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nooneimportant77 wrote:
how about, no.


LOL, nicely said.

PostPosted: Wed Nov 21, 2007 8:06 pm
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rhialto
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People came together in the wake of 9/11. We thought we knew the enemy was, and unified.

There's way more paranoia in this movie.

And I don't think anyone's blowing up NY in a movie for a while without thinking about 9/11. If he's trying to say anything, I dunno.

PostPosted: Wed Nov 21, 2007 8:13 pm
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rose
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Joined: 26 Nov 2003
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I don't mean a direct, conscious response, more something that results from an unconscious place. But you guys really think that this movie has no undertones of 9/11? Because, I look at the poster and it looks like it could be a reverse of 9/11 images, fictionalized, of course, and with the Statue of Liberty damage. But maybe I am looking for this 9/11 connection, so that is what I see when I look at the poster. I got this idea while looking at the official poster thread.

It's just a theory I have. Kindof the inverse of Spiderman (the first one) being so popular in part because it made skyscrapers seem safe, even fun, again. I know I read a review of Spiderman that posited the Spidey-makes-skyscrapers-safe theory, it isn't an original thought on my part by any means. I'm sure that Cloverfield will have similar reviews and similar comparisons.

C'mon, look at the poster again. Wink

I think there is something there with the replacement of the human enemy with a monster, but what do I know? I make up theories(as a way of processing the world) and, almost always, a lot of people disagree with them.

For anyone who doesn't know, I live in New York, I'm not trying to sensationalize this movie, this is just a theory.
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PostPosted: Wed Nov 21, 2007 8:19 pm
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Animaniac
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This I touch on earlier in a [spec] thread about a possible volcano. It works better here:

Animaniac wrote:
brettoniasam wrote:
It's a long shot, but I'm just wondering if all those pics from the set of people and cars coated in dust could be from volcanic ash instead of debris from fallen buildings...


Since this is a monster for the US, and being inspired by Gojira, at it's core it should appeal to American fears much like Gojira rose from the nuclear fallout that was a preoccupation (with good reason) of the Japanese mindset at the time of his creation.

Its easy to see that in this.. The Monster (from what seems likely) rises at least in part from Massive Corporate Greed/Expansion/Environmental Indiscretions and/or Americas Obsession w/ Pop Culture/Conspicuous Consumerism. All ideas deep in the American conscious.

But Americas deepest conscious issue right now is Terrorism, and while it would be difficult to create a Monster movie from that cloth, invoking the emotions from that is easy through imagery that is still all too real for many of us.. The destruction of a landmark, especially one as American as the SoL, destruction in NY, people stumbling through the thick white dust that filled the streets immediatly after the towers collapse... Thats what those images are there for, New Yorkers and America now know, each and every one of us, what the aftermath of a major building collapse looks like, and whether its a bomb or a giant monster, its going to pull heartstrings we all have, especially from the rocking camerawork of a scared, average American..

I think this movie has the potential to be very disturbing to lots of folks.. and evoking emotion is good filmaking.

And I'm sorry if I don't see a volcano able to do it to us the same way as crumbling buildings these days...


PostPosted: Thu Nov 22, 2007 7:28 am
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fleabit
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JJ was in Japan with his kid, saw all the cool city-destroying monster stuff, and though "hey, I think America should have its own monster! Um.. that isn't an ape." And I think that's the extent of it.

It's like Tolkien. People kept telling him he was making the book in a comparison of WWII. He kept saying "no, there was no comparisons I was trying to make, it was a linguistic work first and foremost, and inspired from epics like Beowulf." But people don't believe him, because they like to think they found something nifty.

Reminds of that "secret" language people thought they found. Using certain letters of sentances in books, people were finding astounding messages. Nevermind that with all the letters being repeated as often as they were, you could do the same with any book. And someone in fact did, with Moby Dick. It was pretty funny stuff.

Just saying.. don't try to read too much into it. It's just a monster flick.

PostPosted: Thu Nov 22, 2007 12:29 pm
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reagan88
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Rose is Right

I would like to address you guys who say that this is just as monster movie. You seem positive that you are correct in saying that there is no deeper meaning possible in a movie like this.

You are WRONG!

Now...I have no idea what this movie is about. We can all speculate but we are doing so based on info leaked to us from a source. That source is feeding us exactly what they want us to have and nothing more. I have really enjoyed the arg component to this marketing campaign. It is fun.

But when it comes to movies you must keep something in mind. There are many layers of people involved in getting a feature film to the big screen. If we just focus on those who are responsible for story content, we are still dealing with quite a few people. Most movie plots are allegories. They are morality plays preaching to us some lesson of value (this value is not universal, but is based on the biases of the filmmaker). I teach filmmaking at a private school in Houston and am a filmmaker myself. I can't think of one movie that doesn't contain a message. Not one.

When we study Monster movies in class the first thing I tell my students is that most of them are symbolic in nature. The monster represents some greater fear, normally a fear corresponding to the actual dangers in that society at that time. Ex: Monster movies of the 1950's almost always dealt with some creature made large and pissed off do to our testing of atom bombs.

My fear is this... Hollywood has gone so far to the left that this movie may have be a statement on man's neglect or poor treatment of the environment. It might also be an antiwar movie. You guys watch...you'll see. It is no accident that the monster is attacking New York City. And we all are assuming, based on the clues we have gathered, that this monster is here because scientists went and fooled around with nature, mother earth, Gia or some aspect of the natural world and now this thing is unleashed and on a tear.

I challenge everyone who thinks that this movie will be a monster movie without deeper meaning to tell me of one single monster movie that didn't have some other subtext. I do this in class and it can be pretty fun.

Have a Happy Thanksgiving everybody!

PostPosted: Thu Nov 22, 2007 1:34 pm
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