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 Forum index » Archive » Archive: General » ARG: Super 8
[UPDATE] Braegen14
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SeekerX
Decorated

Joined: 17 May 2010
Posts: 184
Location: Germany

OK, now I read through your links. Really interesting stuff, convolution. I like the idea that you could also mix two instruments or whatever signals with each other while having real-time-control over the parameters. Sounds like a cool method to morph sounds which was pretty badly developed back in my active days. Makes me want my Cubase/Logic back Smile.
I take it from you then that deconvolution is possible without the impulse spectrum. It's still strange to me, but I take your word on it.

PostPosted: Thu Jun 24, 2010 6:59 am
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vapor
Entrenched


Joined: 03 Jun 2008
Posts: 1188
Location: Dallas, TX ya'll

Not being one to just believe EVERYTHING I read on the internet, I've decided I will conduct my own convolution test, just for the hell of it.

I'll record my voice speaking into a box or something as an impulse response and then convolve it with some synthesized tones (probably will use the phi tones). Then see if I can recover my impulse response using deconvolution.

That will seal it for me. If I can recover my own voice using deconvolution, I will be able to say with confidence that no hidden messages are wrapped up inside expcnv.mp3 using convolution.

PostPosted: Thu Jun 24, 2010 9:54 am
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Headman
Entrenched


Joined: 26 Aug 2007
Posts: 839
Location: Michigan

Could be some type of encryption key? Perhaps they recorded the sound for later access? Did they have keypad access panels back in the 70's? I will have to research. It's a stretch I know but just another option to think about. I know that all the keypads that I ever used on military installations never made any sounds when numbers were entered to deter the recording or memorization by unauthorized personnel. But we are talking about an ARG for a sci fi movie possibly set in the 70's.

PostPosted: Thu Jun 24, 2010 11:36 am
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ssx3master
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Joined: 24 Jun 2007
Posts: 72
Location: New Jersey

vapor wrote:
I used a sine wave sweep for a test tone.


vapor, I'm not sure what the parameters for a test tone are, but can you use the golden ratio sequence we were given as a test tone?

PostPosted: Thu Jun 24, 2010 12:05 pm
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vapor
Entrenched


Joined: 03 Jun 2008
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Location: Dallas, TX ya'll

ssx3master wrote:
vapor wrote:
I used a sine wave sweep for a test tone.


vapor, I'm not sure what the parameters for a test tone are, but can you use the golden ratio sequence we were given as a test tone?


I could but it's not recommended by the software developers.

Quote:
The recorded test tone should not be distorted or overloaded/clipped. You should pay attention to the playback and recording devices you use. They should exhibit a maximally linear and flat frequency response, and should have a good signal-to-noise ratio.


PostPosted: Thu Jun 24, 2010 12:51 pm
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ssx3master
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Joined: 24 Jun 2007
Posts: 72
Location: New Jersey

What about that tone you get when you try to click on one of the buttons on the taskbar on the OS on STIES? It doesn't sound to assuming, but worth a try as the test tone maybe? It is the only other sound we've gotten from this, right?

PostPosted: Thu Jun 24, 2010 2:20 pm
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theforevermachine
Guest


braegen14 soundfile

i took a closer look at the audio file EXPCNV

it is most definitely a MODULATED SIGNAL

each successive tone has (n) beats in the harmonics
the first tone has no beats, so n=0, but each tone after that
beats (y) = n+1

1st tone – 0 beats
2nd tone – 1 beat
3rd tone – 2 beats
4th tone – 3 beats
5th tone – 4 beats
6th tone – 5 beats
7th tone – 6 beats
8th tone – 7 beats

beats refers to the "vibrating sound" in each tone.
if you listen closely, you will see what i'm talking about

with 8 notes played, each successive notes adds one more vibration in the tone.

since beats are created by two signals of closely comparable frequency, and since each tone has a different number of beats, i can only conclude so far that there is a main signal (the tones being perceived as notes) being modulated by a variable frequency carrier signal

however, this is as far as i can get with it, because i do not have the equipment to decipher the main signal or the modulation signal.

furthermore, since the tones are already very complex with many orders of harmonics, this will require very good audio analysis software

in conclusion, this is MOST DEFINITELY a modulated signal,
perhaps with a coded message inside of it. there is no doubt that the tones were put together using fourier synthesis (due to the complexity of the sounds and the harmonics present), and then it is modulated with a variable frequency carrier signal.

this being discovered, i personally believe that this has NOTHING to do with the golden ratio at all. while it was a good guess, nothing in the frequency or anything in the signal has anything to do with the ratio at all, so, sorry to put down that idea, but its pretty obvious now.

PostPosted: Fri Jun 25, 2010 2:22 pm
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giganticbrain
Kilroy


Joined: 25 Jun 2010
Posts: 2

Echo?

I think that at the end I hear very faint, very slight echo on the last note before it goes into the swooshing-esque sound. Maybe that's just me, though.

PostPosted: Fri Jun 25, 2010 10:36 pm
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jiblington
Boot


Joined: 25 May 2010
Posts: 58
Location: southampton uk

it might just be me but the longer we look at this and find nothing new the more i think its just a synth sound with some hi and lo pass filters on it which is pretty standard, theres similar style sounding synths on reason (music software) if peops are aware of that, also i respectfully disagree with the forever machines theory as the first and third tone sound identical when put next to each other to me, and also there are so many ways to make a sound vibrate like an LFO on a synth for example
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PostPosted: Sat Jun 26, 2010 1:22 am
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SeekerX
Decorated

Joined: 17 May 2010
Posts: 184
Location: Germany

theforevermachine:
I do agree that the tones are modulated. But to achive this you don't need any variable frequency carrier signal.
I'll go with synthesizer terms now:
You could have the same "instrument" played on two "voices", one tuned a few cents upwards, the other a few cents downwards the tone ladder (cents are increments of semi tones). This would create self-modulation by differences in the frequencies of the maintones themselves as well as their harmonics.
You could also apply an LFO (low frequency oscillator) to the envelope of your "voice" to achive a similar effect, although it would be more "stationary" if applied to just one source. But apply one to each of the detuned "voices" and you'll have an even more complex sound.
None of those methods require any carrier signal.
And besides that, from a musical perspective the file outputs 8 numbers and those 8 numbers ALL match the golden ratio row. That is just too consistent to be coincidence in my opinion.
Attached a pic of the waveform because I count different "beats" by simply looking at it. More like 2,3,2,3,4,5,5,5. Although it doesn't matter at all in my opinion.
expcnv_wf.jpg
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expcnv_wf.jpg


PostPosted: Sat Jun 26, 2010 1:48 am
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jiblington
Boot


Joined: 25 May 2010
Posts: 58
Location: southampton uk

i was going to see if i could get a close match to the sound of the tones using the synths on reason (sequencing software) to back up the point that its easy to make a complex sounding sound on it but it would take hours experimenting that i dont have today(you could achieve a complex multi layered sound easily as you can run three sounds through the thor synth and you can run an almost infinite number of these chained together if your pc is good enough), a person more experienced with sythns would be quicker, my expertise is more live audio and studio production rather then electronic music sythesis, no ones got thomas dolbys number have they, lol Wink
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PostPosted: Sat Jun 26, 2010 2:03 am
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multipsychoapopheniosis
Unfettered

Joined: 22 May 2010
Posts: 325

Quote:
if you listen closely, you will see what i'm talking about


Not to sound too skeptical, but really hearing 7 beats in tone 8??!! While a nice idea but:

1. The series has been RECREATED using an independent website completely out of game.

2. The corresponding spectogram overlays perfectly

3. This has been replicated by others

While the SUBJECTIVE opinion that this is a modulated tone MAY be true, it doesn't alter the OBJECTIVE fact that it is a tonal sequence for phi.

Regarding convulution, cool idea but critical on having the correct mathematical function that the tone was convolved with, and this could be anything. If you have that you can always deconvolve your time series
Quote:


PostPosted: Sat Jun 26, 2010 3:56 am
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Euchre
uF Game Warden


Joined: 29 Aug 2007
Posts: 3342

For those of you that didn't see the movie Contact or read the book (I've done both), the story does a very good job of showing how multiple messages may be embedded in a single signal. We've established the phi sequence, but the apparent fact is that there's also a simple arithmetic sequence as well. It is a little odd that we'd get a more complex progression out of it first, but we did. Now that's two sequences we've teased from this signal, maybe we can find another.
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PostPosted: Sat Jun 26, 2010 5:07 am
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SeekerX
Decorated

Joined: 17 May 2010
Posts: 184
Location: Germany

---

PostPosted: Sat Jun 26, 2010 5:25 am
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lirubinoff
Guest


spectrogram

has anyone tried to put the expcnv.dat file through a spectrogram? maybe we might get a picture of the "monster".

PostPosted: Sat Jul 03, 2010 8:00 pm
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