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 Forum index » Chaotic Fiction » Marble Hornets
[SPEC] Why connected to cameras?
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cocoram
Kilroy

Joined: 28 Sep 2011
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[SPEC] Why connected to cameras?

I don't exactly understand the connection to cameras everyone seems to have established for The Operator. In entry 26 when Alex's girlfriend sees The Operator through the camera, it seems like after she takes the camera off him she can still see him. So why do people think that The Operator only appears when around a camera that has captured him?

PostPosted: Wed Sep 28, 2011 4:24 pm
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Randoman96
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It's just one of the many theories there are. There's plenty of evidence against it, but hey, believe what you want.
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PostPosted: Wed Sep 28, 2011 4:48 pm
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[Z.E.R.O.] Ghost
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There's been a running theory that I've heard about concerning capturing Him on a camera or catching sight of Him locks Him in place. The idea is that He can be pretty much anywhere at any time, but by seeing Him you force Him to stay there. I'm not sure exactly how much hold the theory has though...

PostPosted: Wed Sep 28, 2011 9:59 pm
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AngryDeepground
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I have never been a fan of this theory myself. Alex said he saw The Operator when walking his dog. He didn't have a camera with him at the time. But The Operator most defiantly has a connection to Cameras.

PostPosted: Wed Sep 28, 2011 10:06 pm
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Rogue Thoughts
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I've always felt that looking at the Operator (with your eyes or with a camera) locks him into this reality/dimension, preventing him from teleporting--provided you don't blink, take the camera off of him, or the distortion doesn't get so bad that he can.
And that leads to the thought that the Operator is purposely causing (or at least purposely amplifying) the distortion on camera, so he's not limited at all when he....... Shocked

That could also explain the lack of heavy distortion in the earlier entries. It might have taken the Operator an exposure or two to figure out that the camera is limiting him, and what he can do to correct the problem.

PostPosted: Wed Sep 28, 2011 11:44 pm
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punxtr
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That's actually a good idea. Considering that Entry #0 and #1 came out literally a week or so after Victor Surge created Slenderman, Slendy must have slowly come to realize what cameras do to him (even though he's supposedly existed for a long time, especially during the advent of analog and digital photography). Basically, nice try!
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PostPosted: Thu Sep 29, 2011 1:30 am
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Rogue Thoughts
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@punxtr
Perhaps Alex is just the first one to just start filming himself nonstop during a stalking period. I know if some unspeakable horror was stalking me, my first thought wouldn't be "Oh, let me grab a camcorder!". Heck, I don't even have a camcorder I could grab. Best thing I have would be my point-and-click camera that could maybe get 40 minutes recorded time before it died.
This could very well be the first time the Operator had some difficulty with a camera.

(And I like to keep all the slendy series separated, even from the original mythos, until there's in-game evidence to support some aspect/idea)

PostPosted: Thu Sep 29, 2011 2:06 am
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ZargggModerator
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punxtr wrote:
Considering that Entry #0 and #1 came out literally a week or so after Victor Surge created Slenderman

This comparison is outside the scope of the series. In-game, Jay was reminded of the videos he got from Alex while he was looking at Victor's images and recognized the figure in them from the videos.

PostPosted: Thu Sep 29, 2011 9:46 am
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punxtr
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I wasn't making a distinct connection to Marble Hornets. I was trying to understand how Slendy works given how each unique vlogger and blogger has developed him since his internet inception. It's more of an explanation of the evolution of our own ideas and fears borne from the Slenderman.

And yes, I realize this thread is focused on Marble Hornets.
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PostPosted: Thu Sep 29, 2011 9:59 am
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theartful2342
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Rogue Thoughts wrote:
I've always felt that looking at the Operator (with your eyes or with a camera) locks him into this reality/dimension, preventing him from teleporting--provided you don't blink, take the camera off of him, or the distortion doesn't get so bad that he can.
And that leads to the thought that the Operator is purposely causing (or at least purposely amplifying) the distortion on camera, so he's not limited at all when he....... Shocked

That could also explain the lack of heavy distortion in the earlier entries. It might have taken the Operator an exposure or two to figure out that the camera is limiting him, and what he can do to correct the problem.


I really like this idea! I mean at the same time I have a feeling that nothing we can come up with is going to be THE answer, but this is definitely something I'd never considered before.

Also there is this constant question of why sometimes people notice TO when other times people don't. For instance, in 46 Jay notices TO out of the window but then points for Alex to look for himself. So even if Jay saw TO through the camera, Alex saw him with his own eyes. And like Punxtr said, there was also that time Alex was walking his dog and saw him.

So I mean yeah, I feel like it's totally possible that cameras can anchor TO to one place, but then why stick around even when there isn't a camera? Unless those are the times he just feels like creeping everyone the hell out.

PostPosted: Thu Sep 29, 2011 4:00 pm
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punxtr
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I think this thread demonstrates why SLendy is so effective. Even when we know he's around, we don't know why. Especially when he does just about any random thing.

Also, I don't think I talked about Alex walking Rocky Wink
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PostPosted: Thu Sep 29, 2011 4:13 pm
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theartful2342
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punxtr wrote:
I think this thread demonstrates why SLendy is so effective. Even when we know he's around, we don't know why. Especially when he does just about any random thing.

Also, I don't think I talked about Alex walking Rocky Wink


Derp. My b.

Agreed though. One of my favorite things about Slenderman in general is how little I know about why he do what he do.

PostPosted: Thu Sep 29, 2011 4:14 pm
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Spakken
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Rogue Thoughts wrote:
I've always felt that looking at the Operator (with your eyes or with a camera) locks him into this reality/dimension, preventing him from teleporting--provided you don't blink, take the camera off of him, or the distortion doesn't get so bad that he can.
And that leads to the thought that the Operator is purposely causing (or at least purposely amplifying) the distortion on camera, so he's not limited at all when he....... Shocked

That could also explain the lack of heavy distortion in the earlier entries. It might have taken the Operator an exposure or two to figure out that the camera is limiting him, and what he can do to correct the problem.


I like this opinion in general because it's the same type of horror that 'Weeping Angels' have in Doctor Who. Except that we also know that the the Operator CAN move while you're looking at him. The earliest videos show him walking around outside Alex's house, and Entry #7 shows him walking around a corner in broad daylight. What's weird is that he was walking around in broad daylight where any number of people could have noticed him, but it was just Alex. I think Slendy latches on to people's psyche when he stalks them, making him generally invisible to everybody else until somebody plants the idea of him into their mind. Note the Slendy-sickness being a direct indicator of who has seen the Operator, and also note that Jessica, while being stalked, has absolutely no idea that she's being stalked (even during the flashback videos). It doesn't quite make sense that Jay and Alex only had the irritability and hyper-curiosity of Slendy-sickness, and no coughing, like Tim, but still, it indicates something a bit more insidious than just camera use.

PostPosted: Thu Sep 29, 2011 4:38 pm
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theartful2342
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Spakken wrote:
Rogue Thoughts wrote:
I've always felt that looking at the Operator (with your eyes or with a camera) locks him into this reality/dimension, preventing him from teleporting--provided you don't blink, take the camera off of him, or the distortion doesn't get so bad that he can.
And that leads to the thought that the Operator is purposely causing (or at least purposely amplifying) the distortion on camera, so he's not limited at all when he....... Shocked

That could also explain the lack of heavy distortion in the earlier entries. It might have taken the Operator an exposure or two to figure out that the camera is limiting him, and what he can do to correct the problem.


I like this opinion in general because it's the same type of horror that 'Weeping Angels' have in Doctor Who. Except that we also know that the the Operator CAN move while you're looking at him. The earliest videos show him walking around outside Alex's house, and Entry #7 shows him walking around a corner in broad daylight. What's weird is that he was walking around in broad daylight where any number of people could have noticed him, but it was just Alex. I think Slendy latches on to people's psyche when he stalks them, making him generally invisible to everybody else until somebody plants the idea of him into their mind. Note the Slendy-sickness being a direct indicator of who has seen the Operator, and also note that Jessica, while being stalked, has absolutely no idea that she's being stalked (even during the flashback videos). It doesn't quite make sense that Jay and Alex only had the irritability and hyper-curiosity of Slendy-sickness, and no coughing, like Tim, but still, it indicates something a bit more insidious than just camera use.


The most confusing incident that I can think of was Entry #12, where a whole bunch of them were out filming and treated TO like he was just some guy they needed to move off set. It appeared everyone was able to see him, but Alex just starts walking towards him like "Hey, buddy," and Sarah is all "What is he doing?" and I have no idea if they're seeing what we're seeing or what.

And something I had thought about was that yeah, if you see this tall guy in a business suit standing a fair distance away, your first thought is not going to be HOLY CRAP SUPERNATURAL BEING OUT TO KILL ME. It's going to be more like, "Look at this strange fellow standing awkwardly on the set of my student film."

But still...do you think he ever looks different off camera?

PostPosted: Thu Sep 29, 2011 4:44 pm
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punxtr
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theartful2342 wrote:
But still...do you think he ever looks different off camera?


Hard to know without seeing him firsthand. "If a tree falls..." Razz
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PostPosted: Thu Sep 29, 2011 5:03 pm
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